<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-37065257</id><updated>2011-07-08T07:04:00.593+02:00</updated><category term='dokumentáció'/><category term='urban'/><category term='család'/><category term='animáció'/><category term='artblog'/><category term='írás'/><category term='hely'/><category term='grafika'/><category term='mke'/><category term='kiállítás'/><category term='video'/><category term='szólás'/><category term='FM Center'/><category term='rajz'/><category term='elmélet'/><category term='film'/><category term='fotó'/><category term='város'/><category term='blog'/><category term='kritikai művészet'/><category term='kritika'/><category term='fluxus'/><category term='kutatás'/><title type='text'>l'e-m</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://learning-machine.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default?start-index=101&amp;max-results=100'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>385</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-37065257.post-3531242185548595074</id><published>2010-03-03T11:40:00.000+01:00</published><updated>2010-03-03T11:41:06.937+01:00</updated><title type='text'>2010/3/3</title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;folytatás itt:&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:arial, serif;color:#666666;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;a href="http://learningmachine2.wordpress.com/"&gt;http://learningmachine2.wordpress.com/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3531242185548595074?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3531242185548595074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3531242185548595074'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/03/201033.html' title='2010/3/3'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6308646794826520973</id><published>2010-02-05T11:26:00.004+01:00</published><updated>2010-02-05T11:35:14.842+01:00</updated><title type='text'>2010/2/5</title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- óra alatt nem kia-&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;bálok közbe (&lt;/span&gt;&lt;a href="http://www.photoblog.com/szerecsen/2009/11/07/soha-tbb-nem-doblom-a-zskom.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;szerecsen&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;coincidence engines&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;a href="http://www.transmediale.de/en/coincidence-engines"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://www.transmediale.de/en/coincidence-engines&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Csudai&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; István rímsky cyklus, kressling galéria, pozsony, 2010/2/5- &lt;/span&gt;&lt;a href="http://www.gallerykressling.sk/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;www.gallerykressling.sk&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;dox&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; centre for contemporary art, prága, &lt;/span&gt;&lt;a href="http://www.doxprague.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://www.doxprague.org/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;SUB&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;VERSIVE EXCERPTS, 2010/1/29-2010/2/28, &lt;/span&gt;&lt;a href="http://www.trafo.hu/programs/1866"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Trafó&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; Gallery&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;a href="http://www.publicdomainmanifesto.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://www.publicdomainmanifesto.org/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;a href="http://www.artspeak.ca/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://www.artspeak.ca/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- *&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Victims’ Symptom&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;* &lt;/span&gt;&lt;a href="http://victims.labforculture.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://victims.labforculture.org&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, &lt;/span&gt;&lt;a href="http://networkcultures.org/wpmu/theoryondemand/titles/no-03-victims%E2%80%99-symptom-ptsd-and-culture/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;networkculture&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- * &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Influencers&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, &lt;/span&gt;&lt;a href="http://TheInfluencers.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://TheInfluencers.org&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;PAVILION&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; #14: BIOPOLITICS, NECROPOLITICS AND DE-COLONIALITY, Bukarest, &lt;/span&gt;&lt;a href="http://www.pavilionjournal.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;www.pavilionjournal.org&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, blog: &lt;/span&gt;&lt;a href="http://pavilion.pavilionmagazine.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://pavilion.pavilionmagazine.org/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Aesthetica &lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Magazine, &lt;/span&gt;&lt;a href="http://www.aestheticamagazine.com/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;www.aestheticamagazine.com&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;a href="http://m.ikon.hu/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://m.ikon.hu/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- Let's Talk About &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Nationalism&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;! Between Ideology and Identity, Kumu Art Museum, Tallinn, &lt;/span&gt;&lt;a href="http://www.ekm.ee/kumu"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;www.ekm.ee/kumu&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The SocialEast Forum&lt;/span&gt;&lt;/b&gt;&lt;a href="http://www.socialeast.org/"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://www.socialeast.org&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;--- "A Poem about Nothing", &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Komoróczky&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; Tamás, 2010/2/11-2010/3/11 &lt;/span&gt;&lt;a href="http://www.ligetgaleria.c3.hu/375.html"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;http://www.ligetgaleria.c3.hu/375.html&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6308646794826520973?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6308646794826520973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6308646794826520973'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/02/201025.html' title='2010/2/5'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3371451228252873228</id><published>2010-02-04T01:14:00.001+01:00</published><updated>2010-02-04T01:16:34.141+01:00</updated><title type='text'>20100203</title><content type='html'>&lt;img style="float:left; margin:0 10px 10px 0;width: 200px; height: 194px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/S2oRgEAhVPI/AAAAAAAAEaU/Um5of8kk-ys/s200/digital12.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5434175142905337074" /&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;Nick Dewar (1973-2010)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;a href="http://www.nickdewar.com"&gt;http://www.nickdewar.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3371451228252873228?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3371451228252873228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3371451228252873228'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/02/20100203.html' title='20100203'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/S2oRgEAhVPI/AAAAAAAAEaU/Um5of8kk-ys/s72-c/digital12.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5383677549416364396</id><published>2010-01-25T11:24:00.004+01:00</published><updated>2010-01-25T11:41:43.379+01:00</updated><title type='text'>2010/1/25</title><content type='html'>&lt;img style="float:left; margin:0 10px 10px 0;width: 169px; height: 200px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/S11xmCrYnFI/AAAAAAAAEaM/FC-LhHrBe9s/s200/1264202361image_web.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5430621624046492754" /&gt;&lt;img style="float:left; margin:0 10px 10px 0;width: 200px; height: 35px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/S11xl31a3MI/AAAAAAAAEaE/gb8iKSktFlY/s200/1263958108mail_image.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5430621621135793346" /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;-- &lt;a href="http://www.pacmurcia.es/"&gt;http://www.pacmurcia.es/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;-- &lt;a href="http://krcf.org/krcf.org/"&gt;http://krcf.org/krcf.org/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;b&gt;Auto-kino!&lt;/b&gt; 2010/2/4-2010/2/5, &lt;a href="http://www.kunsthalle-berlin.com/"&gt;http://www.kunsthalle-berlin.com&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- WE THE USERS - &lt;b&gt;DIGITAL FOLKLORE&lt;/b&gt; Reader by Pau Waelder, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;a href="http://www.furtherfield.org/displayreview.php?review_id=375"&gt;http://www.furtherfield.org/displayreview.php?review_id=375&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;b&gt;artbrussels&lt;/b&gt;, 2010/4/23-2010/4/26, &lt;a href="http://www.artbrussels.be/"&gt;http://www.artbrussels.be&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;a href="http://www.greusslich-contemporary.de/"&gt;www.greusslich-contemporary.de&lt;/a&gt;, berlin, itt 2010/1/28, &lt;b&gt;Lost Highway&lt;/b&gt; (German Version), David Lynch, USA/Frankreich, 1997, Weblinks: &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;a href="http://www.insidemovie.de/interpretationen/lost_highway"&gt;http://www.insidemovie.de/interpretationen/lost_highway&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;a href="http://cinetext.philo.at/magazine/circvit.html"&gt;http://cinetext.philo.at/magazine/circvit.html&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;&lt;a href="http://de.wikipedia.org/wiki/Lost_Highway"&gt;http://de.wikipedia.org/wiki/Lost_Highway&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- Armando Andrade Tudela, HIER, AUJOURD'HUI, DEMAIN AUJOURD'HUI, DEMAIN, HIER DEMAIN, HIER, AUJOURD'HUI, 2010/2/6-2010/5/16, Frac Bourgogne, Dijon &lt;a href="http://www.frac-bourgogne.org/"&gt;http://www.frac-bourgogne.org&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;b&gt;Dear Silvia... &lt;/b&gt;July 2009 One-sided, 12 inch acetate disc Duration: 20 minutes, 30 seconds &lt;a href="http://www.fillip.ca/"&gt;http://www.fillip.ca&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;a href="http://www.soundimageculture.org/"&gt;www.soundimageculture.org&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- Kristof &lt;b&gt;Kintera&lt;/b&gt;: A Bigger Problem Than Yours, Jiri Svestka Gallery, Prága, 2010/1/15-2010/3/6 &lt;a href="http://www.jirisvestka.com/"&gt;www.jirisvestka.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;a href="http://www.printa.hu/"&gt;http://www.printa.hu&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;b&gt;Artefact&lt;/b&gt; festival for Art &amp;amp; Media ON GAPS AND SILENT DOCUMENTS, 9 &gt; 14 FEB 2010 STUK arts centre Leuven, Belgium &lt;a href="http://www.artefact-festival.be/"&gt;www.artefact-festival.be&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- The Magnificent Seven: &lt;b&gt;Harrell Fletcher&lt;/b&gt;, Selections from the Life and Work of Michael Bravo, 2010/1/19-2010/4/24 CCA Wattis Institute for Contemporary Arts &lt;a href="http://www.wattis.org/"&gt;http://www.wattis.org&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;b&gt;WITPLan blog&lt;/b&gt; for practical utopists, &lt;a href="http://witplan.wordpress.com/"&gt;http://witplan.wordpress.com&lt;/a&gt;  Imaginary Museum Projects, Dramatizing Historical Information, &lt;a href="http://imaginarymuseum.org/"&gt;http://imaginarymuseum.org&lt;/a&gt;, web-blog: The Limping Messenger, &lt;a href="http://limpingmessenger.wordpress.com/"&gt;http://limpingmessenger.wordpress.com/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- &lt;b&gt;Is it really a man's (art) world?&lt;/b&gt; Independent Collectors, Berlin, &lt;a href="http://www.independent-collectors.com/"&gt;http://www.independent-collectors.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;---  &lt;a href="http://mattaclark.pulitzerarts.org/"&gt;http://mattaclark.pulitzerarts.org&lt;/a&gt; Urban Alchemy/&lt;b&gt;Gordon Matta-Clark&lt;/b&gt;, on view October 30, 2009 - June 5, 2010. 2009/10/30-2010/6/5, St Louis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- Lawrence &lt;b&gt;Weiner&lt;/b&gt;, Dicht Bij BAK, basis voor actuele kunst, Utrecht &lt;a href="http://www.bak-utrecht.nl/"&gt;www.bak-utrecht.nl&lt;/a&gt;, 2010/1/24-2010/3/28&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#666666;"&gt;--- “Playlist”, &lt;b&gt;Neoncampobase&lt;/b&gt;, Bologna, &lt;a href="http://www.neoncampobase.blogspot.com/"&gt;http://www.neoncampobase.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5383677549416364396?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5383677549416364396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5383677549416364396'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/01/2010125.html' title='2010/1/25'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/S11xmCrYnFI/AAAAAAAAEaM/FC-LhHrBe9s/s72-c/1264202361image_web.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-682108740477795179</id><published>2010-01-18T11:18:00.004+01:00</published><updated>2010-01-18T11:26:03.820+01:00</updated><title type='text'>2010/1/18</title><content type='html'>&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 179px; height: 132px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/S1Q1oRt6R9I/AAAAAAAAEZ8/8t2s7emTx6U/s200/turrell.jpg" alt="" id="BLOGGER_PHOTO_ID_5428022416955295698" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 200px; height: 134px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/S1Q1oPHG9RI/AAAAAAAAEZ0/cKV9KhXmkFk/s200/sander.jpg" alt="" id="BLOGGER_PHOTO_ID_5428022416255677714" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 94px; height: 133px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/S1Q1nxxfOII/AAAAAAAAEZs/OP4115lRg2I/s200/fallout.jpg" alt="" id="BLOGGER_PHOTO_ID_5428022408380364930" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;a href="http://www.photoblog.com/dromidriver/2010/01/14/t.html"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;--- Isabelle &lt;span style="font-weight: bold;"&gt;Graw&lt;/span&gt;: High Price, Art Between the Market and Celebrity Culture, Translated from the German by Nicholas Grindell, January 2010, English, 13.8 x 21.4 cm, 248 pp., 23 b/w ill., softcover&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;ISBN 978-1-933128-79-5, &lt;a href="http://www.goethe.de/newyork"&gt;http://www.goethe.de/newyork&lt;/a&gt;, &lt;a href="http://www.sternberg-press.com/"&gt;http://www.sternberg-press.com&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://bram.org/collaboration/"&gt;http://bram.org/collaboration/&lt;/a&gt;, Ecriture partagée / collecte  On co – laboration – operation – construction – creation and human constraints Collective writing / collection&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Alkotás útja&lt;/span&gt;, TILOS RÁDIÓ, 2010. január. 15. 21:00-22:00, &lt;a href="http://tilos.hu/index.php?form=musor&amp;amp;id=647"&gt;http://tilos.hu/index.php?form=musor&amp;amp;id=647&lt;/a&gt;, videó: &lt;a href="http://www.viddler.com/explore/tbrVideos/videos/24/"&gt;http://www.viddler.com/explore/tbrVideos/videos/24/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.photoblog.com/dromidriver/2010/01/14/t.html"&gt;&lt;span style="font-family:arial;"&gt;http://www.photoblog.com/dromidriver/2010/01/14/t.html&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- &lt;span style="font-weight: bold;"&gt;Pure&lt;/span&gt;dyne 9.10 - Carrot and Coriander, &lt;a href="http://puredyne.goto10.org/about.html"&gt;http://puredyne.goto10.org/about.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- keleten a helyzet - közép és kelet-európai &lt;span style="font-weight: bold;"&gt;videoművészet&lt;/span&gt; 1989-2009, &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;2010/1/21-2010/3/7 &lt;a href="http://lumu.hu/"&gt;http://lumu.hu/&lt;/a&gt; km&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt; Adrian Paci, Ana Husman, Anri Sala, Artur Zmijewsky, Association Apsolutno, Azorro SuperGroup, Chto Delat, Damir Niksic, Egon Bunne, Gordana Andjelic-Galic, Hámos Gusztáv, Józef Robakowski, Kai Kaljo, Kaspar Goba, KissPál Szabolcs, Milica Tomic, Pavel Bra&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- UENOTÓL NIPPORIBA, &lt;span style="font-weight: bold;"&gt;BARABÁS&lt;/span&gt; ZSÓFI, &lt;a href="http://www.monogaleria.hu/"&gt;http://www.monogaleria.hu&lt;/a&gt;, 2010/12/3-2010/1/23, &lt;a href="http://www.zsofibarabas.hu/"&gt;http://www.zsofibarabas.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- James &lt;span style="font-weight: bold;"&gt;Turrell&lt;/span&gt;. The Wolfsburg Project, Until 2010/4/5, Kunstmuseum Wolfsburg, &lt;a href="http://www.kunstmuseum-wolfsburg.de/"&gt;http://www.kunstmuseum-wolfsburg.de&lt;/a&gt; kép: James Turrell: Bridget's Bardo, 2009 Installation&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- The &lt;span style="font-weight: bold;"&gt;Collection, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;A New Context for Art Projects in Care Institutions, The end of an era and the start of a new beginning, SKOR (Foundation Art and Public Space), Amsterdam, &lt;a href="http://www.skor.nl/"&gt;http://www.skor.nl&lt;/a&gt;, &lt;a href="http://www.nietnormaal.com/"&gt;http://www.nietnormaal.com/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt; kép:Karin Sander, Installation Lehmbruck Museum, Duisburg, Germany (2008)  &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;FALL OUT&lt;/span&gt; - art, desire and disengagement, Holtegaard, &lt;a href="http://www.glholtegaard.dk/"&gt;http://www.glholtegaard.dk&lt;/a&gt;, 2010/1/15-2010/3/22 &lt;a href="http://www.konsthall.malmo.se/"&gt;http://www.konsthall.malmo.se&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Storytellers&lt;/span&gt;, set tables and shrouds: Art Rotterdam &amp;amp; Object Rotterdam: contemporary art &amp;amp; design, &lt;a href="http://www.artrotterdam.com/"&gt;www.artrotterdam.com&lt;/a&gt;, &lt;a href="http://www.objectrotterdam.com/"&gt;www.objectrotterdam.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-682108740477795179?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/682108740477795179'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/682108740477795179'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/01/2010118.html' title='2010/1/18'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/S1Q1oRt6R9I/AAAAAAAAEZ8/8t2s7emTx6U/s72-c/turrell.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-785464312599156708</id><published>2010-01-11T10:27:00.003+01:00</published><updated>2010-01-11T10:37:05.502+01:00</updated><title type='text'>2010/1/11</title><content type='html'>&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 146px; height: 200px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/S0rvYmabzHI/AAAAAAAAEZk/xY74tQAiozQ/s200/tupilakosaurus.jpg" alt="" id="BLOGGER_PHOTO_ID_5425411907028503666" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 140px; height: 200px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/S0rvYV4_61I/AAAAAAAAEZc/-L6MyJ3N538/s200/liba.jpg" alt="" id="BLOGGER_PHOTO_ID_5425411902593297234" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 151px; height: 200px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/S0rvXnuojrI/AAAAAAAAEZM/y-h2SF5ph6k/s200/artasia.jpg" alt="" id="BLOGGER_PHOTO_ID_5425411890201792178" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 200px; height: 113px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/S0rvX2-8sqI/AAAAAAAAEZU/pIt5CybBmxs/s200/hayes.jpg" alt="" id="BLOGGER_PHOTO_ID_5425411894296752802" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 200px; height: 74px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/S0rvXcgGvPI/AAAAAAAAEZE/RbXQkIVsj1Q/s200/animism.jpg" alt="" id="BLOGGER_PHOTO_ID_5425411887188065522" border="0" /&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;--- &lt;span style="font-weight: bold;"&gt;TATE ETC&lt;/span&gt;. 18, Visiting and Revisiting Art, etcetera, &lt;a href="http://www.tate.org.uk/tateetc"&gt;www.tate.org.uk/tateetc&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;ArtAsiaPacific&lt;/span&gt; magazine, Almanac 2010, &lt;a href="http://aapmag.com"&gt;http://aapmag.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Rebus&lt;/span&gt; Issue 4, University of Essex, &lt;a href="http://www.essex.ac.uk/arthistory/rebus/issue4.htm"&gt;www.essex.ac.uk/arthistory/rebus/issue4.htm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Flash Art&lt;/span&gt; International No.270, January – February 2010, &lt;a href="http://www.flashartonline.com"&gt;http://www.flashartonline.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Who's Afraid of the Museum?&lt;/span&gt;, Museum Hof van Busleyden, Mechelen, &lt;a href="http://www.whosafraidofthemuseum.be"&gt;www.whosafraidofthemuseum.be&lt;/a&gt;, 16/1 - 18/4/2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Laboratoire d'Ingénierie d'Idées&lt;/span&gt;, &lt;a href="http://www.liid.fr"&gt;www.liid.fr&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---&lt;span style="font-weight: bold;"&gt; Animism&lt;/span&gt;, 22 January – 2/5/2010, Extra City – Kunsthal Antwerpen, MuHKA, &lt;a href="http://www.extracity.org"&gt;http://www.extracity.org&lt;/a&gt;, &lt;a href="http://www.muhka.be"&gt;http://www.muhka.be&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;ARTPULSE&lt;/span&gt; magazine, 12/2009 – 2/2010 &lt;a href="http://www.artpulsemagazine.com"&gt;www.artpulsemagazine.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- kép: Sharon Hayes, In the Near Future, 2005-2009,  Andrea &lt;span style="font-weight: bold;"&gt;Geyer &lt;/span&gt;| Sharon &lt;span style="font-weight: bold;"&gt;Hayes&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;16/1/2010 – 18/4/2010, Göteborgs Konsthall, &lt;a href="http://www.konsthallen.goteborg.se"&gt;http://www.konsthallen.goteborg.se&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---&lt;span style="font-weight: bold;"&gt; e-flux &lt;/span&gt;journal - issue #12, "What is Contemporary Art?" Issue Two, January 2010, &lt;a href="http://e-flux.com/journal"&gt;http://e-flux.com/journal&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- ARTISTES DE GARDE / HEADQUARTERS and DIAGNOSIS, Until 22 January, 2010, Gallery Poulsen, Contemporary Fine Arts, Koppenhága, &lt;a href="http://www.gallerypoulsen.com"&gt;http://www.gallerypoulsen.com&lt;/a&gt;, &lt;a href="http://www.emergencyrooms.org/garde.html"&gt;http://www.emergencyrooms.org/garde.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- TUPILAKOSAURUS: &lt;span style="font-weight: bold;"&gt;Pia Arke&lt;/span&gt;'s Issue with Art, Ethnicity, and Colonialism, 1981-2006&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Den Frie Centre of Contemporary Art and The National Museum of Denmark&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;8/1/2010 – 14/2/2010, &lt;a href="http://www.denfrie.dk"&gt;http://www.denfrie.dk&lt;/a&gt;, &lt;a href="http://www.natmus.dk"&gt;http://www.natmus.dk&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- VÁRFOK &lt;span style="font-weight: bold;"&gt;„Paradogma”&lt;/span&gt; 2010/1/15-2010/2/13  &lt;a href="http://www.varfok-galeria.hu"&gt;http://www.varfok-galeria.hu&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-785464312599156708?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/785464312599156708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/785464312599156708'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/01/2010111.html' title='2010/1/11'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/S0rvYmabzHI/AAAAAAAAEZk/xY74tQAiozQ/s72-c/tupilakosaurus.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2359464352581329689</id><published>2010-01-07T08:11:00.007+01:00</published><updated>2010-01-07T12:16:05.592+01:00</updated><title type='text'>2010/01/06</title><content type='html'>&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 105px; height: 150px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/S0WJNnNm90I/AAAAAAAAEXc/y46BisFhwag/s200/koos.jpg" alt="" id="BLOGGER_PHOTO_ID_5423892193194997570" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 171px; height: 120px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/S0WJNZrh6AI/AAAAAAAAEXU/7l728dIyzPU/s200/homelessness.jpg" alt="" id="BLOGGER_PHOTO_ID_5423892189562398722" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 187px; height: 120px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/S0WJNPMHmHI/AAAAAAAAEXM/OjALk61ckac/s200/conceptual+paradise.jpg" alt="" id="BLOGGER_PHOTO_ID_5423892186746296434" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 127px; height: 120px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/S0WJMyA0pzI/AAAAAAAAEXE/r9NY_vq4eWU/s200/alansekula.jpg" alt="" id="BLOGGER_PHOTO_ID_5423892178914289458" border="0" /&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;--- &lt;span style="font-weight: bold;"&gt;Felix Gonzalez-Torres&lt;/span&gt;, Specific Objects without Specific Form, &lt;a href="http://www.wiels.org/"&gt;WIELS&lt;/a&gt; Contemporary Art Centre, Brussels (with Danh Vo), January 16 - April 25, 2010, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;és &lt;a href="http://www.fondationbeyeler.org/"&gt;Fondation Beyeler&lt;/a&gt;, Basel (with Carol Bove), May 21 - August 29, 2010, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;és &lt;a href="http://www.mmk-frankfurt.de/"&gt;MMK&lt;/a&gt;-Museum für Moderne Kunst, Frankfurt am Main (with Tino Sehgal), January 28 - April 25, 2011. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Review by Rob Myers, &lt;span style="font-weight: bold;"&gt;We Feel Fine:&lt;/span&gt; An Almanac of Human Emotion, Jonathan Harris and Sep Kamvar, Scribner Book Company, December 2009, ISBN 1439116830 &lt;a href="http://www.furtherfield.org/displayreview.php?review_id=371"&gt;http://www.furtherfield.org/displayreview.php?review_id=371&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Stefan Roemer. &lt;span style="font-weight: bold;"&gt;Conceptual Paradise&lt;/span&gt; – The studio of interest, Kunstraum of Leuphana University Lueneburg, &lt;a href="http://www.kunstraum.uni-lueneburg.de/"&gt;www.kunstraum.uni-lueneburg.de&lt;/a&gt;, 10 Dec 2009 - 20 Jan 2010, kép Stefan Roemer, Conceptual Paradise, 2005&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;FERENCZY &lt;/span&gt;ZSOLT, vizit, &lt;a href="http://www.godot.hu/"&gt;godot&lt;/a&gt;, 2010/01/06-2010/02/06&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- ballonban &lt;span style="font-weight: bold;"&gt;Fátyol&lt;/span&gt; Viola, &lt;a href="http://www.balkon.hu/ballon/2009/ballon_21_2009.pdf"&gt;http://www.balkon.hu/ballon/2009/ballon_21_2009.pdf&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- AKCIÓ! MA EGYETLEN, FRISS ZÖLDSÉG..., Allan &lt;span style="font-weight: bold;"&gt;Siegel&lt;/span&gt;, 2010/01/07-2010/02/04, &lt;a href="http://www.ligetgaleria.c3.hu/374.html"&gt;http://www.ligetgaleria.c3.hu/374.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- "A Poem about Nothing", &lt;span style="font-weight: bold;"&gt;Komoróczky&lt;/span&gt; Tamás, 2010/02/11-2010/03/11, liget&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- NEW ISSUE: URGENT, &lt;span style="font-weight: bold;"&gt;METROPOLIS M&lt;/span&gt; No 6 2009/2010, &lt;a href="http://www.metropolism.com/english"&gt;www.metropolism.com/english&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Allan &lt;span style="font-weight: bold;"&gt;Sekula&lt;/span&gt;. Polonia and Other Fables, until 2010/02/28, Zachęta National Gallery of Art, &lt;a href="http://www.zacheta.art.pl/"&gt;http://www.zacheta.art.pl &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- 'If You Lived Here Still…', An archive project by Martha &lt;span style="font-weight: bold;"&gt;Rosler&lt;/span&gt;, 2010/01/17-2010/03/14, Casco - Office for Art, Design and Theory, Utrecht, &lt;a href="http://www.cascoprojects.org/"&gt;http://www.cascoprojects.org&lt;/a&gt;, kép homelessness, One of the mottos for 'If You Lived Here...' (a quotation from urbanist Peter Marcuse) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://insiders-evento09.blogspot.com/"&gt;http://insiders-evento09.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Koós&lt;/span&gt; Anna: Színházi történetek szobában, kirakatban, bővebben: &lt;a href="http://www.polc.hu/konyv/szinhazi_tortenetek_szobaban_kirakatban/702193/"&gt;http://www.polc.hu/konyv/szinhazi_tortenetek_szobaban_kirakatban/702193/&lt;/a&gt;, Artpool linkek: &lt;a href="http://www.artpool.hu/Al/al11/Squat.html"&gt;http://www.artpool.hu/Al/al11/Squat.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Contemporary drawing / &lt;span style="font-weight: bold;"&gt;Kortárs rajz&lt;/span&gt; / Kassa &gt; Prága &gt; Budapest, web | 2010/01/05-2010/01/16, &lt;a href="http://labor.c3.hu/"&gt;http://labor.c3.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2359464352581329689?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2359464352581329689'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2359464352581329689'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2010/01/20100106.html' title='2010/01/06'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/S0WJNnNm90I/AAAAAAAAEXc/y46BisFhwag/s72-c/koos.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7811913271574168578</id><published>2009-12-29T07:25:00.002+01:00</published><updated>2009-12-29T07:33:08.506+01:00</updated><title type='text'>20091229</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/SzmhaP0rpEI/AAAAAAAAEW8/7FhesEP7QLo/s1600-h/skuc.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 136px; height: 200px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SzmhaP0rpEI/AAAAAAAAEW8/7FhesEP7QLo/s200/skuc.jpg" alt="" id="BLOGGER_PHOTO_ID_5420541098813269058" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;SLIDING TIME&lt;/span&gt; Walter Verdin 2009, Corban / Artes.Leuven,&lt;a href="http://%20www.corban.be"&gt; www.corban.be&lt;/a&gt; - &lt;a href="http://www.walterverdin.com"&gt;www.walterverdin.com&lt;/a&gt;, &lt;a href="http://www.museodelprado.es"&gt;www.museodelprado.es&lt;/a&gt; - &lt;a href="http://www.rogiervanderweyden.be"&gt;www.rogiervanderweyden.be&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Trebor &lt;span style="font-weight: bold;"&gt;Scholz&lt;/span&gt;: Post-Mortem Conference Mashup: The Internet as Playground and Factory, &lt;a href="http://is.gd/5vCcv"&gt;http://is.gd/5vCcv &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Framework&lt;/span&gt;: The Finnish Art Review, &lt;a href="http://www.frame-fund.fi"&gt;http://www.frame-fund.fi &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Removed from the Crowd: The Fate of Outer Planets, Skuc Gallery, Ljubljana, &lt;a href="http://www.galerija.skuc-drustvo.si"&gt;www.galerija.skuc-drustvo.si&lt;/a&gt;, 23 December - 15 January 2010, kép: Mladen &lt;span style="font-weight: bold;"&gt;Stilinovic&lt;/span&gt;, Izvađeni iz gomile, 1979&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Monumenta 2010&lt;/span&gt; / Christian Boltanski, 13 January - 21 February 2010, &lt;a href="http://www.monumenta.com"&gt;http://www.monumenta.com &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- 'Against all Reason. &lt;span style="font-weight: bold;"&gt;Surrealism&lt;/span&gt; Paris - Prague', Wilhelm-Hack-Museum&amp;amp;Kunstverein Ludwigshafen, &lt;a href="http://www.surrealismus-ludwigshafen.de"&gt;www.surrealismus-ludwigshafen.de&lt;/a&gt;, until February 14, 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---&lt;span style="font-weight: bold;"&gt; triple canopy&lt;/span&gt; &lt;a href="http://canopycanopycanopy.com/"&gt;http://canopycanopycanopy.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://suicidemachine.org/"&gt;http://suicidemachine.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---  Where's the wind when it isn't blowing? – &lt;span style="font-weight: bold;"&gt;Political graphic novels&lt;/span&gt; from Albrecht Dürer to Art Spiegelman, December 19, 2009 - March 14, 2010, hamburg, &lt;a href="http://www.kunstverein.de"&gt;http://www.kunstverein.de&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Symbio&lt;/span&gt;, Vaclav Spala Gallery, Prague, &lt;a href="http://www.spalovka.cz"&gt;www.spalovka.cz&lt;/a&gt;, December 21-February 14th, 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Jiri Skala announced the winner of the 2009 Jindrich &lt;span style="font-weight: bold;"&gt;Chalupecky Award&lt;/span&gt;, &lt;a href="http://www.jchalupecky.cz"&gt;www.jchalupecky.cz&lt;/a&gt;, &lt;a href="http://www.doxprague.org"&gt;www.doxprague.org&lt;/a&gt;, Exhibition of the Finalists: 23.10.2009 - 10.1.2010 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Fake'ology&lt;/span&gt;, &lt;a href="http://www.neural.it/art/2009/12/neural_34_fakeology.phtml"&gt;http://www.neural.it/art/2009/12/neural_34_fakeology.phtml&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.arabshorts.net/"&gt;http://www.arabshorts.net/&lt;/a&gt; is a web-based project showcasing nine online, curated&lt;span style="font-weight: bold;"&gt; film programmes&lt;/span&gt; by nine curators from the Middle East and North Africa. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://ofapeoplewhoaremissing.net/"&gt;http://ofapeoplewhoaremissing.net/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;e-flux &lt;/span&gt;journal reader 2009, ISBN 978-1-933128-81-8&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Manifesta&lt;/span&gt; Journal #7 The Grammar of the Exhibition, &lt;a href="http://www.manifestajournal.org"&gt;www.manifestajournal.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- The Zero Dollar Laptop &lt;span style="font-weight: bold;"&gt;Project&lt;/span&gt; &lt;a href="http://www.furtherfield.org/zerodollarlaptop.php"&gt;http://www.furtherfield.org/zerodollarlaptop.php&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7811913271574168578?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7811913271574168578'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7811913271574168578'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/12/20091229.html' title='20091229'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/SzmhaP0rpEI/AAAAAAAAEW8/7FhesEP7QLo/s72-c/skuc.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7949954487340667797</id><published>2009-12-16T11:58:00.003+01:00</published><updated>2009-12-16T12:09:50.086+01:00</updated><title type='text'>misc 20091216</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/Syi_6DhrVwI/AAAAAAAAEW0/W_z_2HU_Kc4/s1600-h/ic.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 220px; height: 120px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Syi_6DhrVwI/AAAAAAAAEW0/W_z_2HU_Kc4/s200/ic.jpg" alt="" id="BLOGGER_PHOTO_ID_5415789556012898050" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Syi9uf8UZhI/AAAAAAAAEWs/DXRIwBnJlXc/s1600-h/roth.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 163px; height: 120px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Syi9uf8UZhI/AAAAAAAAEWs/DXRIwBnJlXc/s200/roth.jpg" alt="" id="BLOGGER_PHOTO_ID_5415787158459147794" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/Syi9uEjklMI/AAAAAAAAEWk/ImQVh0Ganno/s1600-h/kressling.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 181px; height: 120px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Syi9uEjklMI/AAAAAAAAEWk/ImQVh0Ganno/s200/kressling.jpg" alt="" id="BLOGGER_PHOTO_ID_5415787151107593410" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/Syi9t31MgcI/AAAAAAAAEWc/zjasvHA0GEk/s1600-h/kosuth.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 97px; height: 120px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Syi9t31MgcI/AAAAAAAAEWc/zjasvHA0GEk/s200/kosuth.gif" alt="" id="BLOGGER_PHOTO_ID_5415787147691852226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/Syi9tV-TEwI/AAAAAAAAEWM/7d8RU4jcYFI/s1600-h/wyspa.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 124px; height: 120px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Syi9tV-TEwI/AAAAAAAAEWM/7d8RU4jcYFI/s200/wyspa.jpg" alt="" id="BLOGGER_PHOTO_ID_5415787138603225858" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- Joseph &lt;span style="font-weight: bold;"&gt;Kosuth&lt;/span&gt; and Tsang Kin-Wah, 29 Nov, 2009 - Jan 17, 2010, &lt;a href="http://www.para-site.org.hk/"&gt;Para/Site&lt;/a&gt; Art Space, Hong Kong&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- INERS HAPTIKOS, &lt;span style="font-weight: bold;"&gt;Lakner&lt;/span&gt; Antal, 2009. dec 11- 2010 jan 15. &lt;a href="http://www.kisterem.hu/"&gt;http://www.kisterem.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- The German Issue, Ed. Sylvère Lotringer, &lt;a href="http://www.semiotexte.com/"&gt;http://www.semiotexte.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Kicsiny&lt;/span&gt; Balázs: A szobafestő halála, &lt;a href="http://www.balazskicsiny.com/"&gt;www.balazskicsiny.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Die die Die Die verdammte gesamte Scheisse: &lt;span style="font-weight: bold;"&gt;Artist's books&lt;/span&gt; &lt;a href="http://www.blogger.com/www.whitetrashcontemporary.com"&gt;White Trash&lt;/a&gt; Contemporary, Hamburg, 27.11.2009 - 30.01.2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---  Other Voices, Other Rooms – Attempt(S) at Reconstruction 50 years of &lt;span style="font-weight: bold;"&gt;Balázs Béla Studio&lt;/span&gt;, Dec 16, 2009 - Feb 21, 2010 &lt;a href="http://www.mucsarnok.hu/"&gt;http://www.mucsarnok.hu&lt;/a&gt;, &lt;a href="http://www.bbsarchiv.hu/"&gt;http://www.bbsarchiv.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- YIVF#05 &lt;span style="font-weight: bold;"&gt;Invisible Video!&lt;/span&gt; – everything connected, Yogyakarta International Videowork Festival #05, 11 - 20 dec 2009, &lt;a href="http://natural-fiber.com/"&gt;http://natural-fiber.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- *Igerem, nem csinalok tobb muveszetet, *&lt;span style="font-weight: bold;"&gt;Mecs&lt;/span&gt; Miklos vetitese*, 2009.12.16. ArtBazis, és &lt;a href="http://www.sztaki.hu/providers/nightwatch/szocpol/stauby/tarlatvez/index.html"&gt;LETMINIMUM&lt;/a&gt; STANDARD PROJEKT 1984&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Közvetett táj / Monitored Landscape, Robin &lt;span style="font-weight: bold;"&gt;Tarbet&lt;/span&gt;, 20091216-20100117, &lt;a href="http://trafo.hu/"&gt;http://trafo.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- KUMBAL, predvianočná akcia v &lt;span style="font-weight: bold;"&gt;Kressling&lt;/span&gt;u, Bratislava, &lt;a href="http://www.gallerykressling.sk/"&gt;www.gallerykressling.sk&lt;/a&gt; Kumbál je predvianočná akcia pripravená pre verných návštevníkov, klientov či fanúšikov bratislavskej GALLERY KRESSLING. pre Vás otvoríme GALERIJNÝ DEPOZIT a Vy si v ňom budete mať možnosť prezrieť alebo kúpiť všetky výtvarné diela, ktoré máme za na naše dva a pol ročné fungovanie v galerijnom sklade. Počas týchto troch dní by sme s Vami radi prežili pár priateľských chvíľ pri malom občerstvení a zároveň si tým uctili Váš záujem o našu prácu. Pri tejto príležitosti si môžete pozrieť aktuálnu výstavu maďarského autora Janos Fajo, ktorý vystavuje nielen u nás, ale aj v priestoroch galérie Komart. Zoznam umelcov, ktorých si môžete pozrieť alebo kúpiť v našom galerijnom depozite: Evžen Šimera, Viktor Frešo, Martin Sedlák, Ivan Csudai, Julius Koller, Michal Czinege, Ondřej Brody, Boris Sirka, Vladimír Popovič, Milan Paštéka, Kristofer Paetau, Erik Binder, Kristina Mesaros, Milan Dobeš, Vladímir Havrila, Krištof Kintera, Janos Fajo, Cyril Blažo, Vojtech Kolenčík, Anton Jasuch, Rudolf Sikora, Rudolf Fila, Pavel Rudolf, Ludmila Hrachovinová, Marián Mudroch, Lukáš Haruštiak, Pavol Megyesi, Laco Teren.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- "How to Read Lacan", by Slavoj &lt;span style="font-weight: bold;"&gt;Zizek&lt;/span&gt;, &lt;a href="http://a.aaaarg.org/text/7450/how-read-lacan"&gt;aaaarg&lt;/a&gt; Slavoj Zizek - How to Read Lacan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- "Complaints: part II" by Donald &lt;span style="font-weight: bold;"&gt;Judd&lt;/span&gt;, &lt;a href="http://a.aaaarg.org/text/7467/complaints-part-ii"&gt;aaaarg&lt;/a&gt; 1973 article by Donald Judd. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Dossier&lt;/span&gt;, 'What Makes Dance : From Plasticity to Performance', Bruxelles, &lt;a href="http://www.lapartdeloeil.be/"&gt;www.lapartdeloeil.be&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- POTENCIÁLIS IZÉK, &lt;span style="font-weight: bold;"&gt;Lénárd&lt;/span&gt; Anna, Sophia &lt;span style="font-weight: bold;"&gt;Pompéry&lt;/span&gt;, 20091216-2010. január 15. &lt;a href="http://www.magyarmuhely.hu/"&gt;http://www.magyarmuhely.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.lighthousecinema.ie/"&gt;www.lighthousecinema.ie&lt;/a&gt;, dublin&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.look.org.hu/"&gt;http://www.look.org.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- TEXTE ZUR KUNST, December 2009 / Issue No. 76, &lt;a href="http://www.textezurkunst.de/"&gt;http://www.textezurkunst.de&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;Vándor&lt;/span&gt; Csaba : Kézbesítetlen, (&lt;span style="font-weight: bold;"&gt;Mécs&lt;/span&gt; Miklós) &lt;a href="http://vandor.awardspace.com/portfolio.htm"&gt;http://vandor.awardspace.com/portfolio.htm&lt;/a&gt;, &lt;a href="http://szaf.blogspot.com/"&gt;http://szaf.blogspot.com/&lt;/a&gt; közelítés galéria, 2009.dec.11.-2010.jan.5-ig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Which artists do &lt;span style="font-weight: bold;"&gt;collectors&lt;/span&gt; really like? &lt;a href="http://www.independent-collectors.com/"&gt;http://www.independent-collectors.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Joanna &lt;span style="font-weight: bold;"&gt;Rajkowska&lt;/span&gt;: The Periscope, Dec 18, 2009 - Feb 15, 2010, &lt;a href="http://www.wyspa.art.pl/"&gt;Wyspa&lt;/a&gt; Institue of Art, Gdańsk,  &lt;a href="http://www.rajkowska.com/"&gt;http://www.rajkowska.com&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;span style="font-weight: bold;"&gt;spike&lt;/span&gt; art quarterly, http://www.spikeart.at, bécs, &lt;a href="http://spikeartguide.blogspot.com/"&gt;http://spikeartguide.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Jeppe &lt;span style="font-weight: bold;"&gt;Hein&lt;/span&gt;: CIRCUS HEIN, 21 - 25 April 2010, Art Cologne, &lt;a href="http://www.openspace-cologne.com/"&gt;http://www.openspace-cologne.com &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7949954487340667797?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7949954487340667797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7949954487340667797'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/12/misc-20091216.html' title='misc 20091216'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/Syi_6DhrVwI/AAAAAAAAEW0/W_z_2HU_Kc4/s72-c/ic.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2197806766840997443</id><published>2009-12-08T11:23:00.004+01:00</published><updated>2009-12-08T11:34:47.914+01:00</updated><title type='text'>misc 20091208</title><content type='html'>&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 123px; height: 160px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sx4pfoPHkvI/AAAAAAAAEWA/NPU3jusLqrk/s200/pik.jpg" alt="" id="BLOGGER_PHOTO_ID_5412809425499427570" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 114px; height: 160px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sx4pfeweAQI/AAAAAAAAEV4/e4oJNZBsZPM/s200/nowiswere.jpg" alt="" id="BLOGGER_PHOTO_ID_5412809422954955010" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 139px; height: 160px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sx4pfLPdL6I/AAAAAAAAEVw/6YNNv6exRAY/s200/lenlye.jpg" alt="" id="BLOGGER_PHOTO_ID_5412809417716215714" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 131px; height: 160px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sx4pew5IzZI/AAAAAAAAEVo/k_zSaFD2QP8/s200/efluxjournal.jpg" alt="" id="BLOGGER_PHOTO_ID_5412809410643283346" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 100px; height: 160px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sx4pevPaR-I/AAAAAAAAEVg/B6kGM7HAtD8/s200/eating+art.jpg" alt="" id="BLOGGER_PHOTO_ID_5412809410199832546" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- Issue 5 NOWISWERE, Contemporary Art Magazine, &lt;a href="http://www.nowiswere.com/"&gt;www.nowiswere.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Marina Gadonneix: &lt;a href="http://www.marinagadonneix.com/"&gt;www.marinagadonneix.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Shigeru Takato: &lt;a href="http://www.shigerutakato.de/"&gt;www.shigerutakato.de&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Ph-Budapest: &lt;a href="http://ph-budapest.com/"&gt;http://ph-budapest.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- ferenczy zsolt, LANDMARK, A.P.A.! dec.04.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Herczeg Klára díj 2009: Szörényi Beatrix, feLugossy László, 2009. december 08-22., &lt;a href="http://labor.c3.hu/"&gt;http://labor.c3.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- e-flux journal - issue #11, "What is Contemporary Art?" &lt;a href="http://e-flux.com/journal"&gt;http://e-flux.com/journal&lt;/a&gt;, This is the first of a two-part issue of e-flux journal devoted to the question "What is Contemporary Art?" as it was addressed in a public lecture series of the same name organized by Anton Vidokle at the Shanghai Art Fair in September 2009. Special thanks go to Colin Chinnery, Liam Gillick, and all who contributed to the series: Zdenka Badovinac, Hu Fang, Hal Foster, Boris Groys, Jörg Heiser, Carol Yinghua Lu, Cuauhtemoc Medina, Hans Ulrich Obrist, Raqs Media Collective (Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta), Dieter Roelstraete, Martha Rosler, Gao Shiming, and Jan Verwoert.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Julieta Aranda, Brian Kuan Wood, Anton Vidokle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- PIK folyóirat, lapbemutat ( &lt;a href="http://www.miskolcigaleria.hu/projektek-mica"&gt;M.ICA&lt;/a&gt;, &lt;a href="http://www.printa.hu/"&gt;print a&lt;/a&gt;kadémia)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Kisbali László: Sapere aude! Esztétikai és művelődéstörténeti írások, &lt;a href="http://www.harmattan.hu/konyv_567.html"&gt;http://www.harmattan.hu/konyv_567.html&lt;/a&gt;, &lt;a href="http://esztetika.elte.hu/kisbali/"&gt;http://esztetika.elte.hu/kisbali/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- No Room to Move: &lt;a href="http://www.metamute.org/en/pod/no_room_to_move_radical_art_and_the_regenerate_city"&gt;Radical Art and the Regenerate City&lt;/a&gt;, by Josephine Berry Slater and Anthony Iles&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Len Lye the book, Govett-Brewster Art Gallery, New Plymouth, &lt;a href="http://www.govettbrewster.com/"&gt;http://www.govettbrewster.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Len Lye: A New Publication from the Govett-Brewster Art Gallery and &lt;a href="http://www.govettbrewster.com/LenLye/foundation/"&gt;Len Lye Foundation&lt;/a&gt; 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Eating the Universe. Food in Art, November 28, 2009 - February 28, 2010, &lt;a href="http://www.kunsthalle-duesseldorf.de/"&gt;Kunsthalle Düsseldorf&lt;/a&gt;,  kép: BBB Johannes Deimling, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;BREAD or ALIVE, 2004, Video, Farbe, Ton, 9'27''&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Artforum, &lt;a href="http://www.artforum.com/"&gt;http://www.artforum.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2197806766840997443?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2197806766840997443'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2197806766840997443'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/12/misv-20091208.html' title='misc 20091208'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/Sx4pfoPHkvI/AAAAAAAAEWA/NPU3jusLqrk/s72-c/pik.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7646017812195336981</id><published>2009-11-30T11:04:00.007+01:00</published><updated>2009-11-30T11:17:04.003+01:00</updated><title type='text'>misc 20091130</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;--- dr. Végh László Kovásznai György: Iksz c. novellájából olvas: &lt;a href="http://www.youtube.com/watch?v=K7SSKAXQYLY"&gt;http://www.youtube.com/watch?v=K7SSKAXQYLY&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Iksz, novella (1963) teljes: &lt;a href="http://www.kovasznaigyorgy.hu/videok/"&gt;http://www.kovasznaigyorgy.hu/videok/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Frieze Film 2009 (pénzügyi válság) superflex, &lt;a href="http://www.friezefoundation.org/film/"&gt;http://www.friezefoundation.org/film/&lt;/a&gt;, i: The Invisible Hands, ii: George Soros, iii: You, iv: Old Freinds&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Interfészek,El-Hassan Róza, Köves Éva, Salem Haddad, Sztojanovits Andrea, 2009. december 01-23. &lt;a href="http://www.feszek-muveszklub.hu/foto.htm"&gt;http://www.feszek-muveszklub.hu/foto.htm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- mobilacademy, &lt;a href="http://www.mobileacademy-berlin.com/"&gt;http://www.mobileacademy-berlin.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Artur Zmijewski, Cornerhouse, &lt;a href="http://www.cornerhouse.org/arturzmijewski"&gt;www.cornerhouse.org/arturzmijewski&lt;/a&gt;, 13 November 2009 - 10 January 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Ilya &amp;amp; Emilia Kabakov, Under the Snow, 17 November, 2009 - 16 January, 2010, &lt;a href="http://www.sprovieri.com/"&gt;SPROVIERI&lt;/a&gt;, London &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Sebeő Talán, artbázis, 20091207, 20.00, ELTE  Bp., XI.,  Ménesi út  11--13.  kollégium, fszt-i  díszTErem&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- "&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Interzone : Economy", Nov 25th - D&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;ec 25 Galzenica Gallery (Velika Gorica, Croatia), artists: Carlos Katastrofsky (A), Lemeh42 (I), Rosana Ratkovčić i Fedor Kritovac (HR) and Dimitry Strakovsky (USA), &lt;a href="http://www.galerijagalzenica.info/"&gt;www.galerijagalzenica.info&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 70px; height: 100px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SxOY6y_1T4I/AAAAAAAAEVI/8wv-bz_Bfu4/s200/cecilybrown.jpg" alt="" id="BLOGGER_PHOTO_ID_5409835713291440002" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 75px; height: 100px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SxOY7S8hxUI/AAAAAAAAEVQ/lQL4NuvOMJo/s200/katarzynagajewska.jpg" alt="" id="BLOGGER_PHOTO_ID_5409835721867511106" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- Visible Invisible: Against the Security of the Real,&lt;br /&gt;25 November 2009 - 7 February 2010,&lt;br /&gt;Cecily Brown, Hans Josephsohn, Shaun McDowell, Katy Moran and Maaike Schoorel, Parasol unit foundation for contemporary art, London,&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.parasol-unit.org/"&gt;http://www.parasol-unit.org&lt;/a&gt; ,&lt;br /&gt;kép: Cecily Brown, Aujourd'hui Rose, 2005&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.c-collection.org/"&gt;www.c-collection.org&lt;/a&gt;, kép: Katarzyna Gajewska, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;The Air is on Fire, Warsza&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;wa, Poland, 2008&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 156px; height: 100px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SxOY6rZC1eI/AAAAAAAAEVA/gm47-q28viw/s200/basjanader.jpg" alt="" id="BLOGGER_PHOTO_ID_5409835711249700322" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- Compassion,&lt;br /&gt;November 19 - December 20, 2009,&lt;br /&gt;&lt;a href="http://artreligionandsocialjustice.com/"&gt;http://artreligionandsocialjustice.com&lt;/a&gt;&lt;br /&gt;Bas Jan Ader&lt;br /&gt;I'm too sad to tell you&lt;br /&gt;1970 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;--- So Is This mother's tankstation, Dublin, &lt;a href="http://www.motherstankstation.com/"&gt;www.motherstankstation.com&lt;/a&gt;, 12th November - 19th December&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.craftivism.net/"&gt;http://www.craftivism.net/ &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7646017812195336981?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7646017812195336981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7646017812195336981'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/11/misc-20091130.html' title='misc 20091130'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/SxOY6y_1T4I/AAAAAAAAEVI/8wv-bz_Bfu4/s72-c/cecilybrown.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-4016244493346029796</id><published>2009-11-23T14:06:00.005+01:00</published><updated>2009-11-23T16:58:35.981+01:00</updated><title type='text'>misc 20091123</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- charter, citizens' and artists' human rights in the digital age, &lt;a href="http://fcforum.net/"&gt;http://fcforum.net/&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- http://www.visitorsstudio.org/ (&lt;a href="http://netarts.org/2009/grand_prize_2009.html"&gt;http://netarts.org/2009/grand_prize_2009.html&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 200px; height: 95px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SwqJAqIh8yI/AAAAAAAAEU4/WiDGIU3odSU/s200/urbanspaceprojectpolish.jpg" alt="" id="BLOGGER_PHOTO_ID_5407284947014775586" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- (...)&lt;br /&gt;Urban Space Project&lt;br /&gt;by Anna Baumgart and Agnieszka Kurant&lt;br /&gt;Chłodna street,&lt;br /&gt;November/ December 2009,&lt;br /&gt;Warsaw,&lt;br /&gt;&lt;a href="http://www.jewishmuseum.org.pl/"&gt;www.jewishmuseum.org.pl&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- When a Painting Moves... Something Must Be Rotten! Moving painting or the dialectics of techno-referentiality&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Museo de Arte de Puerto Rico, &lt;a href="http://www.mapr.org/"&gt;www.mapr.org&lt;/a&gt;, 20091117-20100215&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- the ars virtua foundation, &lt;a href="http://arsvirtuafoundation.org/"&gt;http://arsvirtuafoundation.org/&lt;/a&gt;, itt augmentology (&lt;a href="http://arsvirtuafoundation.org/research/"&gt;http://arsvirtuafoundation.org/research/&lt;/a&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Gerhes Gábor: Bolond világ, Szent István Király Múzeum, 2009. november 21-2010. március 15, &lt;a href="http://www.szikm.hu/"&gt;www.szikm.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Harun Farocki. Against What? Against Whom?, 19 November 2009 - 7 February 2010, &lt;a href="http://www.ravenrow.org/"&gt;Raven Row&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;--- hasa laboratories, &lt;a href="http://hasa-labs.org/"&gt;http://hasa-labs.org/&lt;/a&gt; ("HühnerAuge Space Association")&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Roma Kortárs Művészeti Szimpózium, &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;inf_id=9"&gt;Műcsarnok&lt;/a&gt;, 2009. november 23.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- apodio: a gnu/linux multimedia distribution, &lt;a href="http://www.apodio.org/"&gt;http://www.apodio.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Will Art Criticism Survive the Digital Age? International Seminar, De Balie, Amsterdam, &lt;a href="http://www.debalie.nl/"&gt;www.debalie.nl&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- OWEN LAND How can you believe anything he says?!, KW Institute for Contemporary Art, &lt;a href="http://www.kw-berlin.de/"&gt;http://www.kw-berlin.de&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- database of virtual art, &lt;a href="http://www.virtualart.at/"&gt;http://www.virtualart.at/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- oliver ressler, &lt;a href="http://www.ressler.at/"&gt;www.ressler.at&lt;/a&gt; ("what is democracy?")&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- conflicts and transformations of the university, &lt;a href="http://www.edu-factory.org/edu15/"&gt;http://www.edu-factory.org/edu15/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://f1x.eu/"&gt;http://f1x.eu/&lt;/a&gt;, ----&lt; &lt;a href="http://brokershandsontheirfacesblog.tumblr.com/"&gt;http://brokershandsontheirfacesblog.tumblr.com/&lt;/a&gt; blog&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- what the fork?! &lt;a href="http://makeart.goto10.org/"&gt;http://makeart.goto10.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Take your time: Olafur Eliasson, 20091210 20100411, &lt;a href="http://www.eliasson.com.au/"&gt;http://www.eliasson.com.au &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;--- The End of the Line: Attitudes in Drawing, 20091114-20100110, The &lt;a href="http://www.fruitmarket.co.uk/"&gt;Fruitmarket&lt;/a&gt; Gallery, Edinburgh&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- válogatás, Csontó Lajos, 20091116-20100110, &lt;a href="http://www.raiffeisen.hu/"&gt;http://www.raiffeisen.hu/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-4016244493346029796?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4016244493346029796'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4016244493346029796'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/11/misc-20091123.html' title='misc 20091123'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/SwqJAqIh8yI/AAAAAAAAEU4/WiDGIU3odSU/s72-c/urbanspaceprojectpolish.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3765577536938320109</id><published>2009-11-13T07:19:00.002+01:00</published><updated>2009-11-13T07:24:59.204+01:00</updated><title type='text'>misc 20091113</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;--- Potz!Blitz!Szpilman! efemer művek: &lt;a href="http://www.potz.blitz.szpilman.de/"&gt;http://www.potz.blitz.szpilman.de/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Heinz Cibulka "Hommage a Hamvas Béla", &lt;a href="http://www.ligetgaleria.c3.hu/373.html"&gt;http://www.ligetgaleria.c3.hu/373.html&lt;/a&gt;, &lt;a href="http://www.hamvasbela.org/"&gt;http://www.hamvasbela.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.transfera.es"&gt;www.transfera.es&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.galerianeon.hu"&gt;http://www.galerianeon.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- OMNIBUS a közvetlen demokráciáért &lt;a href="http://www.goethe.de/ins/hu/bud/ges/huindex.htm"&gt;http://www.goethe.de/ins/hu/bud/ges/huindex.htm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Transitland. Video Art from Central and Eastern Europe 1989-2009 | András Edit,Zoran Erić, Peternák Miklós, &lt;a href="http://www.transitland.eu/event/&amp;amp;id=147"&gt;http://www.transitland.eu/event/&amp;amp;id=147&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Szentjóby Tamás: Kentaur, vetítés: Toldi mozi, 20091112, ehhez: Tábor Ádám: &lt;a href="http://www.artpool.hu/Al/al05/Tabor.html"&gt;Képrombolás - Kentaur&lt;/a&gt;,  és György Péter: &lt;a href="http://www.filmvilag.hu/xista_frame.php?cikk_id=4297"&gt;A lázadás esztétikája&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Hans Ulrich Obrist: Ever Spero, &lt;a href="http://e-flux.com/journal/view/93"&gt;http://e-flux.com/journal/view/93&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Gender Check. Femininity and Masculinity in the Art of Eastern Europe, Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), &lt;a href="http://www.mumok.at/"&gt;http://www.mumok.at/&lt;/a&gt;, &lt;a href="http://www.erstestiftung.org/"&gt;http://www.erstestiftung.org/&lt;/a&gt;, &lt;a href="http://www.gender-check.at/"&gt;http://www.gender-check.at/&lt;/a&gt; 13 November 2009 - 14 February 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Oldáskényszer/Taget panic, &lt;a href="http://mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=511&amp;amp;curmenu=103"&gt;http://mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=511&amp;amp;curmenu=103&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- The Discovery, iMAL, Center for Digital Cultures and Technology, Brussels, &lt;a href="http://www.imal.org"&gt;www.imal.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;--- power 100, &lt;a href="http://www.artreview100.com/2009-artreview-power-100/"&gt;http://www.artreview100.com/2009-artreview-power-100/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- And Then Nothing Turned Itself Inside Out, October 28 - November 20, 2009, WUK, Bécs, &lt;a href="http://www.wuk.at"&gt;http://www.wuk.at&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Bill Aitchison &lt;a href="http://www.billaitchison.co.uk"&gt;www.billaitchison.co.uk&lt;/a&gt;, Wallspace Gallery,&lt;a href="http://www.Wallspace.org.uk"&gt; www.Wallspace.org.uk&lt;/a&gt;, 20091112&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- másodszorra AZ ELSŐ MAGYAR (even chance) KÉPZŐMŰVÉSZETI--tOTALIZATőR RENDSZER SZERINT MŰKÖDŐ FOGADÓIRODA &lt;a href="http://kincsempark.blogspot.com/"&gt;http://kincsempark.blogspot.com/&lt;/a&gt;, FOGADNI EMBERI&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3765577536938320109?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3765577536938320109'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3765577536938320109'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/11/misc-20091113.html' title='misc 20091113'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-181493092397283421</id><published>2009-11-06T09:18:00.000+01:00</published><updated>2009-11-06T09:26:32.124+01:00</updated><title type='text'>misc 20091105</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;elképzelhető és elképzelhetetlen, 2009.11.05-12.04. &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.a22galeria.com/index.php?mek=programs&amp;amp;s=&amp;amp;btn=4&amp;amp;kat="&gt;a22 galéria&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 128px; height: 125px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SvPcdi6GFTI/AAAAAAAAEME/jHMExE_VXMo/s200/keith-arnatt.jpg" alt="" id="BLOGGER_PHOTO_ID_5400902778292147506" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 94px; height: 125px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SvPcddL571I/AAAAAAAAEL4/9Pdtv9NWH1A/s200/2009110504.jpg" alt="" id="BLOGGER_PHOTO_ID_5400902776756236114" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 78px; height: 125px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SvPcdNWSlHI/AAAAAAAAELs/mBBWA_rSvgY/s200/2009110503.jpg" alt="" id="BLOGGER_PHOTO_ID_5400902772504826994" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 94px; height: 125px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SvPcc4T-7GI/AAAAAAAAELg/qUOxNWKhfZs/s200/2009110502.jpg" alt="" id="BLOGGER_PHOTO_ID_5400902766858005602" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 136px; height: 125px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SvPc5ytLy6I/AAAAAAAAEMQ/xJQqIjGI7EI/s200/2009110501.jpg" alt="" id="BLOGGER_PHOTO_ID_5400903263569300386" border="0" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-181493092397283421?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/181493092397283421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/181493092397283421'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/11/misc-20091105.html' title='misc 20091105'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/SvPcdi6GFTI/AAAAAAAAEME/jHMExE_VXMo/s72-c/keith-arnatt.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1249813327863274648</id><published>2009-11-03T09:05:00.002+01:00</published><updated>2009-11-03T09:12:42.381+01:00</updated><title type='text'>misc 20091103</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Bernie Lubell: "The Origins of Innocence" &lt;a href="http://www.youtube.com/watch?v=FY0NfUe0T1U&amp;amp;feature=player_embedded"&gt;http://www.youtube.com/watch?v=FY0NfUe0T1U&amp;amp;feature=player_embedded&lt;/a&gt;, róla: &lt;a href="http://www.v2.nl/events/the-origins-of-innocence"&gt;http://www.v2.nl/events/the-origins-of-innocence&lt;/a&gt;, FACT (Foundation for Art and Creative Technology), Liverpool&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Leeds Surrealist Group &lt;a href="http://leedssurrealistgroup.wordpress.com/"&gt;http://leedssurrealistgroup.wordpress.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Francis Bacon: A Terrible Beauty, 28 October 2009 - 7 March 2010, Dublin City Gallery The Hugh Lane, &lt;a href="http://www.hughlane.ie"&gt;http://www.hughlane.ie &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Fekete Zsolt "Vajasalmák" Lumen Galéria 2009. 11. 05. - 12. 02.&lt;a href="http://www.photolumen.hu"&gt;www.photolumen.hu&lt;/a&gt;  , &lt;a href="http://lovacska.blogspot.com/"&gt;http://lovacska.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Nancy Spero (1926–2009) &lt;a href="http://www.youtube.com/watch?v=qQq2vByrCfE&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=qQq2vByrCfE&amp;amp;feature=related&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Moldova Young Artists Association "Oberliht" &lt;a href="http://www.oberliht.org.md"&gt;http://www.oberliht.org.md&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Macskabolcso, EAST goes East / Budapest, Trafo Galeria, 2009 oktober 30 – december 6. Olaf Brzeski, David Jacques, Ursula Mayer, Grace Schwindt, &lt;a href="http://www.trafo.hu"&gt;http://www.trafo.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- PA/PER VIEW art book fair, 6-8 November, 2009, Turin , &lt;a href="http://www.032c.com/"&gt;032C&lt;/a&gt; | &lt;a href="http://www.aprior.org/"&gt;A PRIOR&lt;/a&gt; | ARCHIVE BOOKS | &lt;a href="http://www.argobooks.de/"&gt;ARGOBOOKS&lt;/a&gt; | &lt;a href="http://atopiaprojects.org/"&gt;ATOPIA PROJECTS&lt;/a&gt; | &lt;a href="http://www.b-a-s.info/index_en.html"&gt;BAS/BENT BOOKS&lt;/a&gt; | CARL FREEDMAN | &lt;a href="http://www.daviet-thery.com/"&gt;DAVIET-THERY&lt;/a&gt; | EDITION SILVERBRIDGE | &lt;a href="http://www.florenceloewy.com/"&gt;FLORENCE LOEWY&lt;/a&gt; | FW: | GAGARIN | &lt;a href="http://www.franconoero.com/"&gt;GALLERIA FRANCO NOERO&lt;/a&gt; | &lt;a href="http://www.kodoji.com/"&gt;KODOJI PRESS&lt;/a&gt; | &lt;a href="http://www.lubok.de/"&gt;LUBOK VERLAG&lt;/a&gt; | &lt;a href="http://www.merpaperkunsthalle.org/"&gt;MER. PAPERKUNSTHALLE&lt;/a&gt; | &lt;a href="http://www.mono-kultur.com/"&gt;MONO.KULTUR&lt;/a&gt; | &lt;a href="http://www.moussemagazine.it/index.mm"&gt;MOUSSE&lt;/a&gt; | &lt;a href="http://www.nieves.ch/"&gt;NIEVES&lt;/a&gt; | &lt;a href="http://www.onomatopee.net/index_normaal.html"&gt;ONOMATOPEE&lt;/a&gt; | &lt;a href="http://www.passengerbooks.com/stage/"&gt;PASSENGER BOOKS&lt;/a&gt; | PETUNIA | PIKTOGRAM | &lt;a href="http://www.rollo-press.com/"&gt;ROLLO PRESS&lt;/a&gt; | &lt;a href="http://www.romapublications.org/"&gt;ROMA PUBLICATIONS&lt;/a&gt; | &lt;a href="http://www.threestarbooks.com/"&gt;THREE STAR BOOKS&lt;/a&gt; | &lt;a href="http://www.trolleybooks.com/"&gt;TROLLEY BOOKS&lt;/a&gt; | &lt;a href="http://www.truetruetrue.org/"&gt;TRUE TRUE TRUE&lt;/a&gt; | &lt;a href="http://www.vitamincreativespace.com/"&gt;VITAMIN CREATIVE SPACE&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1249813327863274648?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1249813327863274648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1249813327863274648'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/11/misc-20091103.html' title='misc 20091103'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-575969579687429282</id><published>2009-11-01T14:53:00.001+01:00</published><updated>2009-11-04T21:45:04.326+01:00</updated><title type='text'>misc 20091031-1101</title><content type='html'>&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 200px; height: 150px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Su7kkhqnwcI/AAAAAAAAD-s/Bx6ZMC_uudw/s200/pozor01.jpg" alt="" id="BLOGGER_PHOTO_ID_5399504319427363266" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 133px; height: 149px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Su7kkUxa43I/AAAAAAAAD-k/9V-85HhnSn4/s200/opasnost03.jpg" alt="" id="BLOGGER_PHOTO_ID_5399504315966219122" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;Kopácsi rét:&lt;br /&gt;&lt;a href="http://hu.wikipedia.org/wiki/Kop%C3%A1csi_r%C3%A9t"&gt;http://hu.wikipedia.org/wiki/Kop%C3%A1csi_r%C3%A9t&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-575969579687429282?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/575969579687429282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/575969579687429282'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/11/misc-20091031-1101.html' title='misc 20091031-1101'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/Su7kkhqnwcI/AAAAAAAAD-s/Bx6ZMC_uudw/s72-c/pozor01.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2786478434145891133</id><published>2009-10-27T11:03:00.004+01:00</published><updated>2009-11-04T21:47:11.885+01:00</updated><title type='text'>misc 20091027</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Catalogue, Contemporary Art Magazine, &lt;a href="http://www.cataloguemagazine.com"&gt;www.cataloguemagazine.com&lt;/a&gt;, "...free, online contemporary art magazine focussing on France and the UK, one that would reflect our personal experiences as a critic and a curator in transit between those two countries..." Coline Milliard &amp;amp; Florence Ostende&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- GAMES + free BOOK OF GAMES, METROPOLIS M, &lt;a href="http://www.metropolism.com/english"&gt;www.metropolism.com/english&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- GLOBAL SHIFT, ArtMag issue 57, &lt;a href="http://www.db-artmag.com"&gt;http://www.db-artmag.com&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.db-artmag.com"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Párhuzamosok találkozása No. 15: Marcin Polak óriásplakátja az 1x1 táblán a Lövölde téren, október 28-ig &lt;a href="http://www.impex-info.org"&gt;http://www.impex-info.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Hommage to Béla Hamvas, Heinz Cibulka, 2009. november 05-dec 16. &lt;a href="http://www.ligetgaleria.c3.hu/373.html"&gt;http://www.ligetgaleria.c3.hu/373.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 87px; height: 87px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SubFqaqKdGI/AAAAAAAAD-c/5wdGvulcreY/s200/baibakov.jpg" alt="" id="BLOGGER_PHOTO_ID_5397218535951463522" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;--- Paul Pfeiffer: Perspective Machine,&lt;br /&gt;A Special Project of the 3rd Moscow Biennale of Contemporary Art,&lt;br /&gt;October 22 - November 22, 2009,&lt;br /&gt;BAIBAKOV art projects,&lt;br /&gt;Red October Chocolate Factory, Moscow,&lt;br /&gt;&lt;a href="http://www.baibakovartprojects.com"&gt;http://www.baibakovartprojects.com&lt;/a&gt;,&lt;br /&gt;kép: Paul Pfeiffer: Vertical Corridor 2004&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- BADITZ Gyu&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;la / BÖLCSKEY Miklós, Fényérzékeny terület / Photosensitive area, Viltin Galéria, 2009. okt 28-nov 28.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Ivan Ladislav Galeta, &lt;a href="http://www.videospace.hu"&gt;http://www.videospace.hu&lt;/a&gt;, 2009. okt 29-nov 21.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 64px; height: 91px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SubFqLrMVHI/AAAAAAAAD-U/Aj5D81jA-HE/s200/round.jpg" alt="" id="BLOGGER_PHOTO_ID_5397218531929248882" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;--- Giles Round,&lt;br /&gt;Living Stuctures,&lt;br /&gt;S1 Artspace, Sheffield,&lt;br /&gt;&lt;a href="http://www.s1artspace.org"&gt;www.s1artspace.org&lt;/a&gt;,&lt;br /&gt;23 October - 5 December 2009,&lt;br /&gt;kép: Giles Round, Corona, 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Csörgő Attila - Archimédeszi pont, 2009. október 29-2010 jan 24. &lt;a href="http://www.ludwigmuseum.hu"&gt;http://www.ludwigmuseum.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- egoart art prize 2008 győztes: Jan Hakon Erichsen from Norway, info: &lt;a href="http://www.viktorfreso.com"&gt;www.viktorfreso.com&lt;/a&gt;, &lt;a href="http://www.e-artnow.org"&gt;www.e-artnow.org&lt;/a&gt;, &lt;a href="http://www.gallerykressling.sk"&gt;www.gallerykressling.sk&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2786478434145891133?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2786478434145891133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2786478434145891133'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/10/misc-20091027.html' title='misc 20091027'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/SubFqaqKdGI/AAAAAAAAD-c/5wdGvulcreY/s72-c/baibakov.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2775597166995853732</id><published>2009-10-20T08:58:00.001+02:00</published><updated>2009-10-20T09:01:43.422+02:00</updated><title type='text'>misc 20091020</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;filmprogram a Dunaújvárosi Kortárs Művészeti Intézetben november 20-ig látogatható Illetékesség és provokáció című kiállításhoz, &lt;/span&gt;&lt;a href="http://www.ica-d.hu/?p=258"&gt;&lt;span style="font-family:arial;"&gt;http://www.ica-d.hu/?p=258&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt; (ehhez &lt;a href="http://tranzit.blog.hu/2009/10/18/lathatatlan_mu_es_lathatatlan_hatalom"&gt;tranzitblog&lt;/a&gt;)&lt;br /&gt;Helyszín: &lt;a href="http://www.docuart.hu/docuart/hu/mozi"&gt;DocuArt &lt;/a&gt;mozi, Budapest, IX:, Ráday utca 18 (bejárat az Erkel utca felől)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2009. október 20, 19.30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Miroslaw Dembinski (PL): Dwarf for President, 2002; 36 perc (lengyelül, angol felirattal)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Zelimir Zilnik (RS): Black Film, 1971, 14 perc (szerbül, angol felirattal)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2009. október 27, 19.30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Valie Export (A): Menschenfrauen, 1980; 100 perc (németül, angol felirattal)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2009. november 3, 19.30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Enyedi Ildikó (H): Invázió, 1985; 40 perc (magyarul)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Istvan Kantor (H/CND): (The Never Ending) Operetta, 2008; 35 perc&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Kele Judit (H/F): Transcription de Cranach/Cranach-átirat, 2009; 18 perc&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2009. november 10, 19.30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The Yes Men, 2003; 80 perc&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2775597166995853732?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2775597166995853732'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2775597166995853732'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/10/misc-20091020_7183.html' title='misc 20091020'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6226397964068212906</id><published>2009-10-20T08:30:00.003+02:00</published><updated>2009-10-20T08:36:26.944+02:00</updated><title type='text'>misc 20091020</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- café bábel tekintély számából (&lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.cafebabel.hu/szamok/tekintely"&gt;2009.58&lt;/a&gt;&lt;span style="font-family:arial;"&gt;) Max Weber: A karizmatikus tekintély szociológiája&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;(Ford: Dányi Dániel) 11.o, és Theodor W. Adorno     Tézisek az okkultizmus ellen (Fordította: Seregély Ágnes) 81.o&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- Ranciére szövegek az aaaarg-on (&lt;/span&gt;&lt;a style="font-family: arial;" href="http://a.aaaarg.org/"&gt;http://a.aaaarg.org/&lt;/a&gt;&lt;span style="font-family:arial;"&gt;)&lt;/span&gt;&lt;br /&gt;&lt;em style="font-family: arial;"&gt;--- Jacques Rancière: Esztétika és politika. Az érzékelhető felosztása (Elmegyakorlat. Műcsarnok-könyvek 03.), Műcsarnok kiadó, 2009 /ford. Jancsó Júlia/ 64 p, Slavoj Zizek utószavával (Ranciére tanítása) /ford. Jean-Louis Pierson/ ISBN 978-963-9506-36-7, A mű eredeti címe: Jacques Rancière: Le partage du sensible. esthétique et politique © 2000 La fabrique éditions&lt;/em&gt;&lt;span style="font-family:arial;"&gt;, róla: &lt;/span&gt;&lt;a style="font-family: arial;" href="http://tranzit.blog.hu/2009/09/10/politika_es_esztetika_jacques_ranci_re_az_erzekelheto_felosztasa_cimu_konyverol"&gt;tranzitblog&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- anblokk &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.anblokk.hu/"&gt;http://www.anblokk.hu/&lt;/a&gt;&lt;span style="font-family:arial;"&gt;, 2009. megfigyelés szám &lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6226397964068212906?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6226397964068212906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6226397964068212906'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/10/misc-20091020.html' title='misc 20091020'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-530610222784996158</id><published>2009-10-16T16:04:00.001+02:00</published><updated>2009-10-16T16:08:16.076+02:00</updated><title type='text'>misc 20091015</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;crosstalk video presentations,&lt;/span&gt; 2009 október 15, csütörtök, 19h, Műcsarnok vetítő&lt;br /&gt;szacsva y pál --- &lt;a href="http://perimedialab.hu/"&gt;http://perimedialab.hu/&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.crosstalk.hu/2009_site/2009_szacsvay_hu.html"&gt;&lt;span style="font-family: arial;"&gt;http://www.crosstalk.hu/2009_site/2009_szacsvay_hu.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;watch your god: &lt;a href="http://www.youtube.com/watch?v=X9PiI9Obsfo"&gt;http://www.youtube.com/watch?v=X9PiI9Obsfo&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; air parade and fire works: &lt;a href="http://www.youtube.com/watch?v=q8HvRvyldyU"&gt;http://www.youtube.com/watch?v=q8HvRvyldyU&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; pericycle: &lt;a href="http://www.youtube.com/watch?v=Fj2M_1MIuAA&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=Fj2M_1MIuAA&amp;amp;feature=related&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; nightshots here and there: &lt;a href="http://www.youtube.com/user/szacsva#p/a/u/1/oapVZ14Ia7c"&gt;http://www.youtube.com/user/szacsva#p/a/u/1/oapVZ14Ia7c&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; day and night: &lt;a href="http://www.youtube.com/user/szacsva#p/a/u/2/wZIXAJ3mi2Y"&gt;http://www.youtube.com/user/szacsva#p/a/u/2/wZIXAJ3mi2Y&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-530610222784996158?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/530610222784996158'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/530610222784996158'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/10/misc-20091015.html' title='misc 20091015'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8906399331010970579</id><published>2009-10-08T09:52:00.005+02:00</published><updated>2009-11-04T21:51:15.763+01:00</updated><title type='text'>misc 20091008</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- M. M for Museum Leuven, (Belgium), itt Jan Vercruysse. Works 1975-2009, 20 September 2009 - 17 January 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- The 50th October Salon, Belgrade, October 2nd - November 15th 2009, Belgrade Cultural Centre, &lt;a href="http://www.kcb.org.rs/"&gt;http://www.kcb.org.rs&lt;/a&gt;, &lt;a href="http://www.oktobarskisalon.org/"&gt;http://www.oktobarskisalon.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://mikromakrofestiwal.blogspot.com/"&gt;http://mikromakrofestiwal.blogspot.com/&lt;/a&gt;, Slupsk, PL, &lt;a href="http://inter-gallery.blogspot.com/"&gt;http://inter-gallery.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- TYPOPASS - KRITIKAI DESIGN ES KONCEPTUALIS TIPOGRAFIA, 20091014-1115, &lt;a href="http://www.metatron.sh/koztesido/TYPOPASS._Kritikai_design_%C3%A9s_konceptu%C3%A1lis_tipogr%C3%A1fia"&gt;http://www.metatron.sh/koztesido/TYPOPASS._Kritikai_design_%C3%A9s_konceptu%C3%A1lis_tipogr%C3%A1fia&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Oldáskényszer, Keserue Zsolt videóinstallációja, 2009. október 10 - november 8. Menü Pont, Műcsarnok, &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=511&amp;amp;curmenu=201"&gt;http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=511&amp;amp;curmenu=201&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Thierry Fournier:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt; &lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 128px; height: 86px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Ss2agM6QgdI/AAAAAAAAD8c/30_bTDftBHg/s200/opnesource-fournier.jpg" alt="" id="BLOGGER_PHOTO_ID_5390134207044420050" border="0" /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Un geste&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;qui ne finit&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;pas lux&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Scène nationale&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;de Valence,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;a href="http://www.lux-valence.com"&gt;www.lux-valence.com&lt;/a&gt;, &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;from 10/10/2009 to 16/11/2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://www.redfoxpress.com/new.html"&gt;http://www.redfoxpress.com/new.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Agents &amp;amp; Provocateurs, October 16 - November 20, 2009 ICA–Dunaujvaros, &lt;a href="http://www.agentsandprovocateurs.net/"&gt;http://www.agentsandprovocateurs.net&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- DORA GARCÍA: WHERE DO CHARACTERS GO WHEN THE STORY IS OVER? 8 October 2009 - 31 January 2010, CGAC, Santiago de Compostela, &lt;a href="http://www.cgac.org/"&gt;www.cgac.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- GO EAST II, mudam, luxemburg, &lt;a href="http://www.mudam.lu/index.php?mode=article&amp;amp;langue=fr&amp;amp;article=686"&gt;http://www.mudam.lu/index.php?mode=article&amp;amp;langue=fr&amp;amp;article=686&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- EXPLORING THE RETURN OF REPRESSION, Sept 10 - Nov 22, 2009, PAVILION UNICREDIT, Bukarest, &lt;a href="http://www.pavilionunicredit.ro/"&gt;http://www.pavilionunicredit.ro&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Laura Palmer Foundation, &lt;a href="http://www.laura-palmer.pl/"&gt;http://www.laura-palmer.pl/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- The Symbolic Efficiency of the Frame, T.I.C.A.B – Tirana International Contemporary Art Biannual, September 18 - October 22, 2009, &lt;a href="http://www.tica-albania.org/TICAB"&gt;http://www.tica-albania.org/TICAB&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Ondrej Brody és Kristofer Paetau újabb (Gerhard Richter): &lt;a href="http://brodypaetau.com/?page_id=10"&gt;http://brodypaetau.com/?page_id=10&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Kaleidoscope &lt;a href="http://http//www.thekaleidoscope.eu/"&gt;http://www.thekaleidoscope.eu/&lt;/a&gt;, szept okt szám: &lt;a href="http://www.thekaleidoscope.eu/admin/magazine_release/K-03.pdf"&gt;http://www.thekaleidoscope.eu/admin/magazine_release/K-03.pdf&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- e-flux journal - issue #9, october 2009, &lt;a href="http://e-flux.com/journal"&gt;http://e-flux.com/journal&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Out now: OnCURATING ISSUE 02: Institution as Medium – Towards a Critical Architecture of Institutions&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, &lt;a href="http://www.blogger.com/www.on-curating.org"&gt;www.on-curating.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8906399331010970579?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8906399331010970579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8906399331010970579'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/10/misc-20091008.html' title='misc 20091008'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Ss2agM6QgdI/AAAAAAAAD8c/30_bTDftBHg/s72-c/opnesource-fournier.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6854415276817913900</id><published>2009-10-01T09:31:00.001+02:00</published><updated>2009-10-01T09:34:24.192+02:00</updated><title type='text'>misc 20091001</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- &lt;a href="http://www.intermodem.hu"&gt;http://www.intermodem.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- The Visual Collider, Nina Czegledy and Marcus Neustetter, 18 . 09 - 10 . 10 .  2009, Gallery of Modern and Contemporary Art, &lt;/span&gt;&lt;span style="font-family: arial;"&gt;Cultural Centre of Vela Luka&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Georg Baselitz / 1960-2008, Galerie Rudolfinum, Prága, &lt;a href="http://www.galerierudolfinum.org"&gt;www.galerierudolfinum.org&lt;/a&gt;, 10. 9. 2009 - 6. 12. 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.donau-uni.ac.at/mah"&gt;http://www.donau-uni.ac.at/mah&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.virtualart.at"&gt;http://www.virtualart.at&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.donau-uni.ac.at/telelectures"&gt;http://www.donau-uni.ac.at/telelectures&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Abandon Normal Devices Net Art Programme, Liverpool, &lt;a href="http://www.andfestival.org.uk/"&gt;http://www.andfestival.org.uk/&lt;/a&gt;, The selected artists maintain ongoing blog presences that contrast with their fantasy blogs, in addition to creative practices that revolve around the internet. They are: Oliver Laric (b. 1981, Austria), co-founder of &lt;a href="http://www.vvork.com"&gt;www.vvork.com&lt;/a&gt;; John Michael Boling (b. 1983, USA), contributor to &lt;a href="http://www.rhizome.org"&gt;http://www.rhizome.org&lt;/a&gt;; Hanne Mugaas (b. 1980, Norway) maintainer of the independent art and eBay blog &lt;a href="http://www.hanne-mugaas.com/"&gt;http://www.hanne-mugaas.com/&lt;/a&gt;; and Guthrie Lonergan (b. 1983, USA), co-founder and contributor at &lt;a href="http://www.nastynets.com"&gt;http://www.nastynets.com&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://ouvre-boite.over-blog.fr"&gt;http://ouvre-boite.over-blog.fr&lt;/a&gt;, &lt;a href="http://ingyenmutargy.blog.hu"&gt;http://ingyenmutargy.blog.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.memory-research.de/cms/index.php"&gt;http://www.memory-research.de/cms/index.php&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.videodumbo.org"&gt;www.videodumbo.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- URBAN STORIES X Baltic Triennial, CAC, Vilnius, &lt;a href="http://www.urbanstories.lt"&gt;www.urbanstories.lt&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Międzynarodowe Triennale Rzeźby Poznań 2009, Centrum Kultury "Zamek", &lt;a href="http://www.zamek.poznan.pl"&gt;www.zamek.poznan.pl&lt;/a&gt;, &lt;a href="http://www.triennale.artproduct.com.pl"&gt;www.triennale.artproduct.com.pl&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6854415276817913900?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6854415276817913900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6854415276817913900'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/10/misc-20091001.html' title='misc 20091001'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8690644953782844176</id><published>2009-09-22T12:09:00.000+02:00</published><updated>2009-09-22T12:12:22.787+02:00</updated><title type='text'>20090922</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szellem&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- aviva: &lt;a href="http://exindex.hu/index.php?l=hu&amp;amp;page=25&amp;amp;bid=689&amp;amp;category=faliujsag&amp;amp;title=aviva-kepzomuveszeti-dij-2009-eredmenyek"&gt;http://exindex.hu/index.php?l=hu&amp;amp;page=25&amp;amp;bid=689&amp;amp;category=faliujsag&amp;amp;title=aviva-kepzomuveszeti-dij-2009-eredmenyek&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- Első magyar képzőművészeti fogadóiroda: &lt;a href="http://www.layingthepoints.blogspot.com/"&gt;http://www.layingthepoints.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- elcsépelt megkülönböztetés: &lt;a href="http://www.youtube.com/watch?v=7h0z6tzLSRs&amp;amp;feature=player_embedded"&gt;http://www.youtube.com/watch?v=7h0z6tzLSRs&amp;amp;feature=player_embedded&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- Hunyadi téren Sebők Z: &lt;a href="http://www.youtube.com/watch?v=c5XKPLyxf9U"&gt;http://www.youtube.com/watch?v=c5XKPLyxf9U&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;(előbb: &lt;a href="http://www.youtube.com/watch?v=M-dmzkYSfaA"&gt;http://www.youtube.com/watch?v=M-dmzkYSfaA&lt;/a&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- 100 legszegényebb: &lt;a href="http://www.100legszegenyebb.hu/"&gt;http://www.100legszegenyebb.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;misc&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- utopia for sale: 2009 szept 23-27, abc contemporary,&lt;a href="http://www.artberlincontemporary.com/"&gt;http://www.artberlincontemporary.com/&lt;/a&gt;, &lt;a href="http://www.adk.de/"&gt;http://www.adk.de/&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- &lt;a href="http://www.thebubbleproject.com/"&gt;http://www.thebubbleproject.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- &lt;a href="http://www.velenceibiennale.com/"&gt;http://www.velenceibiennale.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- TRIIN TAMM - RETROSPECTIVE, Grenoble, &lt;a href="http://www.aoui.org"&gt;www.aoui.org&lt;/a&gt;, sept 6 - Oct 11&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- the return of repression, &lt;a href="http://www.pavilionunicredit.org/publicatii.html"&gt;http://www.pavilionunicredit.org/publicatii.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- 'After the Net (2.0)' &lt;a href="http://www.kurator.org/afterthenet/"&gt;http://www.kurator.org/afterthenet/&lt;/a&gt;, (plus: &lt;a href="http://webstudies.info/"&gt;http://webstudies.info/&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8690644953782844176?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8690644953782844176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8690644953782844176'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/09/20090922.html' title='20090922'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2723511490096535632</id><published>2009-09-13T10:34:00.000+02:00</published><updated>2009-09-13T10:36:49.135+02:00</updated><title type='text'>misc 20090913</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- This is (not) a magazine, &lt;a href="http://www.thisisamagazine.com"&gt;www.thisisamagazine.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- café bábel: utca, &lt;a href="http://www.cafebabel.hu/"&gt;http://www.cafebabel.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- "The Gift", Marcel Mauss, &lt;a href="http://a.aaaarg.org/text/3809/gift"&gt;http://a.aaaarg.org/text/3809/gift&lt;/a&gt; chapter 1 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz, hall::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Survival Kit-exhibitions, lectures, performances, discussions, The Latvian Centre for Contemporary Art, Riga, &lt;a href="http://www.lcca.lv/projekti/survival/"&gt;www.lcca.lv/projekti/survival/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Markus Schinwald: A próba, 2009. szept 30 - nov 8. műcsarnok&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Legkisebb közös többszörös, KissPál Szabolcs, 2009. szept 19 - dec 13. ernst&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Beyond Kiosk: Modes of Multiplication, &lt;a href="http://www.mudam.lu/index.php?article=656"&gt;http://www.mudam.lu/index.php?article=656&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.artcriticsorchestra.com/"&gt;http://www.artcriticsorchestra.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- multiplika automata, &lt;a href="http://editionplagium2000.wordpress.com/2009/09/08/multiplika-automata-multiple-machine/"&gt;http://editionplagium2000.wordpress.com/2009/09/08/multiplika-automata-multiple-machine/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- fanzine show b&amp;amp;w, &lt;a href="http://fanzine2000.wordpress.com/"&gt;http://fanzine2000.wordpress.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- féregjárat, Nagy Róbert, Szombathelyi Képtár, 2009. szeot 9-25.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2723511490096535632?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2723511490096535632'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2723511490096535632'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/09/misc-20090913.html' title='misc 20090913'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5718766739646367300</id><published>2009-09-08T09:26:00.004+02:00</published><updated>2009-11-04T21:52:20.228+01:00</updated><title type='text'>misc 20090908</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Horváth Tibor és Szacsva y Pál az outsiders out-ról: &lt;a href="http://tranzit.blog.hu/2009/09/07/outsiders_out"&gt;http://tranzit.blog.hu/2009/09/07/outsiders_out&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- WITTE DE WITH PUBLICATIONS, &lt;a href="http://www.wdw.nl"&gt;http://www.wdw.nl&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- "Rhetoric of the Image", Roland Barthes, &lt;a href="http://a.aaaarg.org/text/3661/rhetoric-image"&gt;http://a.aaaarg.org/text/3661/rhetoric-image&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.consorciomuseos.es/"&gt;http://www.consorciomuseos.es/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.salaparpallo.com/"&gt;http://www.salaparpallo.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.casafrica.es/"&gt;http://www.casafrica.es/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.mapzar.org/"&gt;http://www.mapzar.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.niroxarts.com/"&gt;http://www.niroxarts.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Brussels Art Days, September 12th and 13th, 2009, &lt;a href="http://www.brusselsartdays.com"&gt;http://www.brusselsartdays.com&lt;/a&gt; itt: ZONE A &lt;a href="http://www.alicebxl.com"&gt;http://www.alicebxl.com&lt;/a&gt;, &lt;a href="http://www.aliceday.be"&gt;http://www.aliceday.be&lt;/a&gt;, &lt;a href="http://www.crowngallery.be"&gt;http://www.crowngallery.be&lt;/a&gt;, &lt;a href="http://www.etablissementdenfaceprojects.org"&gt;http://www.etablissementdenfaceprojects.org&lt;/a&gt;, &lt;a href="http://www.fillesducalvaire.com"&gt;http://www.fillesducalvaire.com&lt;/a&gt;, &lt;a href="http://www.ernahecey.com"&gt;http://www.ernahecey.com&lt;/a&gt;, &lt;a href="http://www.galeriegretameert.com"&gt;http://www.galeriegretameert.com&lt;/a&gt;, &lt;a href="http://www.moba.be"&gt;http://www.moba.be&lt;/a&gt;, &lt;a href="http://www.janmot.com"&gt;http://www.janmot.com&lt;/a&gt;, &lt;a href="http://www.elisaplatteau.com"&gt;http://www.elisaplatteau.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;ZONE B: &lt;a href="http://www.baronianfrancey.com"&gt;http://www.baronianfrancey.com&lt;/a&gt;, &lt;a href="http://www.catherinebastide.com"&gt;http://www.catherinebastide.com&lt;/a&gt;, &lt;a href="http://www.galeriedesimpel.be"&gt;http://www.galeriedesimpel.be&lt;/a&gt;, &lt;a href="http://www.pierremariegiraud.com"&gt;http://www.pierremariegiraud.com&lt;/a&gt;, &lt;a href="http://www.gladstonegallery.com"&gt;http://www.gladstonegallery.com&lt;/a&gt;, &lt;a href="http://www.charlesrivacollection.com"&gt;http://www.charlesrivacollection.com&lt;/a&gt;, &lt;a href="http://www.sorrywereclosed.com"&gt;http://www.sorrywereclosed.com&lt;/a&gt;, &lt;a href="http://www.hermes.com"&gt;http://www.hermes.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;ZONE C: &lt;a href="http://www.aeroplastics.net"&gt;http://www.aeroplastics.net&lt;/a&gt;, &lt;a href="http://www.boxgalerie.be"&gt;http://www.boxgalerie.be&lt;/a&gt;, &lt;a href="http://www.galerierodolphejanssen.com"&gt;http://www.galerierodolphejanssen.com&lt;/a&gt;, &lt;a href="http://www.jozsagallery.com"&gt;http://www.jozsagallery.com&lt;/a&gt;, &lt;a href="http://www.elainelevyproject.com"&gt;http://www.elainelevyproject.com&lt;/a&gt;, &lt;a href="http://www.meessendeclercq.com"&gt;http://www.meessendeclercq.com&lt;/a&gt;, &lt;a href="http://www.galerie-obadia.com"&gt;http://www.galerie-obadia.com&lt;/a&gt;, &lt;a href="http://www.tache-levy.com"&gt;http://www.tache-levy.com&lt;/a&gt;, &lt;a href="http://www.think21gallery.com"&gt;http://www.think21gallery.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- cross-disciplinary arts festival, September 10-13, &lt;a href="http://flux-s.nl"&gt;http://flux-s.nl&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Shanghai forradalmak - 320fok, kortárs kínai fotóművészek és a Mao-korszak propaganda plakátjai, &lt;a href="http://www.320fok.hu/"&gt;http://www.320fok.hu/&lt;/a&gt;, Siófok, szept 4-okt 31.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.videospace.hu/"&gt;http://www.videospace.hu/&lt;/a&gt;, itt 2009. október 16- nov 21, &lt;/span&gt;&lt;span style="font-family: arial;"&gt;Ivan Ladislav GALETA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt; &lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 81px; height: 66px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SqYHScDQ0DI/AAAAAAAAD8U/5WkUyFQmdto/s200/tg.jpg" alt="" id="BLOGGER_PHOTO_ID_5378994818289553458" border="0" /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;--- Semiose galerie,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Paris, Taroop &amp;amp; Glabel,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Les belles images de T &amp;amp; G,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;4 September - 3 October, 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- LE MOIS DE LA PHOTO À MONTRÉAL LAUNCHES ITS 11th PRESENTATION:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;THE SPACES OF THE IMAGE, September 10 - October 11, 2009, &lt;a href="http://www.moisdelaphoto.com"&gt;http://www.moisdelaphoto.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;individ::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Ola Pehrson Retrospective, 2 Sept-8 Nov 2009, Färgfabriken Stockholm, &lt;a href="http://www.fargfabriken.se/"&gt;http://www.fargfabriken.se/&lt;/a&gt; , &lt;a href="http://olapehrsonfoundation.org/"&gt;http://olapehrsonfoundation.org/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5718766739646367300?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5718766739646367300'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5718766739646367300'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/09/misc-20090908.html' title='misc 20090908'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/SqYHScDQ0DI/AAAAAAAAD8U/5WkUyFQmdto/s72-c/tg.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5759676742298555318</id><published>2009-09-01T15:07:00.005+02:00</published><updated>2009-11-04T21:55:30.466+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090901</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- September 2009 in Artforum, &lt;a href="http://www.artforum.com/"&gt;http://www.artforum.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- e-flux journal issue #8, September 2009, &lt;a href="http://e-flux.com/journal"&gt;http://e-flux.com/journal&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;http: com=""&gt;&lt;/http:&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.monu-magazine.com/"&gt;http://www.monu-magazine.com&lt;/a&gt;&lt;br /&gt;--- Altermodernism: The Age of Stupid. Ellie Harrison. &lt;a href="http://www.furtherfield.org/displayreview.php?review_id=360"&gt;http://www.furtherfield.org/displayreview.php?review_id=360&lt;/a&gt;&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left;  width: 109px; height: 109px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Sp0coBAvy5I/AAAAAAAAD68/Li2Zasv8d20/s200/diekunstistsuper.jpg" alt="" id="BLOGGER_PHOTO_ID_5376485003942153106" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- Time as Activity(*), Netwerk / center for contemporary art, 12.09.2009 → 07.11.2009, Aalst, Belgium, &lt;a href="http://www.netwerk-art.be/"&gt;www.netwerk-art.be&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- DIE KUNST IST SUPER!Sept5- Feb14, 2010, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart – Berlin, &lt;a href="http://www.hamburgerbahnhof.de/"&gt;http://www.hamburgerbahnhof.de&lt;/a&gt; &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- Köztes idő: Jöjj! SZ.A.F. (Fischer Judit és Mécs Miklós) 2009. szep 7 - 26. &lt;a href="http://www.metatron.sh/koztesido"&gt;www.metatron.sh/koztesido&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- 28th Biennial of Graphic Arts in Ljubljana, 4 September – 25 October 2009, &lt;a href="http://www.mglc-lj.si/"&gt;www.mglc-lj.si&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- BAK, basis voor actuele kunst, Utrecht, &lt;a href="http://www.bak-utrecht.nl/"&gt;http://www.bak-utrecht.nl &lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;--- MATT MULLICAN: City As A Map (Of Ideas), GAK Gesellschaft für Aktuelle Kunst, Bremen, &lt;a href="http://www.blogger.com/www.gak-bremen.de"&gt;www.gak-bremen.de&lt;/a&gt;, Aug 29 - Nov 15&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- Ivars Gravlejs &lt;a href="http://www.ivarsgravlejs.com/"&gt;www.ivarsgravlejs.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.citizensofculture.net/"&gt;http://www.citizensofculture.net/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Festival @rt Outsiders 2009, &lt;a href="http://www.art-outsiders.com/"&gt;www.art-outsiders.com&lt;/a&gt;, September 9 &gt; October 11 2009&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;--- Kunst&amp;amp;Zwalm 2009! vzw Boem, Meilegem-Zwalm,Belgium, &lt;a href="http://www.kunst-en-zwalm.be/"&gt;www.kunst-en-zwalm.be&lt;/a&gt;, Aug 29- Sept 13&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- suicidal camera &lt;a href="http://www.youtube.com/watch?v=4x7uEsvTNl4&amp;amp;feature=channel_page"&gt;http://www.youtube.com/watch?v=4x7uEsvTNl4&amp;amp;feature=channel_page&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5759676742298555318?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5759676742298555318'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5759676742298555318'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/09/szoveg-september-2009-in-artforum.html' title='misc 20090901'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/Sp0coBAvy5I/AAAAAAAAD68/Li2Zasv8d20/s72-c/diekunstistsuper.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7141929136781741147</id><published>2009-08-15T07:24:00.003+02:00</published><updated>2009-08-17T09:15:57.285+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090815</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.c-collection.org/"&gt;www.c-collection.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.g39.org"&gt;www.g39.org&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.g39.org,%20cardiff/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- "Marx in Jargon", Keston Sutherland, &lt;a href="http://a.aaaarg.org/text/3583/marx-jargon"&gt;http://a.aaaarg.org/text/3583/marx-jargon&lt;/a&gt;, From World Picture 1 Spring, 2008&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- "What We Do When We Believe", Michel De Certeau, &lt;a href="http://a.aaaarg.org/text/3582/what-we-do-when-we-believe"&gt;http://a.aaaarg.org/text/3582/what-we-do-when-we-believe&lt;/a&gt;, A theory of social faith&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- Investigating Asian Internet-based Art. Part 1., Article by Darleen Principe., &lt;a href="http://www.furtherfield.org/displayreview.php?review_id=355"&gt;http://www.furtherfield.org/displayreview.php?review_id=355&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- English site and new issue: 'Whose Voice is This Anyway?' Ma'arav, The Israeli Center for Digital Art, Holon, www.maarav.org.il/english&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- i am transreal, &lt;a href="http://transreal.org/"&gt;http://transreal.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- UM.BOOK: MEDIA HACKING VS. CONCEPTUAL ART, &lt;a href="http://www.ubermorgen.com/"&gt;www.ubermorgen.com&lt;/a&gt;, HANS BERNHARD / LIZVLX, Alessandro Ludovico (Ed.), Christoph Merian Verlag, ISBN 978-3856164607&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- "The Emancipated Spectator (Artforum, March 2007) " Jacques Rancière, &lt;a href="http://a.aaaarg.org/text/3553/emancipated-spectator-artforum-march-2007"&gt;http://a.aaaarg.org/text/3553/emancipated-spectator-artforum-march-2007&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.layingthepoints.blogspot.com/"&gt;www.layingthepoints.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.outsidersout.blogspot.com/"&gt;www.outsidersout.blogspot.com&lt;/a&gt;, &lt;a href="http://www.ligetgaleria.c3.hu/346.html"&gt;http://www.ligetgaleria.c3.hu/346.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- Contour 2009 – 4th Biennial of Moving Image, Mechelen, 15.08.09 - 18.10.09, &lt;a href="http://www.contour2009.be/"&gt;http://www.contour2009.be&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://networkedbook.org/"&gt;http://networkedbook.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- SZ.A.F. Egy Immediatista potlach(osztálytalálkozó), Mécs Miklós, Budapest Galéria Kiállítóháza, 2009.08.13-09.08., &lt;a href="http://www.budapestgaleria.hu/index.php?akt_menu=175"&gt;http://www.budapestgaleria.hu/index.php?akt_menu=175&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.ueber-tage.de/"&gt;www.ueber-tage.de&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.alytusbiennial.com/"&gt;http://www.alytusbiennial.com/&lt;/a&gt; art strike biennial&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- Révész László László: My Sky, My sixties, 2009.08.06-09.06. Fővárosi Képtár/ Kiscelli Múzeum, &lt;a href="http://www.btmfk.iif.hu/"&gt;www.btmfk.iif.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- VIDEOHOLICA 2009 INTERNATIONAL VIDEO ART FESTIVAL, &lt;a href="http://www.videoholica.org/"&gt;www.videoholica.org&lt;/a&gt;, 4 – 13 AUGUST 2009&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7141929136781741147?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7141929136781741147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7141929136781741147'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/08/misc-20090815.html' title='misc 20090815'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5319643478714477870</id><published>2009-07-29T09:52:00.000+02:00</published><updated>2009-07-29T09:56:46.077+02:00</updated><title type='text'>misc 20090729</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz, hall::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- 'Bauhaus. A Conceptual Model'Berlin, &lt;a href="http://www.modell-bauhaus.de"&gt;www.modell-bauhaus.de&lt;/a&gt;, 22 July until 4 October 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://xchange.re-lab.net"&gt;http://xchange.re-lab.net&lt;/a&gt; (Xchange is a pioneering streaming audio and sound art project on the Internet.)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Andy! wanted works, &lt;a href="http://brodypaetau.com/?page_id=140"&gt;http://brodypaetau.com/?page_id=140&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- nyár utazás nyaralás / mare tranquilitatis, &lt;a href="http://www.youtube.com/watch?v=iQK91kd63Cs"&gt;http://www.youtube.com/watch?v=iQK91kd63Cs&lt;/a&gt;, vt&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Balanescu "Ballets Russes on the beach" &lt;a href="http://www.youtube.com/watch?v=sqxYV2dP3lE&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=sqxYV2dP3lE&amp;amp;feature=related&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- THE DRAWING INCIDENT: Open Studios &amp;amp; Symposium on Drawing, Ghent, &lt;a href="http://www.kunst.sintlucas.wenk.be"&gt;www.kunst.sintlucas.wenk.be&lt;/a&gt;, 21-25 September 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- SHAN SHAN SHENG, Open Wall Project, 53rd VENICE BIENNALE 2009, &lt;a href="http://openwallproject.com"&gt;http://openwallproject.com &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- "Participation", Claire Bishop, &lt;a href="http://a.aaaarg.org/text/3457/participation"&gt;http://a.aaaarg.org/text/3457/participation&lt;/a&gt;, Introduction to collection of writings&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- "Solidarity or Objectivity?", Richard Rorty, &lt;a href="http://a.aaaarg.org/text/3443/solidarity-or-objectivity"&gt;http://a.aaaarg.org/text/3443/solidarity-or-objectivity&lt;/a&gt;, From Rorty's "Objectivity, Relativism, and Truth"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Art Lies, Issue No. 62, Summer 2009, &lt;a href="http://www.artlies.org"&gt;http://www.artlies.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://collectingseminar.wordpress.com/2008/11/01/tjebbe-van-tijens-scroll-of-scrolls-andrew-oleksiuk/"&gt;http://collectingseminar.wordpress.com/2008/11/01/tjebbe-van-tijens-scroll-of-scrolls-andrew-oleksiuk/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The collecting and/or archiving of objects and information has emerged as a vital creative cultural practice.&lt;/span&gt;&lt;br /&gt;&lt;a href="http://collectingseminar.wordpress.com/syllabus/"&gt;&lt;span style="font-family: arial;"&gt;http://collectingseminar.wordpress.com/syllabus/&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- MACRO Museum of Contemporary Art of Rome, &lt;a href="http://www.macro.roma.museum"&gt;http://www.macro.roma.museum&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Serralves Museum of Contemporary Art, Porto, &lt;a href="http://www.serralves.com"&gt;www.serralves.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Berlin Boogie Woogie, Le Petit Port / PP44, &lt;a href="http://www.lepetitport.nl/galerie/overzicht_g0.htm"&gt;www.lepetitport.nl/galerie/overzicht_g0.htm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- BAIBAKOV art projects, Moszkva, &lt;a href="http://www.baibakovartprojects.com"&gt;http://www.baibakovartprojects.com&lt;/a&gt; , itt Luc Tuymans: 'Against the Day', sept 25- nov 8&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- elso magyar kepzomuszeti totalizator rendszer szerint mukodo fogadoiroda &lt;a href="http://www.layingthepoints.blogspot.com"&gt;www.layingthepoints.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5319643478714477870?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5319643478714477870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5319643478714477870'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/07/misc-20090729.html' title='misc 20090729'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-324379923632773558</id><published>2009-07-18T10:10:00.003+02:00</published><updated>2009-11-04T21:56:20.833+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090718</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.legyendesignterminal.eu/"&gt;http://www.legyendesignterminal.eu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Wiebke Morgan, London, &lt;a href="http://www.wiebkemorgan.com"&gt;www.wiebkemorgan.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Rebus: A Journal of Art History and Theory, University of Essex, &lt;a href="http://www2.essex.ac.uk/arthistory/rebus/issue3.htm"&gt;www2.essex.ac.uk/arthistory/rebus/issue3.htm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Hans Ulrich Obrist: A Brief History of Curating, JRP|Ringier, 2008 390582955X (&lt;a href="http://www.amazon.com/Brief-History-Curating-Documents/dp/390582955X"&gt;http://www.amazon.com/Brief-History-Curating-Documents/dp/390582955X&lt;/a&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Fehér M. István (1980). Jean-Paul Sartre. Budapest: Kossuth&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Ferenczi Sándor: Klinikai napló 1932, Akadémiai Kiadó, Budapest, 1996.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"A beteg nagyon határozottan teljes őszinteségre kér, amire azt mondom neki, hogy hogy én valójában nagyon is túloztam, amikor folyvást az analízisétől várható eredményről beszéltem. A valóságban gayakran attól félek, hogy nem sikerül az egész kezelés, és a vége téboly vagy öngyilkosság lesz. (...) Ez - nem várt módon - teljes megnyugvást eredményezett." 63. old.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Hollós István: Búcsúm a Sárga Háztól. Cserépfalvi, Bp., 1990.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Emmanuel Lévinas: Teljesség és végtelen. Jelenkor, Pécs, 1999.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Artpool/Kapolcs emlék/mű, Galántai-ház, közvetlenül, 2009. július 22-26., - Kossuth utca 55 - Kapolcs, &lt;a href="http://www.artpool.hu/ujkapolcs/09/index.html"&gt;http://www.artpool.hu/ujkapolcs/09/index.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://videochannel.newmediafest.org/blog/"&gt;http://videochannel.newmediafest.org/blog/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Válságjelek, 2009. július 16-szeptember 20. &lt;a href="http://www.ludwigmuseum.hu"&gt;http://www.ludwigmuseum.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Contemporary Utopia Management, &lt;a href="http://www.c-u-m-a.org/"&gt;http://www.c-u-m-a.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; &lt;img style="margin: 0pt 10px 10px 0pt; float: left;  width: 104px; height: 99px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SmGDruEZmRI/AAAAAAAAD60/pDrlNGbcOiU/s200/walterhopps.jpg" alt="" id="BLOGGER_PHOTO_ID_5359709818671700242" border="0" /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;ember:::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://walterhopps.com/"&gt;http://walterhopps.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- ehhez: Hans Ulrich Obrist: A Brief History of Curating, JRP|Ringier, 2008, 390582955X&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-324379923632773558?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/324379923632773558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/324379923632773558'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/07/misc-20090718.html' title='misc 20090718'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/SmGDruEZmRI/AAAAAAAAD60/pDrlNGbcOiU/s72-c/walterhopps.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5272175105663149501</id><published>2009-07-14T09:37:00.005+02:00</published><updated>2009-11-04T21:56:55.771+01:00</updated><title type='text'>misc 20090714</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.contemporaryartmanchester.org/"&gt;http://www.contemporaryartmanchester.org  &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.futureeverything.org/news"&gt;http://www.futureeverything.org/news&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 106px; height: 156px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Slw14szSeMI/AAAAAAAAD6s/Uq8VdsGVibQ/s200/ursluthi.jpg" alt="" id="BLOGGER_PHOTO_ID_5358216904879274178" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.kunstmeranoarte.org/"&gt;www.kunstmeranoarte.org&lt;/a&gt;, Merano, itt URS LUTHI - ART IS THE BETTER LIFE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;04.07.09 - 20.09.09, kép: Urs Lüthi, From the series: 'Art is the Better Life'&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- TEA Tenerife Espacio de las Artes, &lt;a href="http://http//www.teatenerife.es/"&gt;http://www.teatenerife.es/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---  &lt;a href="http://www.publicartfund.org,%20new%20york/"&gt;http://www.publicartfund.org, New York  &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Shanghai Exhibition Centre , ShContemporary09, Shanghai in Art, September 9-13, 2009, &lt;a href="http://www.shcontemporary.info/"&gt;http://www.shcontemporary.info&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- The Blue House, Amsterdam, &lt;a href="http://www.blauwehuis.org/"&gt;www.blauwehuis.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Centro Abierto, Lima, &lt;a href="http://www.centroabierto.org/"&gt;http://www.centroabierto.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Mathildenhöhe Darmstadt, &lt;a href="http://www.mathildenhoehe.eu/"&gt;http://www.mathildenhoehe.eu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Open Door Museum, Vilnius, &lt;a href="http://www.opendoormuseum.lt/"&gt;www.opendoormuseum.lt&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Z33, Hasselt, &lt;a href="http://www.z33.be/"&gt;http://www.z33.be&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- bitforms gallery nyc, &lt;a href="http://www.bitforms.com/"&gt;http://www.bitforms.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.make-capitalism-history.de/"&gt;http://www.make-capitalism-history.de/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.counterrealism.wordpress.com/"&gt;www.counterrealism.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- "What Pragmatism Means", William James, &lt;a href="http://a.aaaarg.org/text/3283/what-pragmatism-means"&gt;http://a.aaaarg.org/text/3283/what-pragmatism-means&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Zivot umjetnosti _ magazine for contemporary visual arts, Institute of Art History, Zágráb, &lt;a href="http://www.hart.hr/"&gt;www.hart.hr&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- FKSE: STÚDIÓ / STUDIO (32 old.), ARCHÍVUM / ARCHIVE (44 old.) DISKURZUSOK / DISCOURSES (68 old.)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- THERE'S MORE THAN ONE WAY TO DO MICROCODES, Interview with Pall Thayer, &lt;a href="http://cont3xt.net/blog/?p=1743"&gt;http://cont3xt.net/blog/?p=1743&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Tacita Dean: Teignmouth Electron, &lt;a href="http://www.bookworks.org.uk/asp/multiview.asp?page=4"&gt;http://www.bookworks.org.uk/asp/multiview.asp?page=4&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Liam Gillick: All Books, &lt;a href="http://www.bookworks.org.uk/asp/multiview.asp?page=7"&gt;http://www.bookworks.org.uk/asp/multiview.asp?page=7&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Susan Hiller: Auras and Leviations, &lt;a href="http://www.bookworks.org.uk/asp/multiview.asp?page=10"&gt;http://www.bookworks.org.uk/asp/multiview.asp?page=10&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Simon Patterson: Rex Reason, &lt;a href="http://www.bookworks.org.uk/asp/multiview.asp?page=22"&gt;http://www.bookworks.org.uk/asp/multiview.asp?page=22&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;ember::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Monty Cantsin, &lt;a href="http://istvankantor.com/"&gt;http://istvankantor.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://amennyirelehetfrisslevego.blogspot.com/"&gt;http://amennyirelehetfrisslevego.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.kilpiscope.net/"&gt;http://www.kilpiscope.net/&lt;/a&gt;, &lt;a href="http://www.80plus1.org/"&gt;http://www.80plus1.org/&lt;/a&gt;, &lt;a href="http://www.climatescope.net/"&gt;http://www.climatescope.net&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://www.appliedautonomy.com/index.html"&gt;http://www.appliedautonomy.com/index.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- &lt;a href="http://binarykatwalk.net/kate/kate.html"&gt;http://binarykatwalk.net/kate/kate.html   &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- ReMap, &lt;a href="http://www.remapkm.org/"&gt;http://www.remapkm.org/&lt;/a&gt;, June 16th to October 4th&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5272175105663149501?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5272175105663149501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5272175105663149501'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/07/misc-20090714.html' title='misc 20090714'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/Slw14szSeMI/AAAAAAAAD6s/Uq8VdsGVibQ/s72-c/ursluthi.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-639657073473281014</id><published>2009-07-14T09:34:00.002+02:00</published><updated>2009-11-04T21:57:59.813+01:00</updated><title type='text'>20090711</title><content type='html'>&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 85px; height: 112px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Slw1QlAjAuI/AAAAAAAAD6k/xsCrOghjQFk/s200/338_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5358216215592633058" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 131px; height: 98px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Slw1QaF5f8I/AAAAAAAAD6c/vj8YpJ9yb0U/s200/378_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5358216212662288322" border="0" /&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 131px; height: 98px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Slw1QWqg1NI/AAAAAAAAD6U/RdLxbWFpUyg/s200/359_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5358216211742119122" border="0" /&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Gilvánfa, falunap, 20090711&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-639657073473281014?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/639657073473281014'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/639657073473281014'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/07/20090711.html' title='20090711'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Slw1QlAjAuI/AAAAAAAAD6k/xsCrOghjQFk/s72-c/338_resize.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2283423441115032387</id><published>2009-07-03T19:16:00.004+02:00</published><updated>2009-11-04T21:59:30.157+01:00</updated><title type='text'>misc 20090703</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- ÉN TE Ő MI TI ŐK – MIND ÉN / Önarcképek, Igor Lazin, 2009. július 02-30. &lt;a href="http://www.ligetgaleria.c3.hu/345.html"&gt;http://www.ligetgaleria.c3.hu/345.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://www.photoblog.com/dromidriver/2009/06/30/igor-lazin-n-te--mi-ti-k.html"&gt;http://www.photoblog.com/dromidriver/2009/06/30/igor-lazin-n-te--mi-ti-k.html&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=_F3CiVqQKnY"&gt;http://www.youtube.com/watch?v=_F3CiVqQKnY&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Ó2, Horváth Tibor, 2009. augusztus 06-szeptember 3. &lt;a href="http://www.ligetgaleria.c3.hu/346.html"&gt;http://www.ligetgaleria.c3.hu/346.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Installáció / cím nélkül, Retrospektív, Erhardt Miklós, 2009. szeptember 11-október 28. &lt;a href="http://www.ligetgaleria.c3.hu/347.html"&gt;http://www.ligetgaleria.c3.hu/347.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Lia Perjovschi: Terv, a Tudás Múzeumához, dorottya galéria,  május 5-december 20. &lt;a href="http://www.metatron.sh/koztesido/Terv_%28a_Tud%C3%A1s_M%C3%BAzeum%C3%A1hoz%29"&gt;http://www.metatron.sh/koztesido/Terv_(a_Tud%C3%A1s_M%C3%BAzeum%C3%A1hoz)&lt;/a&gt;,  &lt;a href="http://tranzit.blog.hu/2009/07/02/a_tudas_ujfajta_gyujtese"&gt;http://tranzit.blog.hu/2009/07/02/a_tudas_ujfajta_gyujtese&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- KONOK TAMÁS, A gondolatmenet, Kiscelli, 2009. július 2-augusztus 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.arslonga.fr/"&gt;http://www.arslonga.fr/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.hehe.org/"&gt;http://www.hehe.org/&lt;/a&gt; (HeHe (Helen Evans, Heiko Hansen))&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- 1st Announcement Festival @rt Outsiders 2009, Paris, &lt;a href="http://www.art-outsiders.com"&gt;www.art-outsiders.com&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt; (web site under construction)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Negatív dia, 2009. július 03-06. &lt;a href="http://www.vajdalajosstudio.hu/"&gt;http://www.vajdalajosstudio.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Széljegyzet, Koronczi Endre, 2009. július 08-31. &lt;a href="http://www.indagaleria.hu"&gt;http://www.indagaleria.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Shandor Hassan: Tárgyak gyűjteménye, 2009. 07. 04 - 08. 10. &lt;a href="http://www.shandorhassan.com"&gt;www.shandorhassan.com&lt;/a&gt;, &lt;a href="http://www.photolumen.hu"&gt;www.photolumen.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Robert Capa, 3 July - 11 October 2009, &lt;a href="http://www.ludwigmuseum.hu"&gt;http://www.ludwigmuseum.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Joyous Machines: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt; &lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 140px; height: 92px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sk49HZ_eEaI/AAAAAAAAD6E/DJ5CeptiJNU/s200/joyous,+landy.jpg" alt="" id="BLOGGER_PHOTO_ID_5354284204435575202" border="0" /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;Michael Landy and Jean Tinguely, &lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.tate.org.uk/liverpool"&gt;&lt;span style="font-family: arial;"&gt;www.tate.org.uk/liverpool&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;2 October 2009 – 10 January 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;kép: Michael Landy,&lt;br /&gt;'H.2.N.Y. Self-constructing Self-destroying Tinguely Machine, &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Museum of Modern Art, 17th March 1960' &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;(2006)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- &lt;a href="http://www.contemporaryartmanchester.org"&gt;www.contemporaryartmanchester.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- A PANNONHALMI SZEMLE (2009/2.) téma: a Labirintus, &lt;a href="http://www.phszemle.hu"&gt;www.phszemle.hu&lt;/a&gt;, KORÁBBIAK: &lt;a href="http://www.ceeol.com"&gt;www.ceeol.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- PAVILION #13 "MÉDECINE SOCIALE", &lt;a href="http://www.pavilionmagazine.org"&gt;http://www.pavilionmagazine.org&lt;/a&gt;, borítón: &lt;/span&gt; &lt;img style="margin: 0pt 10px 10px 0pt; float: left; width: 92px; height: 123px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Sk49HoaMEXI/AAAAAAAAD6M/p7Vrab6DWsY/s200/pavilion13.jpg" alt="" id="BLOGGER_PHOTO_ID_5354284208305738098" border="0" /&gt;&lt;span style="font-family: arial;"&gt;Sebastian Moldovan: "Sketch for the tomato garden" ball point pen on paper 21x30 cm 2009, &lt;br /&gt;benne: &lt;/span&gt;&lt;span style="font-family: arial;"&gt;Michel Foucault: The Archaeology of Knowledge, Fredric Jameson: The Brick and the Balloon: Architecture, Idealism and Land Speculation,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;blog: &lt;a href="http://pavilion.pavilionmagazine.org/"&gt;http://pavilion.pavilionmagazine.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- "The Postmodern Condition: A Report on Knowledge", Jean-François Lyotard&lt;/span&gt;&lt;br /&gt;&lt;a href="http://a.aaaarg.org/text/3246/postmodern-condition-report-knowledge"&gt;&lt;span style="font-family: arial;"&gt;http://a.aaaarg.org/text/3246/postmodern-condition-report-knowledge&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---"Rital and Raton", Pier Paolo Pasolini, &lt;a href="http://a.aaaarg.org/text/3252/rital-and-raton"&gt;http://a.aaaarg.org/text/3252/rital-and-raton&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Pasolini’s short story Rital and Raton (1965) showcases the author’s unique formal writing; part literary/semiotic essay, part dramatic narr&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- "Differance", Jacques Derrida, &lt;a href="http://a.aaaarg.org/text/3264/differance"&gt;http://a.aaaarg.org/text/3264/differance&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;excerpt from diffe! rance (most of the original bass translation is here)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- spike Art Guide East, &lt;a href="http://www.spikeart.at"&gt;http://www.spikeart.at&lt;/a&gt; Volume 1: Belgrade, Bratislava, Bucharest, Budapest, Ljubljana, Prague, Sarajevo, Sofia, Vienna &amp;amp; Zagreb&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- e-flux journal - issue #7, Summer 2009, &lt;a href="http://e-flux.com/journal"&gt;http://e-flux.com/journal&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- "The Archive Without Museum", Hal Foster, &lt;a href="http://a.aaaarg.org/text/3265/archive-without-museum"&gt;http://a.aaaarg.org/text/3265/archive-without-museum&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Foster looks at the electronic ontology of visual culture and its current and future discursive effects&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;elis::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- A Plágium2000 St.Auby Tamást az elismerés elismeréséül Mécs Miki Díjjal tünteti ki (díj átadása július hó során) &lt;a href="http://plagium2000.wordpress.com"&gt;http://plagium2000.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2283423441115032387?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2283423441115032387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2283423441115032387'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/07/misc-20090703.html' title='misc 20090703'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Sk49HZ_eEaI/AAAAAAAAD6E/DJ5CeptiJNU/s72-c/joyous,+landy.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1851887277230121793</id><published>2009-06-30T07:29:00.003+02:00</published><updated>2009-06-30T07:34:08.307+02:00</updated><title type='text'>20090630</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;--- "A Telekommunikáció Nemzetközi Parelel Uniója Mécs Miklóst a fennálló provinciális, idétlen és káros intézményi viszonyokat illető konstruktív kritikája, az Aviva Képzőművészeti Díjra történt jelöltségéről való lemondása és legalább 1095 napnyi  munkásságának elismeréséül 2009. június 26-án Major János Dijjal tüntette ki. (St.Auby Tamás, a TNPU szuperintendánsa)"&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--- Mécs Miklós levelének másolata: &lt;/span&gt;&lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=500&amp;amp;curmenu=202&amp;amp;kovetkezo_collapse=0"&gt;&lt;span style="font-family:arial;"&gt;http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=500&amp;amp;curmenu=202&amp;amp;kovetke&lt;/span&gt;&lt;span style="font-family:arial;"&gt;zo_collapse=0&lt;/span&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Az Aviva Képzőművészeti Díjról: &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;cm=aviva&amp;amp;curmenu=502"&gt;http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;cm=aviva&amp;amp;curmenu=502&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://tranzit.blog.hu/2009/06/27/pepsi_sziget_es_aviva_dij"&gt;http://tranzit.blog.hu/2009/06/27/pepsi_sziget_es_aviva_dij&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://www.mindenszarban2kanal.blogspot.com/"&gt;http://www.mindenszarban2kanal.blogspot.com/&lt;/a&gt;,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://kl-trafokiallitaspalyazat.blogspot.com/"&gt;http://kl-trafokiallitaspalyazat.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://szaf.blogspot.com/"&gt;http://szaf.blogspot.com/ &lt;/a&gt;&lt;/span&gt;&lt;a href="http://szaf.blogspot.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1851887277230121793?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1851887277230121793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1851887277230121793'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/kor-szellem-20090630.html' title='20090630'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5798645560939869439</id><published>2009-06-29T07:23:00.000+02:00</published><updated>2009-06-30T07:27:52.060+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090629</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Párhuzamosok találkozása No. 11: Ok-okozat - Interaktív vetítés és performansz, Chris Hales, Teijo Pellinen, &lt;a href="http://www.impex-info.org"&gt;http://www.impex-info.org&lt;/a&gt;, &lt;a href="http://www.kinoautomat.org"&gt;www.kinoautomat.org&lt;/a&gt; | &lt;a href="http://www.causeandeffect.tk"&gt;www.causeandeffect.tk&lt;/a&gt;, &lt;a href="http://www.impex-info.org"&gt;www.impex-info.org&lt;/a&gt; |&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Festival @rt Outsiders 2009, &lt;a href="http://www.art-outsiders.com"&gt;www.art-outsiders.com&lt;/a&gt;, (Un)Inhabitable?, Art of Extreme Environments, September 9 &gt; October 11 2009, Paris&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Made in Iran, Asia House, London, &lt;a href="http://www.newartworld.co.uk"&gt;www.newartworld.co.uk&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- &lt;a href="http://budapestberlin.blogspot.com"&gt;http://budapestberlin.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- EXHIBITION AS SCHOOL, Lisboa, &lt;a href="http://http://www.artecontempo.org"&gt;http://www.artecontempo.org&lt;/a&gt;, &lt;a href="http://estadosgeraisinfo.blogspot.com"&gt;http://estadosgeraisinfo.blogspot.com&lt;/a&gt;, &lt;a href="http://www.artecontempo.org"&gt;http://www.artecontempo.org&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.artecontempo.org"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Ernst Schering Foundation - Project Space for Art and Science, Berlin, &lt;a href="http://www.scheringstiftung.de"&gt;www.scheringstiftung.de&lt;/a&gt;, itt: Carsten Nicolai: rota&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Z33, Hasselt, &lt;a href="http://www.z33.be"&gt;www.z33.be&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- "The birthplace of Dadaism, Cabaret Voltaire, might be forced to close its doors at the end of this month." &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;a href="http://www.worldradio.ch/wrs/news/switzerland/dada-faces-judgement-day.shtml?11498"&gt;http://www.worldradio.ch/wrs/news/switzerland/dada-faces-judgement-day.shtml?11498&lt;/a&gt;, , &lt;a href="http://xs4all.nl/%7Edherzog"&gt;http://xs4all.nl/~dherzog&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- MeetFactory Gallery, Prague, &lt;a href="http://www.meetfactory.cz"&gt;www.meetfactory.cz&lt;/a&gt;, itt: BROKEN ANIMALS REVISITED: ANIMATIONS BY CARLOS AMORALES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- "Society Must Be Defended (Chapter 11)", Michel Foucault, &lt;a href="http://a.aaaarg.org/text/3230/society-must-be-defended-chapter-11"&gt;http://a.aaaarg.org/text/3230/society-must-be-defended-chapter-11&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;SMD provides a genealogy of the infiltration of race into state apparatuses in the 19th which provided a defense against abnormality&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- szellemkép, &lt;a href="http://www.miskolcigaleria.hu/"&gt;http://www.miskolcigaleria.hu/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5798645560939869439?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5798645560939869439'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5798645560939869439'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/misc-20090629.html' title='misc 20090629'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6307274591034847641</id><published>2009-06-22T19:04:00.003+02:00</published><updated>2009-06-22T19:16:26.876+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090622</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;néz::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Köztes idő: Terv (a Tudás Múzeumához), Lia Perjovschi, 2009. június 24-től július 30-ig.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;a href="http://www.metatron.sh/koztesido/Kezd%C5%91lap"&gt;http://www.metatron.sh/koztesido/Kezd%C5%91lap&lt;/a&gt;, dorottya galéria&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- Why are conceptual artists painting again? Because they think it's a good idea.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Jan Verwoert előadása itt: The B&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;uilding, &lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sj-64nb43DI/AAAAAAAAD5M/AQ-ApQ6Cz64/s1600-h/delcossa.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 155px; height: 116px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sj-64nb43DI/AAAAAAAAD5M/AQ-ApQ6Cz64/s200/delcossa.jpg" alt="" id="BLOGGER_PHOTO_ID_5350200364160834610" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Berlin, 0621&lt;/span&gt; &lt;span style="font-family:arial;"&gt;One intuition motivating this series of talks has been the feeling that there is something deeply problematic about an approach that narrows the possibilities of engaging with art down to the procedures of decoding and encoding its inscription onto the symbolic order. That is: the idea that the primary task of art, as a strateg&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;ical operation, was to provide conceptual legitimation&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;s (to satisfy or lay down the law, among oth&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;er t&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;hings) &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;by constructing references that situate the work within an established economy of meaning. No matter how critical this approach may initially have intended to be, it has effectively proven to be coextensive with—and an involuntary ideological support of—an attitude towards art production that is indeed merely strategical and solely about plotting ways of inscribing a practice into the symbolic order, be it through the suicidal heroic mode of bringing the game of art to its logical conclusion by explicating its rules (old-school modernist conceptual) or through the somewhat more versatile mode of implicating a work within its g&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;iven economies of referentiality as rarified secrets.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;(több itt: &lt;a href="http://www.e-flux.com/shows/view/6927"&gt;http://www.e-flux.com/shows/view/6927&lt;/a&gt;)&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;-- Kese&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;rue Zsolt, 23 MONOLÓG, &lt;a href="http://www.paksikeptar.hu/"&gt;http://www.paksikeptar.hu/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- public, toronto, &lt;a href="http://www.publicjournal.ca/"&gt;http://www.publicjournal.ca&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;--&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt; Monument&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sj-64fkmPpI/AAAAAAAAD48/J1bK_PY4iLY/s1600-h/baladran-transformation.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 152px; height: 67px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sj-64fkmPpI/AAAAAAAAD48/J1bK_PY4iLY/s200/baladran-transformation.jpg" alt="" id="BLOGGER_PHOTO_ID_5350200362049879698" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt; to Transformation,&lt;br /&gt;May 28 - August 30, 2009, City Gallery Prague,&lt;br /&gt;&lt;a href="http://www.monumenttotransformation.org/"&gt;http://www.monumenttotransformation.org&lt;/a&gt;,&lt;br /&gt;&lt;a href="http://www.tranzitdisplay.cz/"&gt;http://www.tranzitdisplay.cz&lt;/a&gt;,&lt;br /&gt;&lt;a href="http://www.tranzit.org/"&gt;http://www.tranzit.org&lt;/a&gt;,&lt;br /&gt;itt: Zbyněk Baladrán, Body (diagram from Atlas of Transformation), 2009&lt;br /&gt;&lt;/span&gt; &lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- NO SOUL FOR SALE –&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/Sj-64x_aKKI/AAAAAAAAD5U/GY0jjifQ2uU/s1600-h/nosoulforsale.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 55px; height: 58px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Sj-64x_aKKI/AAAAAAAAD5U/GY0jjifQ2uU/s200/nosoulforsale.jpg" alt="" id="BLOGGER_PHOTO_ID_5350200366994172066" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;A Festival of Independents,&lt;br /&gt;June 24 - 28, 2009,&lt;br /&gt;X INITIATIVE, New York, &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;a href="http://www.x-initiative.org/"&gt;http://www.x-initiative.org&lt;/a&gt;&lt;/span&gt;  &lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;&lt;br /&gt;hely::::&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- c&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;ityson.info est un audio guide des ouvres d'art public, pérennes ou éphémeres, dans la ville a destination de l'internet et de la téléphonie mobile./, &lt;a href="http://cityson.info/"&gt;http://cityson.info&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sj-64q8CRnI/AAAAAAAAD5E/KLPoqX7PESI/s1600-h/imma.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 69px; height: 69px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sj-64q8CRnI/AAAAAAAAD5E/KLPoqX7PESI/s200/imma.jpg" alt="" id="BLOGGER_PHOTO_ID_5350200365100975730" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt; Irish Museum of Modern Art, Dublin,&lt;br /&gt;&lt;a href="http://www.imma.ie/"&gt;http://www.imma.ie&lt;/a&gt;,&lt;br /&gt;itt: Between Metaphor and Object,&lt;br /&gt;Art of the '90s from the IMMA Collection,&lt;br /&gt;14 May 2009 - 4 April 2010,&lt;br /&gt;itt: Ann Hamilton, Filament II, 1996&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- VILLA ARSON – National contemporary art centre, NICE (France) &lt;a href="http://www.villa-arson.org/"&gt;http://www.villa-arson.org&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- Fundación Proa, Buenos Aires, &lt;a href="http://www.proa.org/"&gt;http://www.proa.org&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sj-65G-WkUI/AAAAAAAAD5c/FOeGIj3CtbE/s1600-h/powerplant-orozco.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 44px; height: 65px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sj-65G-WkUI/AAAAAAAAD5c/FOeGIj3CtbE/s200/powerplant-orozco.jpg" alt="" id="BLOGGER_PHOTO_ID_5350200372626886978" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- The Power Plant,&lt;br /&gt;&lt;a href="http://www.thepowerplant.org/"&gt;http://www.thepowerplant.org&lt;/a&gt;,&lt;br /&gt;itt Gabriel Orozco,&lt;br /&gt;Black Kites Perspective,&lt;br /&gt;1997&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- TANAS - Space for Contemporary Turkish Art, Berlin, &lt;a href="http://www.tanasberlin.de/"&gt;www.tanasberlin.de&lt;/a&gt;, itt: Red Thread - a prologue to 11th International Istanbul Biennial&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- CiC - Contemporary Image Collective, Cairo, &lt;a href="http://www.ciccairo.com/"&gt;www.ciccairo.com&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- 28th Biennial of Graphic Arts, Ljubljana, &lt;a href="http://www.mglc-lj.si/"&gt;www.mglc-lj.si&lt;/a&gt;, 4 September - 25 October 2009&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- art networking platform on &lt;a href="http://artaculous.com/"&gt;http://artaculous.com/&lt;/a&gt;&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "The Fate of Art in the Age of Terror ", Boris Groys, &lt;a href="http://a.aaaarg.org/text/3167/fate-art-age-terror"&gt;http://a.aaaarg.org/text/3167/fate-art-age-terror&lt;/a&gt;, The terrorist, the warrior is radical. He does not practice the iconoclasm. Rather, he wants to reinforce the belief in the image...&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "On Nietzsche", Georges Bataille, &lt;a href="http://a.aaaarg.org/text/3178/nietzsche"&gt;http://a.aaaarg.org/text/3178/nietzsche&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "Theory of Religion", Georges Bataille, &lt;a href="http://a.aaaarg.org/text/3179/theory-religion"&gt;http://a.aaaarg.org/text/3179/theory-religion&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;--  &lt;a href="http://www.textezurkunst.de/"&gt;http://www.textezurkunst.de&lt;/a&gt;   &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "Matter and Memory", Bergson, &lt;a href="http://a.aaaarg.org/text/3196/matter-and-memory"&gt;http://a.aaaarg.org/text/3196/matter-and-memory&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- e-flux journal - issue #7, 2009 nyár, &lt;a href="http://e-flux.com/journal"&gt;http://e-flux.com/journal&lt;/a&gt;, benne Groys és Baers&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6307274591034847641?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6307274591034847641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6307274591034847641'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/misc-20090622.html' title='misc 20090622'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Sj-64nb43DI/AAAAAAAAD5M/AQ-ApQ6Cz64/s72-c/delcossa.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1050435190875121695</id><published>2009-06-19T21:16:00.002+02:00</published><updated>2009-06-19T21:19:06.237+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090619</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;Pillanatgépek / Blickmaschinen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Hogyan keletkeznek a képek, vagy egy pillantás a Werner Nekes gyűjteményre a kortárs művészet szemszögéből &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;a style="font-family: arial;" href="http://mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=481&amp;amp;curmenu=201"&gt;http://mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=481&amp;amp;curmenu=201&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://blickmaschinen.de/"&gt;http://blickmaschinen.de/ &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.kunstmuseum-siegen.de/"&gt;http://www.kunstmuseum-siegen.de/ &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.pillanatgepek.c3.hu/"&gt;http://www.pillanatgepek.c3.hu/ &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://wernernekes.de/"&gt;http://wernernekes.de/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;FOGALMAZZA MEG ÖN IS VIDEOÜZENETÉT A MŰCSARNOKBAN BEMUTATOTT VALAMELY MŰ KAPCSÁN!&lt;/span&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.dailymotion.com/ligetgallery/video/16160170"&gt;http://www.dailymotion.com/ligetgallery/video/16160170&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;from ligetgallery, via &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.photoblog.com/dromidriver/2009/06/16/pillanatgpek-blickmaschinen.html"&gt;&lt;span style="text-decoration: underline;"&gt;dromidriver&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1050435190875121695?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1050435190875121695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1050435190875121695'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/misc-20090619.html' title='misc 20090619'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-9074116386369559192</id><published>2009-06-13T15:04:00.005+02:00</published><updated>2009-06-13T15:17:56.787+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090613</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;néz::::&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- Nam June Paik Archive, Smithsonian American Art Museum, &lt;a href="http://americanart.si.edu/"&gt;http://americanart.si.edu &lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- SOCIETE REALISTE, &lt;a href="http://www.societerealiste.net/"&gt;http://www.societerealiste.net&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Autocenter Berlin, &lt;a href="http://www.autocenterart.de/"&gt;www.autocenterart.de&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/SjOlYMrMI8I/AAAAAAAADsk/S8Y8q_zectM/s1600-h/venice-perpetual.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 120px; height: 164px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SjOlYMrMI8I/AAAAAAAADsk/S8Y8q_zectM/s200/venice-perpetual.gif" alt="" id="BLOGGER_PHOTO_ID_5346799017756730306" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- The PERPETUAL GYPSY PAVILION, VENICE BIENNALE 2009, &lt;a href="http://www.perpetualpavilion.org/"&gt;http://www.PERPETUALPAVILION.org &lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- Egy lehetséges múlt, Juhász R. József, Magyar Műhely Galéria&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- INVERZ, Trafo Galeria, június 12-21. &lt;a href="http://zrevni.blog.hu/"&gt;http://zrevni.blog.hu/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- PILLANATGÉPEK / BLICKMASCHINEN, (Werner Nekes Gyűjtemény) MŰCSARNOK, 2009. június 20 – augusztus 23. &lt;a href="http://mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=481&amp;amp;curmenu=201"&gt;http://mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=481&amp;amp;curmenu=201&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- Blind Date | Kerezsi Nemere | APRoPODIUM Galéria, &lt;a href="http://www.apropodium.hu/"&gt;http://www.apropodium.hu/&lt;/a&gt; 2009. június 10-július 24.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Fortinbras a nulladik évben, Sugár János, 2009. június 09-19. Vimtage Galéria, &lt;a href="http://www.vintage.hu/"&gt;http://www.vintage.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- ArtBoom_01, ArtBoom Festival of Visual Arts in Krakow, &lt;a href="http://www.artboomfestival.pl/"&gt;www.artboomfestival.pl&lt;/a&gt; 2009 0612-22&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- &lt;a href="http://www.distributedhistory.com/"&gt;http://www.distributedhistory.com/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- 2009. június 11. &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Labor és Kretakör, &lt;a href="http://kretakor.blog.hu/"&gt;http://kretakor.blog.hu/&lt;/a&gt;, &lt;a href="http://hu.tranzit.org/"&gt;http://hu.tranzit.org&lt;/a&gt;, &lt;a href="http://www.artalways.org/"&gt;http://www.artalways.org/&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt; Beszélgetés a tanulmányi és dokumentációs kiállítások módszertanáról&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;&lt;br /&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- Mousse Magazine, Milan, &lt;a href="http://www.moussemagazine.it/"&gt;www.moussemagazine.it&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SjOlYGmDfTI/AAAAAAAADsc/QycuMLBhtqQ/s1600-h/mousse06.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 117px; height: 167px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SjOlYGmDfTI/AAAAAAAADsc/QycuMLBhtqQ/s200/mousse06.jpg" alt="" id="BLOGGER_PHOTO_ID_5346799016124579122" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- műút, &lt;a href="http://www.muut.hu/"&gt;http://www.muut.hu&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;-- Interarchive. Archivarische Praktiken und Handlungsräume im zeitgenössischen Kunstfeld / Archival Practices and Sites in the Contemporary Art Field, Verlag der Buchhandlung Walther König, Lüneburg – Köln, 2002, ISBN 3-88375-540-0, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;róla Bodor judit könyvismertető: &lt;a href="http://balkon.c3.hu/balkon04_07/09bodor.html"&gt;http://balkon.c3.hu/balkon04_07/09bodor.html&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "Aesthetics against incarnation", Jacques Rancière, &lt;a href="http://a.aaaarg.org/text/3129/aesthetics-against-incarnation"&gt;http://a.aaaarg.org/text/3129/aesthetics-against-incarnation&lt;/a&gt;, An interview by Anne Marie Oliver about The Ignorant Schoolmaster.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- "N55BOOK", by N55, &lt;a href="http://a.aaaarg.org/text/3138/n55book"&gt;http://a.aaaarg.org/text/3138/n55book&lt;/a&gt;, manuals for projects by Danish collective N55&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "The Lacanian Real Television", Slavoj Zizek, &lt;a href="http://a.aaaarg.org/text/3137/lacanian-real-television"&gt;http://a.aaaarg.org/text/3137/lacanian-real-television&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- "The Cultural Logic of the Late Capitalist Museum"&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;, Rosalind Krauss, &lt;a href="http://a.aaaarg.org/text/3119/cultural-logic-late-capitalist-museum"&gt;http://a.aaaarg.org/text/3119/cultural-logic-late-capitalist-museum&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt; Text written as a lecture for a meeting of the International Association of Museum of Modern Art in 1990 and appeared in October, n° 54&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;hang::::&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- &lt;a href="http://ryanjordan.org/"&gt;http://ryanjordan.org&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- &lt;a href="http://www.onoma.co.uk/tonesucker.html"&gt;http://www.onoma.co.uk/tonesucker.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://www.sciajno.net/"&gt;http://www.sciajno.net/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://www.ry-om.net/"&gt;http://www.ry-om.net/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- Valentina Vuksic - Trippin through Runtime, &lt;a href="http://harddisko.ch/"&gt;http://harddisko.ch/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- JoDi.org - Folksomy.alpha, &lt;a href="http://wwwwwwwww.jodi.org/"&gt;http://wwwwwwwww.jodi.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- demolécularisation - ***Be A Hero, &lt;a href="http://projectsinge.free.fr/"&gt;http://projectsinge.free.fr/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- sonom.org, &lt;a href="http://www.sonom.org/"&gt;http://www.sonom.org/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- Michael Sellam - tmp files, &lt;a href="http://www.michaelsellam.com/"&gt;http://www.michaelsellam.com&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;-- The Noiser (Apo33), &lt;a href="http://www.noiser.org/"&gt;http://www.noiser.org/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-9074116386369559192?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/9074116386369559192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/9074116386369559192'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/misc-20090613.html' title='misc 20090613'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/SjOlYMrMI8I/AAAAAAAADsk/S8Y8q_zectM/s72-c/venice-perpetual.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7056482235087582943</id><published>2009-06-05T12:51:00.004+02:00</published><updated>2009-06-05T12:58:46.527+02:00</updated><title type='text'>misc 20090605</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;hely::::&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Dvorak Sec Contemporary, prága, &lt;a href="http://www.blogger.com/www.dvoraksec.com"&gt;www.dvoraksec.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Pécsi Galéria és Vizuális Művészeti Műhely, op-time, hommage a vasarely, Linda ARTS (NL), BENEDEK Barna (H), Ditty KETTYNG (NL), WOLSKY András (H), 2009 június 5-28.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- The Space Between, London, &lt;a href="http://www.thespacebetween.org.uk/"&gt;www.thespacebetween.org.uk&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- the Digital Artists' Handbook, &lt;a href="http://www.digitalartistshandbook.org/"&gt;http://www.digitalartistshandbook.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://copyshopshow.wordpress.com/"&gt;http://copyshopshow.wordpress.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://www.circleculture-gallery.com/"&gt;http://www.circleculture-gallery.com&lt;/a&gt;, berlin, itt önarcképek&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- &lt;a href="http://www.zoogalerie.fr/"&gt;www.zoogalerie.fr&lt;/a&gt;, Nantes&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- programok a Parhuzamos kronologiak / A Kiallitasok lathatatlan tortenete cimu kiallitason&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2009. junius 11. 16 ora - Tarlatvezetes a Laborban, majd folytatas a &lt;/span&gt;&lt;span style="font-family:arial;"&gt;Kretakor Bazison: 18 ora - Beszelgetes a rekonstrukcios es dokumentacios &lt;/span&gt;&lt;span style="font-family:arial;"&gt;kiallitasok mufajarol a Kretakor Bazison, kesobb: junius 13. 10-14 Labor es Kretakor Bazis. &lt;/span&gt;&lt;span style="font-family:arial;"&gt;A kiallitas helyszinei: Labor - 1053 Kepiro u. 6., &lt;/span&gt;&lt;span style="font-family:arial;"&gt;Kretakor Bazis - 1093 Gonczy Pal u. 2., 2. emelet, &lt;a href="http://www.blogger.com/www.tranzit.org"&gt;www.tranzit.org&lt;/a&gt;, &lt;/span&gt;&lt;/span&gt;&lt;a href="http://hu.tranzit.org"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;hu.tranzit.org&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;a href="http://hu.tranzit.org"&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;-- Theodor Adorno: Education After Auschwitz, &lt;a href="http://a.aaaarg.org/text/3112/education-after-auschwitz"&gt;http://a.aaaarg.org/text/3112/education-after-auschwitz&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"The premier dem and upon all education is that Auschwitz not happen again."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Venetian Views, SITE magazine, &lt;a href="http://www.sitemagazine.net/"&gt;www.sitemagazine.net&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- An Artist's Guide for Editing Wikipedia. A no nonsense guide to help improve the representation of artists using&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Wikipedia by Rob Myers. &lt;a href="http://www.furtherfield.org/displayreview.php?review_id=350"&gt;http://www.furtherfield.org/displayreview.php?review_id=350&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Meaning Liam Gillick, edited by Monika Szewczyk, ISBN 978-0-262-51351-7 220 pp, 43 illus.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Publication: June 2009, The MIT Press, &lt;a href="http://mitpress.mit.edu/"&gt;http://mitpress.mit.edu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- Cabinet magazine issue 33, "Deception," &lt;a href="http://www.cabinetmagazine.org/issues/33"&gt;http://www.cabinetmagazine.org/issues/33&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;néz::::&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;-- genetic art, &lt;a href="http://www.jhlabs.com/java/art.html"&gt;http://www.jhlabs.com/java/art.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- THE INTERNET PAVILION, 03 June - 22 November 2009, Started by Miltos Manetas in 2009, 53rd International Art Exhibition - &lt;/span&gt;&lt;span style="font-family:arial;"&gt;La Biennale di Venezia, Collateral Events, Location: The Internet. &lt;a href="http://www.padiglioneinternet.com/"&gt;http://www.PadiglioneInternet.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://http//www.Biennale.net"&gt;&lt;span style="font-family:arial;"&gt;http://www.Biennale.net&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;-- LabforCulture's research on "Cultural blogging in Europe" reaches its midway point, &lt;/span&gt;&lt;span style="font-family:arial;"&gt;and we now introduce our featured blogger, hard bloggin' scientist Anne Helmond (&lt;a href="http://www.annehelmond.nl/"&gt;www.annehelmond.nl&lt;/a&gt;), &lt;/span&gt;&lt;span style="font-family:arial;"&gt;but we also launch our much awaited interactive cultural blogging map: &lt;/span&gt;&lt;a href="http://www.labforculture.org/en/Resources-for-Research/Contents/Research-in-focus/Cultural-blogging-in-Europe/European-cultural-blogging-map"&gt;&lt;span style="font-family:arial;"&gt;http://www.labforculture.org/en/Resources-for-Research/Contents/Research-in-focus/Cultural-blogging-in-Europe/European-cultural-blogging-map&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;As part of our ongoing reporting on cultural bloggers across Europe we have released an interactive map of the European cultural blogging scene. We hope to collaboratively create a visual overview of the cultural blogs across Europe and widen the research on self publishing opinion makers and activists.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The idea is to collect the cultural blogs and build a digital overview for everyone to use. To do this we are asking you to add the cultural blogs you like to the map. Currently it has the blogs of the featured bloggers in the series and other cultural blogs selected by our editorial team. &lt;/span&gt;&lt;span style="font-family:arial;"&gt;Finally, all the interviews carried out by Annette Wolfsberger, as well as our conclusions, will be published in a print on demand format on LabforCulture at the end of the series. These so far include: Michelle Kasprzak of Curating.info; Marco Mancuso of Digicult.it; Alek Tarkowski of Kultura 2.0 and Claire Welsby of InterventTech.net.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;-- ReMap2, An international art programme parallel to the 2nd Athens Biennale, &lt;a href="http://www.remapkm.org/"&gt;http://www.remapkm.org &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;June 16 - October 4, 2009&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7056482235087582943?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7056482235087582943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7056482235087582943'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/misc-20090605.html' title='misc 20090605'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8644723179044223126</id><published>2009-06-05T12:45:00.002+02:00</published><updated>2009-06-05T12:51:01.475+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>kultúripar és művészi autonómia 20090602</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;féléves beszámoló,&lt;/span&gt; km &lt;/span&gt;&lt;span style="font-size: 10pt; font-family: arial;"&gt;Bánföldi Zoltán, Bölcskey Miklós, Dabi István M., Horváth Kinga, Hübler János M., Kupcsik Adrián, Mészáros Márta, Vihart Anna&lt;br /&gt;*&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dorottya Galéria&lt;/span&gt;: Félúton, beszélgetés a Köztes idő: A galéria című kiállítás kapcsán, 2009. június 2, kedd, 17 óra&lt;br /&gt;még: &lt;a href="http://www.photoblog.com/dromidriver/2009/06/02/kztes-id-a-galria.html"&gt;http://www.photoblog.com/dromidriver/2009/06/02/kztes-id-a-galria.html&lt;/a&gt;&lt;br /&gt;és Mélyi József: Üres székek... &lt;a href="http://tranzit.blog.hu/2009/05/26/ures_szekek_problemahalom"&gt;http://tranzit.blog.hu/2009/05/26/ures_szekek_problemahalom&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8644723179044223126?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8644723179044223126'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8644723179044223126'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/06/kulturipar-es-muveszi-autonomia.html' title='kultúripar és művészi autonómia 20090602'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-683335798823993922</id><published>2009-05-28T22:46:00.002+02:00</published><updated>2009-05-28T22:51:05.474+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090526</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;Kicsiny Balázs&lt;/span&gt;: Hal Foster: The Return of the Real (1996) című könyv ismertetése – 3-4. rész (&lt;/span&gt;&lt;a style="font-family: arial;" href="http://books.google.hu/books?id=Yl9oCT0fTVQC&amp;amp;printsec=frontcover"&gt;googlebook&lt;/a&gt;&lt;span style="font-family: arial;"&gt;) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;*&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;György Péter&lt;/span&gt; esztéta (ELTE): Gordon Matta-Clark&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- György Péter: Whitney Museum, New York, Gordon Matta-Clark, &lt;a href="http://www.es.hu/print.php?nid=16977"&gt;és&lt;/a&gt;, LI/26, 20070629 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- mattaclarking &lt;a href="http://www.mattaclarking.co.uk/"&gt;http://www.mattaclarking.co.uk/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- &lt;a href="http://www.ucl.ac.uk/archaeology/staff/profiles/tanner.htm"&gt;Tanner&lt;/a&gt;,J., Osborne,R. (2007), Art's Agency and Art History,New Interventions in Art History series. London and New York: Blackwells. ISBN: 9781405135375.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Alfred Gell: Art and Agency, 1998, Oxford University (&lt;a href="http://books.google.hu/books?id=RqYRt4e0ryAC&amp;amp;dq=Alfred+Gell:+Art+and+Agency&amp;amp;printsec=frontcover&amp;amp;source=bn&amp;amp;hl=hu&amp;amp;ei=M90eSonvE5L4_AbDxajTBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=4#PPP1,M1"&gt;googlebook&lt;/a&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Food,  Comidas Criollas, róla a &lt;a href="http://tranzit.blog.hu/2008/08/02/food_1"&gt;tranzitblogon&lt;/a&gt; Sugár J, 20080802 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Robert &lt;a href="http://en.wikipedia.org/wiki/Robert_Venturi"&gt;Venturi&lt;/a&gt;, Denise Scott Brown and Steven Izenour: Learning from Las Vegas, MIT Press, Cambridge MA, 1972, revised 1977 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Major János (&lt;a href="http://hu.wikipedia.org/wiki/Major_J%C3%A1nos"&gt;wiki&lt;/a&gt;) Biboldó mosakszik, Jelenlét/Szógettó, 1989, 182–183.old &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- August &lt;a href="http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/august_sander_01.html"&gt;Sander&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Walker &lt;a href="http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/walker_evans_01.html"&gt;Evans&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Bruno Schulz &lt;a href="http://www.brunoschulzart.org/"&gt;art&lt;/a&gt;, &lt;a href="http://www.brunoschulz.org/"&gt;web-kolekcja&lt;/a&gt;, &lt;a href="http://www.schulzian.net/"&gt;stories&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Babbitt (Dina Gottliebova) (&lt;a href="http://www.timesonline.co.uk/tol/news/world/article525551.ece"&gt;timesonline&lt;/a&gt;) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- David Freedberg: The Power of Images&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- Jeff Wall&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- &lt;a href="http://www.mapplethorpe.org/"&gt;Mapplethorpe&lt;/a&gt;: Lisa &lt;a href="http://en.wikipedia.org/wiki/Lisa_Lyon"&gt;Lyon&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;-- La Clase &lt;a href="http://www.youtube.com/watch?v=A_DIx70DxgM"&gt;trailer&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-683335798823993922?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/683335798823993922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/683335798823993922'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/kulturipar-es-muveszi-autonomia_6301.html' title='kultúripar és művészi autonómia 20090526'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5635135523067414784</id><published>2009-05-28T22:42:00.001+02:00</published><updated>2009-05-28T22:45:59.203+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090527</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;néz, hall::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- 2. Relatív (Át)Hallások Nemzetközi Független Kortárs Zenei Találkozó, 2009. május 30-31, Artus Stúdió, &lt;a href="http://inaplo.hu/ahad"&gt;http://inaplo.hu/ahad&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- új multiplika receptek itt: Plágium2000, &lt;a href="http://copyshopshow.wordpress.com/category/budapest/"&gt;Szentjóby Tamás&lt;/a&gt;, &lt;a href="http://copyshopshow.wordpress.com/category/stuttgart/"&gt;Hans Graef&lt;/a&gt;, "Bad artists copy. Good artists steal." Pablo Picasso&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- Synoptic Vízióaudiális Művészeti Találkozó, 2009. június 15-20. &lt;a href="http://www.sosemart.hu"&gt;http://www.sosemart.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- 40 film a szocialuzmusról, OSA, Budapest, V. Arany János utca 32. 2009. május 25-29. program &lt;a href="http://www.osaarchivum.org/images/stories/news/2009/40_film.pdf"&gt;itt&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- &lt;a href="http://www.schirn.de/"&gt;SCHIRN&lt;/a&gt; KUNSTHALLE FRANKFURT, itt The Making of Art, 29 May - 30 August 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;ARTISTS: Yuri Albert, Pawel Althamer, Azorro, John Baldessari, Tina Barney, Tamy Ben-Tor, Joseph Beuys, Marcel Broodthaers, Stefan Brüggemann, Chris Burden, Chicks on Speed, Anetta Mona Chişa &amp;amp; Lucia Tkáčová, Claire Fontaine, Clegg &amp;amp; Guttmann, Phil Collins, Jessica Craig-Martin, Peter Davies, Jiří Georg Dokoupil, Michael Elmgreen/Ingar Dragset, Tracey Emin, Dan Fischer, Peter Fischli/David Weiss, Andrea Fraser, Ryan Gander, Dieter Hacker, Candida Höfer, Bethan Huws, Jörg Immendorff, Christian Jankowski, Martin Kippenberger, Komar &amp;amp; Melamid, Jeff Koons, Sean Landers, Louise Lawler, Marcin Maciejowski, Piero Manzoni, Jonathan Monk, Dave Muller, Manuel Ocampo, Martin Parr, Dan Perjovschi, Raymond Pettibon, William Powhida, Tom Sachs, Chéri Samba, Nedko Solakov, Mladen Stilinović, Thomas Struth, Goran Trbuljak, Andy Warhol &amp;amp; Jean-Michel Basquiat, John Waters, Ai Weiwei&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Fredric Jameson: The Politics of Utopia, &lt;a href="http://a.aaaarg.org/text/3052/politics-utopia"&gt;http://a.aaaarg.org/text/3052/politics-utopia&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;this essay is a good introduction to Jameson latest book "Archaeologies of the Future, the Desire Called Utopia and Other science fictions"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;--- Walter Benjamin: The Author as Producer, &lt;a href="http://a.aaaarg.org/text/3055/author-producer"&gt;http://a.aaaarg.org/text/3055/author-producer&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Benjamin argues that a good artwork is necessarily politically effective, revises distinction between author and reader&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- Üres székek, problémahalom, Mélyi József, &lt;a href="http://tranzit.blog.hu/2009/05/26/ures_szekek_problemahalom"&gt;tranzitblog&lt;/a&gt; 20090526 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- Rosalind Krauss: The Aesthetic of Narcissism, in October 1976/spr (&lt;a href="http://droolcup.com/itp/eiv/week1/krauss.pdf"&gt;pdf&lt;/a&gt;) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;---- Vilém Flusser online &lt;a href="http://www.artpool.hu/Flusser/flusser.html"&gt;artpool&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5635135523067414784?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5635135523067414784'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5635135523067414784'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/misc-20090527.html' title='misc 20090527'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-4280377813761437251</id><published>2009-05-28T22:41:00.000+02:00</published><updated>2009-05-28T22:42:34.249+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090519</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-weight: bold;"&gt;Horányi Attila&lt;/span&gt; művészettörténész (MOME): Autonóm művészet és/vagy autonóm művészek?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;*&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Süli-Zakar Szabolcs&lt;/span&gt; II. éves doktorandusz hallgató előadása: A Debreceni Nemzetközi Művésztelep elmúlt 3 éve egy konferencia kapcsán  címmel. &lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.dnmart.hu"&gt;&lt;span style="font-family: arial;"&gt;www.dnmart.hu &lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.transculturalexchange.org"&gt;&lt;span style="font-family: arial;"&gt;www.transculturalexchange.org &lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-4280377813761437251?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4280377813761437251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4280377813761437251'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/kulturipar-es-muveszi-autonomia_5405.html' title='kultúripar és művészi autonómia 20090519'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8646050654411081331</id><published>2009-05-28T22:32:00.004+02:00</published><updated>2009-05-28T22:40:58.485+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090519</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;font-family:arial;" &gt;szöveg::::&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- Hannes Böhringer:  Daidalosz vagy Diogenész. Építészet- és művészetfilozófiai írások &lt;a href="http://www.c3.hu/%7Etillmann/"&gt;http://www.c3.hu/~tillmann/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;---- Kritikos V.6 March-April 2009, benne: &lt;a href="http://intertheory.org/she.htm"&gt;She&lt;/a&gt; is Late...(n.ruiz) &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- &lt;a href="http://www.thekaleidoscope.eu/"&gt;Kaleidoscope&lt;/a&gt;, Milánó&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;néz,&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;hall::::&lt;/span&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- The Migrating Art Academies project &lt;a href="http://www.migaa.eu/"&gt;http://www.migaa.eu&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- www.partmozi.hu, in memoriam antal istván juszuf&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- H.W.A.Á. – Free Your Mind, Albert Ádám, Heidi Wood, 2009. május 19-június 9. &lt;a href="http://studio.c3.hu/"&gt;web&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- &lt;a href="http://www.blogger.com/www.simultan.org"&gt;simultan&lt;/a&gt; festival, temesvár, május 21-23, &lt;a href="http://www.youtube.com/simultanfestival"&gt;yt&lt;/a&gt;, &lt;a href="http://www.myspace.com/simultanfestival"&gt;ms&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- BINARIES, Allan Siegel, 2009. május 29-júni 25. &lt;a href="http://www.ligetgaleria.c3.hu/344.html"&gt;web&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- "Let Me Out!" Installation (parrot cage with dead parrot) &lt;a href="http://brodypaetau.com/?page_id=132"&gt;http://brodypaetau.com/?page_id=132&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;Ondrej Brody &amp;amp; Kristofer Paetau will present a living sculpture in their booth at the Subversiv Messe in Linz 2009. They will present their loving pet “Marcel”, an African Grey Parrot (Psittacus erithacus) emprisoned in a golden cage.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;It is expected that Marcel will a perform a short and heart breaking speech in the booth throughout the Subversive Messe crying: „LET ME OUT!“ – and thus addressing a direct request to the visitors of the „subversive fair“ and making a comment on ‚subversion in a golden cage’. The parrot yawl will be omnipresent at the fair and confronting the visitors with an exotic pet crying for freedom.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- patapoe radio. 88.3 FM, &lt;a href="http://freeteam.nl/patapoe"&gt;http://freeteam.nl/patapoe&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- Climate Bubbles is a locative media-meets-citizen science project by Drew Hemment, Alfie Dennen and Carlo Buontempo. &lt;a href="http://www.futuresonic.com/bubbles"&gt;http://www.futuresonic.com/bubbles&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- Parhuzamos kronologiak - A kiallitasok lathatatlan tortenete&lt;/span&gt; &lt;span style="font-family:arial;"&gt;kiallitas, Labor: majus 26 - junius 13, Kretakor Bazis: majus 30 - junius 13, &lt;a href="http://www.blogger.com/www.hu.tranzit.org"&gt;www.hu.tranzit.org&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt; &lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- archivo ESCORIA nuevos medios ecuador, &lt;a href="http://www.archivoescorianuevosmediosecuador.com/"&gt;http://www.archivoescorianuevosmediosecuador.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- migros museum für gegenwartskunst, Zürich &lt;a href="http://www.migrosmuseum.ch/"&gt;http://www.migrosmuseum.ch/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- g-mk, galerija miroslav kraljevic, Zágráb &lt;a href="http://www.g-mk.hr/"&gt;http://www.g-mk.hr/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- Cream Co&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;ntemporary, Berlin &lt;a href="http://www.creamcontemporary.com/"&gt;http://www.creamcontemporary.com/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- Netwerk / center for contemporary art, Aalst, Belgium,  &lt;/span&gt;&lt;a href="http://www.netwerk-art.be/"&gt;&lt;span style="font-family:arial;"&gt;www.netwerk-art.be&lt;/span&gt;&lt;/a&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- GAK Bremen, Künstlerhaus Bremen, Halle für Kunst Lüneburg, Kunstverein Harburger Bahnhof&lt;/span&gt; &lt;span style="font-family:arial;"&gt; &lt;a href="http://www.gak-bremen.de/"&gt;www.gak-bremen.de&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- The Drawing Room, London  &lt;a href="http://www.drawingroom.org.uk/"&gt;http://www.drawingroom.org.uk/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- Bloomberg SPACE, London, itt Dan Perjovschi and Jadranka Kosorcic, 2009 05 07-23. &lt;a href="http://www.bloombergspace.com/"&gt;http://www.bloombergspace.com/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- MAMbo - Museo d'Arte Moderna di Bologna &lt;a href="http://www.mambo-bologna.org/"&gt;http://www.mambo-bologna.org/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- seventeengallery, London &lt;a href="http://www.seventeengallery.com/"&gt;http://www.seventeengallery.com/&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;&lt;br /&gt;---- THE HAIKU FOUNDATION &lt;a href="http://www.thehaikufoundation.org/"&gt;http://www.thehaikufoundation.org/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- AUSTRIAN CULTURAL FORUM, NEW YORK, &lt;a href="http://www.acfny.org/"&gt;http://www.acfny.org&lt;/a&gt;&lt;/span&gt; &lt;span style="font-family:arial;"&gt;kép: Shadi Ghadirian, Domestic Life #61, 2002&lt;/span&gt; &lt;span style="font-family:arial;"&gt;itt: THE SEEN AND THE HIDDEN: (DIS)COVERING THE VEIL&lt;/span&gt; &lt;span style="font-family:arial;"&gt;MAY 22 – AUG 29, 2009&lt;/span&gt; &lt;span style="font-family:arial;"&gt;THE SEEN AND THE HIDDEN: (DIS)COVERING THE VEIL&lt;/span&gt; &lt;span style="font-family:arial;"&gt;The woman's ve&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;il is one of the most symbolically charged pieces of clothing in contemporary dress; it is provocative even when it is not revealing. With roots in the three Abrahamic religions, it has become one of the m&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sh72P_5ZQsI/AAAAAAAADk8/yDzTx_J0MJs/s1600-h/seenandhidden.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 150px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sh72P_5ZQsI/AAAAAAAADk8/yDzTx_J0MJs/s200/seenandhidden.jpg" alt="" id="BLOGGER_PHOTO_ID_5340976962818622146" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;ost visible icons of contemporary Islam. The wearing of the veil conveys conflicting ideas of faith, sexuality and public life and thus raises a host of questions and tensions between religion and identity. It represents an important cultural tradition yet remains a very personal practice for women as well as a symbol communicated to others within the public sphere.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;The wearing of the veil has caused heated discussion worldwide - both in Europe and the United States, but also in countries where Islam is the prevalent religion. Often rejected as a symbol of backwardness and oppression, veiling has simultaneously become a symbol that stresses the significance of protection, privacy, morality and piety. &lt;/span&gt; &lt;span style="font-family:arial;"&gt;By examining the positions of contemporary artists from the Greater Middle East (Iraq, Iran, Turkey, Pakistan), Europe (Austria, France, Germany) and North America (New Y&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;ork, Canada), this exhibition intends to be a trans-cultural exploration of the numerous approaches to the ideas that surround both the literal and metaphorical meaning of the veil. It includes works in a variety of media such as video, installation, photography, and painting.&lt;/span&gt; &lt;span style="font-family:arial;"&gt;The Seen and the Hidden: (Dis)covering the Veil at the Austrian Cultural Forum is presented in conjunction with Muslim Voices: Arts and Ideas, an unprecedented ten-day festival in New York City celebrating Islamic culture. &lt;a href="http://www.MuslimVoicesFestival.org"&gt;http://www.MuslimVoicesFestival.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;---- Museu d'Art Contemporani de Barcelona (MACBA) &lt;a href="http://www.macba.cat/"&gt;http://www.macba.cat/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8646050654411081331?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8646050654411081331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8646050654411081331'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/misc-20090519_2820.html' title='misc 20090519'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/Sh72P_5ZQsI/AAAAAAAADk8/yDzTx_J0MJs/s72-c/seenandhidden.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8050397294326755193</id><published>2009-05-13T14:24:00.002+02:00</published><updated>2009-05-13T14:27:19.020+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090512</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;&lt;span style="font-weight: bold;"&gt;Kékesi Zoltán&lt;/span&gt; PhD irodalomtörténész (MKE Intermédia Tszk.): A kultúripar fogalma és a posztmodern elméletek (Baudrillard, Deleuze, Jameson)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;                                &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;olvasmánylista&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;--- Adorno, Theodor W., Horkheimer, Max: A felvilágosodás dialektikája. Filozófiai töredékek, &lt;span style=""&gt; &lt;/span&gt;Budapest, 1990, Gondolat; Atlantisz-Medvetánc ISBN: 963282346x&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgq8UWRKHBI/AAAAAAAADkE/MMcUjSMPo1Y/s1600-h/eyecontact-small.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 134px; height: 141px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgq8UWRKHBI/AAAAAAAADkE/MMcUjSMPo1Y/s200/eyecontact-small.jpg" alt="" id="BLOGGER_PHOTO_ID_5335283766334725138" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;--- Walter Benjamin: A műalkotás a technikai sokszorosíthatóság korszakában, Kommentár és Prófécia, Gondolat 1969 Budapest (eredeti címe: Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit/1936, belőle &lt;a href="http://www.intermedia.c3.hu/mszovgy1/benjamin.htm"&gt;itt&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Peter Bürger: Az avantgard elmélete, 1974 (Theorie der Avantgarde)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Louis Althusser, “Ideológia és ideológiai apparátusok (Jegyzetek egy kutatáshoz)”, Testes könyv, I. Szeged, Ictus, 1996.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Guy Debord A spektákulum társadalma Balassi Kiadó – BAE Tartóshullám, Budapest, 2006 Ford Erhardt Miklós (kritika &lt;a href="http://tranzit.blog.hu/2008/04/02/kiserlet_a_mindennapi_valosag_forradalmasitasara"&gt;tranzitblog&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- guy debord: la société du spectacle, film &lt;a href="http://ubu.artmob.ca/video/Debord-Guy_Society-of-the-Spectacle_1973_Part-1.mpg"&gt;1.rész&lt;/a&gt;, &lt;a href="http://ubu.artmob.ca/video/Debord-Guy_Society-of-the-Spectacle_1973_Part-2.mpg"&gt;2.rész&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Jean Baudrillard: A tárgyak rendszere, Budapest, Gondolat, 1987&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Jean Baudrillard: Szimulákrumok és szimuláció (Simulacres et simalation. Paris, 1981) (ebből: A szimulákrum elsőbbsége c. fejezet magyarul &lt;a href="http://syrena.elte.hu/irodalomtudomany/baudrillard.doc"&gt;itt&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Baudrillard: A jel politikai gazdaságtanának bírálata&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Baudrillard &lt;a href="http://www.egs.edu/faculty/baudrillard-articles.html"&gt;szövegek&lt;/a&gt; (angolul)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Fredric Jameson: A posztmodern, avagy a késő kapitalizmus kulturális logikája, Budapest, Jószöveg Kiadó, 1997&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Michel de Certeau: L'invention du quotidien, 1980, kb Mindennapok feltalálása (&lt;a href="http://en.wikipedia.org/wiki/The_Practice_of_Everyday_Life"&gt;wiki&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- frankfurti iskola (&lt;a href="http://www.eduline.hu/segedanyagtalalatok.aspx/letolt/3656"&gt;róla&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- N. Bourriaud: Relációesztétika, Műcsarnok könyvek, Bp., 2007&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- N. Bourriaud: Utómunkálatok, Műcsarnok könyvek, Bp., 2007&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;--- Clemens von Wedemeyer: Big Business&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;From the Opposite Side, 2007 (&lt;a href="http://www.lwl.org/LWL/Kultur/skulptur-projekte/kuenstler/wedemeyer/index_html#projekt"&gt;Münster&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;(kép: via &lt;a href="http://cerebraljetsam.wordpress.com/2007/03/11/day-30-baudrillard-and-alienation/"&gt;cerebraljetsam&lt;/a&gt;)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8050397294326755193?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8050397294326755193'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8050397294326755193'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/kulturipar-es-muveszi-autonomia_13.html' title='kultúripar és művészi autonómia 20090512'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgq8UWRKHBI/AAAAAAAADkE/MMcUjSMPo1Y/s72-c/eyecontact-small.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3867096036812614853</id><published>2009-05-11T17:01:00.003+02:00</published><updated>2009-05-11T17:08:48.243+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090511</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; font-family: arial; color: rgb(102, 102, 102);"&gt;szöveg::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;              &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZTCgaAI/AAAAAAAADj8/U7MWxaaUI7U/s1600-h/theoldbrandnew.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 41px; height: 70px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZTCgaAI/AAAAAAAADj8/U7MWxaaUI7U/s200/theoldbrandnew.gif" alt="" id="BLOGGER_PHOTO_ID_5334582362948790274" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.theoldbrandnew.nl/"&gt;THE OLD BRAND NEW&lt;/a&gt;, a multidisciplinary lecture series revolving around&lt;br /&gt;the concepts ‘old’ and ‘new’ in the arts, Amsterdam&lt;br /&gt;---- Georges Bataille "Blue of Noon" &lt;a href="http://a.aaaarg.org/text/3071/blue-noon"&gt;Novel&lt;/a&gt;&lt;br /&gt;---- Georges Bataille "Story Of The Eye" &lt;a href="http://a.aaaarg.org/text/3072/story-eye"&gt;Novel&lt;/a&gt;&lt;br /&gt;---- Deleuze, Gilles &amp;amp; Felix Guattari "Capitalism-A Very Special Delirium" &lt;a href="http://a.aaaarg.org/text/3073/capitalism-very-special-delirium"&gt;Paper&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://ott.periszkopradio.hu/"&gt;OTT&lt;/a&gt; digitalis zenei folyoirat (Tartalom: 5- Stefan Heyer: Az egy es a nulla kozt. Kiserlet John Cage-rol, 12- Dave Benson: Mi a hang?, 15- Max Mathews: Mi a hangos?, 21- Matteo Meneghini: Komponalasi technikak analizise John Chowning Stria c. muveben, 37- David Dunn: Egy tortenet az elektronikus zene úttoroirol (1. resz))&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZTIWVnI/AAAAAAAADj0/ywrxOqi4fC0/s1600-h/tate16.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 66px; height: 83px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZTIWVnI/AAAAAAAADj0/ywrxOqi4fC0/s200/tate16.jpg" alt="" id="BLOGGER_PHOTO_ID_5334582362973296242" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.tate.org.uk/tateetc"&gt;TATE ETC.&lt;/a&gt; Issue 16, benne: Claire Bishop and Boris Groys on Futurism and participation&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;---- &lt;a href="http://www.mahku.nl/"&gt;MaHKU&lt;/a&gt;zine Journal of Artistic Research, Utrecht &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://balkon.c3.hu/"&gt;balkon&lt;/a&gt;ban (2009/4): Bódi Kinga: „Nem mindig ember, a ki sorsot intéz” (Baglyas Erika: Ember tervez), és Balázs Katalin: Ismeretlen tájak, Honvágy ismeretlen táj iránt, Chilf Mária installációjáról (kép itt :&lt;a href="http://balkon.c3.hu/ballon/2009/ballon_09_2009.pdf"&gt;ballon&lt;/a&gt;), és Szikra Renáta: Függő(leges) kertek – lebegő kertek&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://e-flux.com/journal"&gt;e-flux&lt;/a&gt; journal issue #6: EXCAVATING THE FUTURE&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;May 2009, benne: "We are moving toward the end of the exploitation of nature, of work, &lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZE1trCI/AAAAAAAADjs/H82GWQjOSyE/s1600-h/eflux6.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 74px; height: 91px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZE1trCI/AAAAAAAADjs/H82GWQjOSyE/s200/eflux6.jpg" alt="" id="BLOGGER_PHOTO_ID_5334582359137037346" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;of trade, of predation, of separation from the self, of sacrifice, of guilt, of the forsaking of happiness, of the fetishizing of money, of power, of hierarchy, of contempt for and fear of women, of the misleading of children, of intellectual dominion, of military and police despotism, of religions, of ideologies, of repression and the deadly resolutions of psychic tensions," claims Raoul Vaneigem in Hans Ulrich Obrist's conversation with the Belgian writer, philosopher, and former member of the Situationist International. Vaneigem reminds us of a moment when (or a place where) it seemed as if we brushed up against the future we wanted, or at least the conditions for imagining ideal scenarios for living. (&lt;a href="http://e-flux.com/journal/view/62" target="_blank"&gt;itt&lt;/a&gt;)&lt;o:p&gt; &lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.motorenhalle.de/"&gt;Motorenhalle&lt;/a&gt;, Drezda&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.galeriafoksal.pl/"&gt;Foksal&lt;/a&gt; Gallery, Varsó&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.horsecross.co.uk/about/threshold-artspace/"&gt;Horsecross&lt;/a&gt;, Perth, itt: Figure Skating, Julita Wojcik (&lt;a href="http://www.youtube.com/Thresholdartspace"&gt;youtube&lt;/a&gt;)&lt;br /&gt;---- &lt;a href="http://www.pavilionunicredit.ro/"&gt;PAVILION UNICREDIT&lt;/a&gt; - center for contemporary art &amp;amp; culture, Bukarest&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.binarykatwalk.net/art/art.html"&gt;Binarykatwalk&lt;/a&gt; „is an online exhibition space for experimental digital work.&lt;br /&gt;Each edition will feature artists from around the world and from different&lt;br /&gt;points in the spectrum of new media. We begin with the joker prince of new media, Vuk Cosic.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;néz, hall::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;---- Külföldi tapasztalatok a ‘89 utáni muvészetben, &lt;a href="http://www.socialeast.org/"&gt;SocialEast&lt;/a&gt; Szeminárium,&lt;br /&gt;Ludwig Múzeum 2009. május 7. km: Maja and Reuben Fowkes(Translocal), Nataša Petrešin-Bachelez (Curator, Paris/Ljubljana), Nada Prlja (Artist, Macedonia/UK), Diana McCarty (Media activist, Berlin), Szabolcs Kisspal (Artist, Budapest), EIKE, Katarina Sevic, Claudia Martins, Alexander Schikowski, Catherine Burki, David Wilkinson, Amy Bryzgel (University of Aberdeen), Lena Prents (Curator, Berlin), Oleksiy Radynski (National University of Kyiv-Mohyla Academy)&lt;br /&gt;---- Benedek Barna: Szignál, Csepel Galéria, 2009 május 11-29.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Kortars Hangmuveszeti eloadassorozat, 2009 május 6-8&lt;br /&gt;Shinji Kanki (Japan), Toth Pal, Robert Pravda (Hollandia), Jozef Cseres (Szlovakia), Daniel Door es Flow Defoe (Nemetorszag), &lt;a href="http://www.myspace.com/3dbfestival" target="_blank"&gt;http://www.myspace.com/3dbfestival&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.kozelites.net/"&gt;Temporary City&lt;/a&gt; - Pécs, Hungary / Közelítés Művészeti Egyesület, 2009 május 15-24&lt;span style="font-size:12;"&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.minimamedia.de/"&gt;minimamedia&lt;/a&gt; modernmusik&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3867096036812614853?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3867096036812614853'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3867096036812614853'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/misc-20090511.html' title='misc 20090511'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Sgg-ZTCgaAI/AAAAAAAADj8/U7MWxaaUI7U/s72-c/theoldbrandnew.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6866371923753160013</id><published>2009-05-05T21:42:00.002+02:00</published><updated>2009-05-05T21:44:06.364+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>kultúripar és művészi autonómia</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Beke László&lt;/span&gt; CSc művészettörténész (MTA): Műgyűjtés, műkereskedelem, mecénatúra c. előadása (vita/konzultáció) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;            &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Le Musée Imaginaire (&lt;a href="http://fr.wikipedia.org/wiki/Le_Mus%25C3%25A9e_imaginaire"&gt;wiki&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Stenczer Sári: Megjegyzések a Capa vásárlás kapcsán (&lt;a href="http://www.fotopost.hu/fokuszban/if-your-pictures-aren-t-good-enough-you-re-not-close-enough"&gt;fotopost, 2009.04.03.&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Rem Koolhaas: &lt;a href="http://www.oma.eu/" title="http://www.oma.eu/"&gt;Office for Metropolitan Architecture&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Barabás Albert László: Behálózva. Magyar Könyvklub, Budapest (2003)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Deyan Sudjic: Épület-komplexus, 2007, Budapest, hvg-könyvek ISBN 9789639686168&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Hans Ulrich Obrist, &lt;a href="http://www.timeout.com/london/art/features/248/Hans_Ulrich_Obrist-Interview.html"&gt;interjú 2006&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Hans_Ulrich_Obrist"&gt;wiki&lt;/a&gt;, &lt;a href="http://www.serpentinegallery.org/"&gt;Serpentine Gallery&lt;/a&gt;, London&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;f&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;eLugossy László&lt;/span&gt;: Kifürkészhetetlen, Szentendre, &lt;a href="http://www.szentendreprogram.hu/mmalom/article.html?cikkid=1380"&gt;Művészetmalom&lt;/a&gt; - 2009. március 8 - május 10&lt;br /&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;Köztes idõ&lt;/span&gt;: A galéria&lt;br /&gt;Menesi Attila, Nemes Csaba, Katarina Ševic a &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=486&amp;amp;curmenu=203&amp;amp;kovetkezo_collapse=0"&gt;Dorottya&lt;/a&gt; Galériában&lt;br /&gt;2009. május 6 - június 14&lt;br /&gt;&lt;/span&gt; &lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6866371923753160013?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6866371923753160013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6866371923753160013'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/kulturipar-es-muveszi-autonomia.html' title='kultúripar és művészi autonómia'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7544827028539649907</id><published>2009-05-04T10:59:00.005+02:00</published><updated>2009-05-04T11:12:34.077+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090504</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;szöveg::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;            &lt;p class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sf6u8zF1pOI/AAAAAAAADjM/0nCrqDavX0k/s1600-h/remix_cover_l.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 73px; height: 97px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Sf6u8zF1pOI/AAAAAAAADjM/0nCrqDavX0k/s200/remix_cover_l.jpg" alt="" id="BLOGGER_PHOTO_ID_5331891368383325410" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="font-weight: normal;font-family:Arial;" &gt;---- Lawrence Lessig: Remix,&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/strong&gt;&lt;span class="style3"&gt;&lt;span style="font-family:Arial;"&gt;2008, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial;"&gt;The Bloomsbury Academic Press, &lt;span class="style3"&gt;ISBN: 978-1408113479, letölthető &lt;a href="http://www.bloomsburyacademic.com/remix.htm"&gt;pdf&lt;/a&gt;-ben &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- "$urplus Spinoza, Lacan", A. KIARINA KORDELA, &lt;a href="http://a.aaaarg.org/text/3041/urplus-spinoza-lacan" target="_blank"&gt;http://a.aaaarg.org/text/3041/urplus-spinoza-lacan&lt;/a&gt;&lt;br /&gt;[from the back cover] $urplus s p i n o z a , l ac a n Opposing both popular “neo-Spinozisms” (Deleuze, Negri, Hardt, Israel) and their Lacanian critiques (Zizek and Badiou), Surplus ...&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- ""Is Gender Necessary? Redux"", Ursula K. Le Guin, &lt;a href="http://a.aaaarg.org/text/3026/gender-necessary-redux" target="_blank"&gt;http://a.aaaarg.org/text/3026/gender-necessary-redux&lt;/a&gt;&lt;br /&gt;1976/1987 essay by Le Guin on her novel The Left Hand of Darkness&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;a href="http://www.50degresnord.net/"&gt;50° nord&lt;/a&gt; contemporary art review, Maubeuge&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Revising the Map: M&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;odulated &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Mapping and The Spatial Interface (&lt;a href="http://piim.newschool.edu/journal/issues/2009/02/pdfs/ParsonsJournalForInformationMapping_Hight-Jeremy.pdf"&gt;pdf&lt;/a&gt;)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sf6u80yK9GI/AAAAAAAADi8/2j7-7hcqQUU/s1600-h/5anord.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 76px; height: 108px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/Sf6u80yK9GI/AAAAAAAADi8/2j7-7hcqQUU/s200/5anord.png" alt="" id="BLOGGER_PHOTO_ID_5331891368837706850" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Parsons Journal for Information Mapping (&lt;a href="http://piim.newschool.edu/education/parsons-journal-for-information-mapping"&gt;PJIM&lt;/a&gt;)&lt;br /&gt;---- Café Bábel lapbemutató:TEKINTÉLY, május 7, Sirály&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Gerald Raunig: Art and Revolution - Transversal Activism in the Long Twentieth Century. róla Rob Myers &lt;a href="http://www.furtherfield.org/displayreview.php?review_id=344"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.wikipediaart.org/" target="_blank"&gt;www.wikipediaart.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.eff.org/deeplinks/2009/04/wikipedia-threatens-" target="_blank"&gt;http://www.eff.org/deeplinks/2009/04/wikipedia-threatens-&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://wikipediaart.org/legal-history/" target="_blank"&gt;http://wikipediaart.org/legal-history/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;---- &lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Nam June Paik Archive Goes to the Smithsonian, &lt;/span&gt;&lt;a style="color: rgb(102, 102, 102);" href="http://www.nytimes.com/2009/05/01/arts/design/01voge.html?_r=3"&gt;nytimes&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;   &lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;néz::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Fiatal Kortárs Állásfoglalások, &lt;a href="http://www.fika.hu/"&gt;web&lt;/a&gt;, 2009. május 09-31. Pécs, Zsolnay Gyár E26&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- GAMA - GAMA: Gateway to Archives of Media Art (Kapu a mediamuveszeti archivumokhoz / Videotorteneti anzix)&lt;span style=""&gt;  &lt;/span&gt;a &lt;a href="http://www.labor.c3.hu/"&gt;labor&lt;/a&gt;ban 2009. május 5. – 16 &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;A GAMA konzorcium:  &lt;a href="http://www.agh.edu.pl/"&gt;Akademia Gorniczo-Hutnicza&lt;/a&gt;, Krakkó * &lt;a href="http://www.akbild.ac.at/"&gt;Akademie der Bildenden Kunste&lt;/a&gt;, Bécs * &lt;a href="http://www.argosarts.org/"&gt;argos&lt;/a&gt;, interdisciplinar&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;y centre for art and audiovisual media, Brüsszel * &lt;a href="http://www.atosorigin.es/"&gt;Atos Origin&lt;/a&gt; s.a.e., Madrid * &lt;a href="http://www.c3.hu/"&gt;C3&lt;/a&gt; Center for Culture &amp;amp; Communication, Budapest * &lt;a href="http://www.ciant.cz/"&gt;CIANT&lt;/a&gt; International Centre for Art and New Technologies, Prága * Heure &lt;a href="http://www.exquise.org/"&gt;Exquise&lt;/a&gt; !, Mons-en-Baroeul * &lt;a href="http://www.zhdk.ch/"&gt;Hochschule fur Gestaltung und Kunst&lt;/a&gt;, Zürich * &lt;a href="http://www.hfk-bremen.de/"&gt;Hochschule fur Kunste Bremen&lt;/a&gt;, Bréma * &lt;a href="http://www.hku.nl/"&gt;Hogeschool vorr den Kunsten&lt;/a&gt;, Utrecht * &lt;a href="http://www.in-two.com/"&gt;(in]2&lt;/a&gt; :: intelligent indexing, Bréma * &lt;a href="http://www.instantsvideo.com/"&gt;Les INSTANTS VIDEO&lt;/a&gt; Numeriques et poetiques, Marseille * &lt;a href="http://media.lbg.ac.at/de/index.php"&gt;Ludwig Boltzmann&lt;/a&gt; Institut Media. Kunst. Forschung,   Linz * &lt;a href="http://www.nimk.nl/nl/"&gt;Nederlands Instituut voor Mediakunst&lt;/a&gt; Montevideo/Time based Arts, Amsterdam * &lt;a href="http://www.scca-ljubljana.si/"&gt;SCCA&lt;/a&gt; Center for Contemporary Arts, Ljubljana * &lt;a href="http://solaris.hfg-karlsruhe.de/hfg"&gt;Staatliche Hochschule&lt;/a&gt; fur Gestaltung Karlsruhe, Karlsruhe * Stiftelsen &lt;a href="http://www.filmform.com/"&gt;Filmform&lt;/a&gt;, Stockholm * &lt;a href="http://www.tzi.de/"&gt;Technologie-Zentrum Informatik&lt;/a&gt;, &lt;a href="http://www.uni-bremen.de/"&gt;Universität Bremen&lt;/a&gt;, Bréma * &lt;a href="http://www.ub.edu/homeub/welcome.html"&gt;Universitat de Barcelona&lt;/a&gt;, Laboratori de Mitjans Interactius, Barcelona&lt;br /&gt;Tovabbi infor&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;maciok: &lt;a href="http://www.gama-gateway.eu/" target="_blank"&gt;http://www.gama-gateway.eu/&lt;/a&gt;, &lt;a href="http://www.c3.hu/c3/eu_projects/gama/index-hu.html" target="_blank"&gt;http://www.c3.hu/c3/eu_projects/gama/index-hu.html&lt;/a&gt;&lt;br /&gt;---- Bogna Burska, &lt;a href="http://free.art.pl/galeria.artmix/bogna/open.htm" target="_blank"&gt;http://free.art.pl/galeria.artmix/bogna/open.htm&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;hely::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sf6u81jsNtI/AAAAAAAADjE/n5C7liQSQu0/s1600-h/opensource-amsterdam.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 135px; height: 101px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Sf6u81jsNtI/AAAAAAAADjE/n5C7liQSQu0/s200/opensource-amsterdam.png" alt="" id="BLOGGER_PHOTO_ID_5331891369045407442" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;a href="http://www.opensourceamsterdam.nl/"&gt;Open Source Amsterdam&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Netwerk / center for contemporary art, Aalst &lt;a href="http://www.netwerk-art.be/" target="_blank"&gt;www.netwerk-art.be&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.arpmuseum.org/"&gt;Arp Museum&lt;/a&gt; Bahnhof Rolandseck, Remagen, Germany&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7544827028539649907?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7544827028539649907'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7544827028539649907'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/05/misc-20090504.html' title='misc 20090504'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/Sf6u8zF1pOI/AAAAAAAADjM/0nCrqDavX0k/s72-c/remix_cover_l.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1729996492559835933</id><published>2009-04-29T16:59:00.002+02:00</published><updated>2009-04-29T17:04:10.929+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090428</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-family:Arial;font-size:85%;"  &gt;&lt;span style="font-weight: bold;"&gt;Radnóti Sándor&lt;/span&gt; esztéta, tanszékvezető (ELTE BTK Esztétika Tanszék): Előadás egy képről szóló versről. "A kép: Bruegel: Icarus bukása. A vers: Auden: Musée des Beaux Arts. S ennek kapcsán eljutnék elmélet és mű modern összefüggéseihez."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;                          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/SfhsIQmM-pI/AAAAAAAADhE/Jyo7_VqYPkQ/s1600-h/bruegelicarus2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 132px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SfhsIQmM-pI/AAAAAAAADhE/Jyo7_VqYPkQ/s200/bruegelicarus2.jpg" alt="" id="BLOGGER_PHOTO_ID_5330129048142936722" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family:Arial;font-size:85%;"&gt;-- ekfrázis (&lt;a href="http://en.wikipedia.org/wiki/Ecphrasis"&gt;w&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- „ut pictura poesis”Horatius, Ars Poetica (&lt;a href="http://en.wikipedia.org/wiki/Ut_pictura_poesis"&gt;w&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Brüsszeli &lt;a href="http://www.fine-arts-museum.be/site/fr/default.asp"&gt;Musées&lt;/a&gt; Royaux des Beaux-Arts, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Brueghel: Landscape with the Fall of Icarus, 1558; o/v, 73.5 x 112 cm; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Wystan Hugh Auden (1907-1973) &lt;a href="http://audensociety.org/poems.html"&gt;versei&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Publius Ovidius Naso: Átváltozások (METAMORPHOSES), nyolcadik könyv: &lt;a href="http://mek.niif.hu/03600/03690/03690.htm"&gt;DAEDALUS ÉS ICARUS&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- József Attila: Eszmélet (1933-34) „Im itt a szenvedés belül / ám ott kívül a magyarázat” (&lt;a href="http://magyar-irodalom.elte.hu/sulinet/igyjo/setup/portrek/jozsefa/eszmelet.htm"&gt;*&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Hermeneutika (&lt;a href="http://hu.wikipedia.org/wiki/Filoz%25C3%25B3fiai_hermeneutika"&gt;*&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Arany János: „...gondolta a fene...”&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Rilke: Archaikus Apolló-torzó (&lt;a href="http://mek.niif.hu/00400/00474/00474.htm#d6688"&gt;*&lt;/a&gt;)&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-family:Arial;font-size:85%;"&gt;&lt;o:p&gt;*&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;                &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-family:Arial;font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Kicsiny Balázs&lt;/span&gt; könyvismertetés: Hal Foster: The Return of the Real (1996), 2. rész&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Foster, Hal: The Return of the Real. The Avant-garde at the End of the Century, The MIT Press, Cambridge, Massachusetts - London, England, 1996&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- „pastiche” „qu-on ne peut appeller ni originaux, ni copies” Hoesterey, Ingeborg: From Genre Mineur To Critical Aesthetic: Pastiche. European Journal of English Studies, 1999. vol. 3. No.1. 79.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Lukács György: Történelem és osztálytudat, Bp, 1971, (&lt;a href="http://www.marxists.org/magyar/archive/lukacs/tortenelem-osztalytudat/index.htm"&gt;online&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Barthes: Balzac, Sarrasine (&lt;a href="http://www.gutenberg.org/etext/1826"&gt;e-text&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Roland Barthes, S/Z (1970), Budapest, Osiris, 1997, (róla &lt;a href="http://en.wikipedia.org/wiki/S/Z"&gt;wiki&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Barthes: The Dead of the Author, 1968 (&lt;a href="http://www.mariabuszek.com/kcai/PoMoSeminar/Readings/BarthesAuthor.pdf"&gt;pdf&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Rosalind &lt;a href="http://en.wikipedia.org/wiki/Rosalind_Krauss"&gt;Krauss&lt;/a&gt;: Notes on the Index (October, 1977 tavasz és ősz) &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Craig &lt;a href="http://en.wikipedia.org/wiki/Craig_Owens"&gt;Owens&lt;/a&gt;: Honor, Power, and the Love of Woman, Art in America, 1983 jan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-family:Arial;font-size:85%;"&gt;&lt;o:p&gt;*&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;Gács Anna&lt;/span&gt; esztéta, egyetemi docens (ELTE Művészetelméleti és Médiakutatási Intézet), Írásmű szeminárium (4. alk)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1729996492559835933?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1729996492559835933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1729996492559835933'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/kulturipar-es-muveszi-autonomia_29.html' title='kultúripar és művészi autonómia 20090428'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/SfhsIQmM-pI/AAAAAAAADhE/Jyo7_VqYPkQ/s72-c/bruegelicarus2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6295966163225472756</id><published>2009-04-22T11:08:00.000+02:00</published><updated>2009-04-22T11:09:22.084+02:00</updated><title type='text'>misc  20090422</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;Auden: Musée Des Beaux Arts&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;fordította Jékely Zoltán&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;A szenvedés felől sosem tévedtek ők,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;a Régi Mesterek: milyen remekül&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;ismerték emberi rangját; hogy zajlik le, amíg&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;más épp táplálkozik, vagy ablakot nyit, vagy épp unottan jár egyedül,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;  hogy, míg a vének szenvedélyes áhitattal várják&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;a Csodás Születést, örökké lenni kell oly&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;gyerkőcöknek, akiknek semmi szükségük erre,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;korcsolyázván az erdőszéli tavon:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;sosem feledik ők,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;hogy még a szörnyű mártírság is valahol a sarokban,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; holmi kietlen zugban kell leperegjen,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;hová a kutyák kullognak kutyalétükkel, hol a hóhér lova&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;egy fához dörzsöli ártatlan farát.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Például Brueghel Icarusában: hogy fordul el minden,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;rá se hederítve, a pusztulástól; hallhatta pedig&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; a loccsanást az a pór, s a szörnyű kiáltást,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;ám a kudarc neki mit se jelentett; a Nap éppúgy&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;izzott, amiként a fehér, zöld vízbe tünő lábszárra is&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;egyben; s a finom-mívű, drága hajónak is, ámbár&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;látnia kellett holmi furát, egy ifjat lezuhanni az égből:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; dolga akadt valahol, s békén továbbsuhant.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6295966163225472756?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6295966163225472756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6295966163225472756'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090422.html' title='misc  20090422'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7778347357326217413</id><published>2009-04-22T11:04:00.001+02:00</published><updated>2009-04-22T11:06:06.151+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090421</title><content type='html'>&lt;span style="font-family: Arial;"&gt; &lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Dominic Paterson&lt;/span&gt; PhD (University of Glasgow, Scotland): Negotiating Autonomy - directions in contemporary Scottish Art&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;“Summary: Over the past few years several Scottish artists have dealt with the legacies of modernism and formalism in painting, sculpture and architecture. These artists often present an ambiguous relationship to such precedents: on the one hand recovering formal approaches (including varities of abstraction), on the other, critiquing or undoing formalist claims to autonomy from a wider social sphere. This lecture will present recent work by, amongst others, Claire Barclay, Simon Starling, Lucy Skaer, Kate Davis, Mark Neville, and Neil Clements, and attempt to locate their practices in relation to ideas of post-avant-garde art making.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;- David Bellingham &lt;a href="http://davidbellingham.com/" target="_blank"&gt;http://davidbellingham.com/&lt;/a&gt;, &lt;a href="http://www.artandresearch.org.uk/v1n2/bellingham.html" target="_blank"&gt;http://www.artandresearch.org.uk&lt;/a&gt;&lt;br /&gt;- Bas Jan Ader &lt;a href="http://basjanader.com/" target="_blank"&gt;http://basjanader.com/&lt;/a&gt;&lt;br /&gt;- Adorno, Theodor W., ‘Valéry Proust Museum’, Prisms (Cambridge, Mass.: MIT Press, 1981)&lt;br /&gt;- W. H. Auden: Musée des Beaux Arts &lt;a href="http://www.serve.com/Lucius/Auden.index.html" target="_blank"&gt;http://www.serve.com/Lucius/Auden.index.html&lt;/a&gt;&lt;br /&gt;Pieter Brueghel: Ikarusz bukása, 1558&lt;br /&gt;&lt;span style=""&gt;&lt;/span&gt;- Neil Clements: &lt;a href="http://www.neilclements.co.uk/" target="_blank"&gt;http://www.neilclements.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;span style=""&gt;&lt;/span&gt;- Robert Barry, Inert Gas Series, 1969, róla a frieze magazinban, 2004 jan-feb, &lt;a href="http://www.frieze.com/issue/review/robert_barry/"&gt;issue 80&lt;/a&gt;&lt;br /&gt;- Frank Stella, Empress of India, 1965&lt;br /&gt;- Fender gitár: &lt;a href="http://www.fender.com/" target="_blank"&gt;http://www.fender.com/&lt;/a&gt;&lt;br /&gt;- Kate Davis, &lt;a href="http://www.tate.org.uk/britain/exhibitions/artnow/katedavis/default.shtm"&gt;tate&lt;/a&gt;, 2007 febr 3- márc 25&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Barbara Kruger: &lt;a href="http://www.barbarakruger.com/" target="_blank"&gt;www.barbarakruger.com&lt;/a&gt;&lt;br /&gt;- Faith Wilding: &lt;a href="http://www.andrew.cmu.edu/user/fwild/faithwilding/" target="_blank"&gt;http://www.andrew.cmu.edu/user/fwild/faithwilding/&lt;/a&gt;&lt;br /&gt;- SubRosa, cyberfeminist collective, &lt;a href="http://www.cyberfeminism.net/" target="_blank"&gt;http://www.cyberfeminism.net/&lt;/a&gt;&lt;br /&gt;projektjük: expo emmagenics, 2001 (&lt;a href="http://www.cmu.edu/emmagenics/home/" target="_blank"&gt;http://www.cmu.edu/emmagenics/home/&lt;/a&gt;)&lt;br /&gt;- Lucy Skaer, &lt;a href="http://www.doggerfisher.com/artists/artistdetail.php?id=58&amp;amp;current=0&amp;amp;imagecount=80"&gt;doggerfisher&lt;/a&gt;,&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Claire Barclay, &lt;a href="http://www.doggerfisher.com/artists/artistdetail.php?id=46"&gt;doggerfisher&lt;/a&gt;, &lt;a href="http://www.stephenfriedman.com/index.php?pid=11&amp;amp;aid=59"&gt;stephenfriedman&lt;/a&gt;, fruitmarket gallery &lt;a href="http://www.fruitmarket.co.uk/wp-content/uploads/file/CB_Bulletin%281%29.pdf"&gt;bulletin&lt;/a&gt;&lt;br /&gt;- Mark Neville, &lt;a href="http://www.markneville.co.uk/" target="_blank"&gt;http://www.markneville.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;span style=""&gt;&lt;/span&gt;- Simon Starling: Infestation Piece, Musselled Moore, itt: &lt;a href="http://www.thepowerplant.org/" target="_blank"&gt;www.thepowerplant.org&lt;/a&gt;, toronto, 2008) más: &lt;a href="http://www.artandresearch.org.uk/v1n1/starling.html" target="_blank"&gt;http://www.artandresearch.org.uk/v1n1/starling.html&lt;/a&gt;&lt;/span&gt;   &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7778347357326217413?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7778347357326217413'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7778347357326217413'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/kulturipar-es-muveszi-autonomia_22.html' title='kultúripar és művészi autonómia 20090421'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2944514537754191602</id><published>2009-04-22T10:47:00.003+02:00</published><updated>2009-04-22T10:51:31.073+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='fotó'/><title type='text'>misc 20090421</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;hely::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;                      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Sharjah Biennial 9, az &lt;a href="http://artkrush.com/current/"&gt;artkrush&lt;/a&gt;-on, 2009. ápr 9.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Deák Erika Galéria, itt Kupcsik Adrián, ápr 16-máj 16., „a szív működése”, &lt;a href="http://www.deakgaleria.hu/"&gt;http://www.deakgaleria.hu/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Bloomberg SPACE, London, &lt;a href="http://www.bloombergspace.com/" target="_blank"&gt;http://www.bloombergspace.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- VOLTA5 Basel, &lt;span style=""&gt; &lt;/span&gt;&lt;a href="http://www.voltashow.com/" target="_blank"&gt;http://www.voltashow.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Xavier Hufkens, Brussels&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://www.xavierhufkens.com/artists/?artist_intro=Sterling_Ruby" target="_blank"&gt;www.xavierhufkens.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Beursschouwburg, Brussels, &lt;a href="http://www.beursschouwburg.be/" target="_blank"&gt;http://www.beursschouwburg.be&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/Se7aIq7cmaI/AAAAAAAADgs/WoaoQCZSKLQ/s1600-h/julietarandainterval.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 116px; height: 116px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Se7aIq7cmaI/AAAAAAAADgs/WoaoQCZSKLQ/s200/julietarandainterval.jpg" alt="" id="BLOGGER_PHOTO_ID_5327435251723311522" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Solomon R. &lt;a href="http://www.guggenheim.org/new-york/exhibitions/on-view-now/intervals"&gt;Guggenheim&lt;/a&gt; Museum, New York,&lt;br /&gt;itt: Julieta Aranda: Intervals, 2009 ápr 10-júli 19,&lt;br /&gt;kép: Julieta Aranda, Partially untitled (tell me if I am wrong), 2009&lt;br /&gt;Camera obscura&lt;br /&gt;(wood, paint, and transluce&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;nt screen), hourglass, Lexan, rotating mechanism, and light source&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Independent Collectors &lt;a href="http://www.independent-collectors.com/?utm_source=announcement03&amp;amp;utm_medium=email&amp;amp;utm_content=general&amp;amp;utm_campaign=announcement_03" target="_blank"&gt;www.independent-collectors.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- bétonsalon, &lt;a href="http://www.betonsalon.net/" target="_blank"&gt;http://www.betonsalon.net&lt;/a&gt;, Párizs&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Lismore Castle Arts, &lt;a href="http://www.lismorecastlearts.ie/" target="_blank"&gt;http://www.lismorecastlearts.ie&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://www.spacestudios.org.uk/"&gt;http://www.spacestudios.org.uk/&lt;/a&gt;, london&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;néz::::&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- ubermorgen új: New project, &lt;a href="http://www.ubermorgen.com/BlacknWhite"&gt;Black n White&lt;/a&gt; : P'retty Ugly&lt;br /&gt;- monochrom &lt;a href="http://www.monochrom.at/english/"&gt;http://www.monochrom.at/english/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- artpool 30 éve:&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;integrál szemlélet &lt;a href="http://www.artpool.hu/2009/090325_1.html" target="_blank"&gt;http://www.artpool.hu/2009/090325_1.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;glokális identitás &lt;a href="http://www.artpool.hu/2009/090325_2.html" target="_blank"&gt;http://www.artpool.hu/2009/090325_2.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;hétközn&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;api művészeti esemény &lt;a href="http://www.artpool.hu/2009/090325_3.html" target="_blank"&gt;http://www.artpool.hu/2009/090325_3.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;együttműködés és önállóság &lt;a href="http://www.artpool.hu/2009/090325_4.html" target="_blank"&gt;http://www.artpool.hu/2009/090325_4.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;felbomlás és önmeghaladás &lt;a href="http://www.artpool.hu/2009/090325_5.html" target="_blank"&gt;http://www.artpool.hu/2009/090325_5.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Godot Performansz estek no. 3: INDIGO a vonaton &lt;a href="http://www.godot.hu/" target="_blank"&gt;www.godot.hu&lt;/a&gt;, Gödör Klub, 2009 ápr 233.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;szöveg::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Capa képek:&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a href="http://www.fotopost.hu/fokuszban/if-your-pictures-aren-t-good-enough-you-re-not-close-enough" target="_blank"&gt;http://www.fotopost.hu/fokuszban/if-your-pictures-aren-t-good-enough-you-re-not-close-enough&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- David Bordwell: Érvelés a kognitivizmus mellett. in: A kortárs filmelmélet útjai. Palatinus, 2004 pp. 361-402.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- WHO ARE THE SPIES? WE ARE THE SPIES! Franz Thalmair interviews Daphne Dragona. 'Tag ties and affective spies' is the title of an on-line-exhibition which presents a selection of Internet-based artworks that highlight different aspects of the Social Web.”&lt;br /&gt;&lt;a href="http://www.furtherfield.org/displayreview.php?review_id=343" target="_blank"&gt;http://www.furtherfield.org/displayreview.php?review_id=343&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;- I LOVE MEHDI BELHAJ KACEM, &lt;a href="http://www.larevuedesressources.org/spip.php?article1185" target="_blank"&gt;http://www.larevuedesressources.org/spip.php?article1185&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2944514537754191602?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2944514537754191602'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2944514537754191602'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090421.html' title='misc 20090421'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/Se7aIq7cmaI/AAAAAAAADgs/WoaoQCZSKLQ/s72-c/julietarandainterval.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6471350303967085563</id><published>2009-04-17T17:12:00.000+02:00</published><updated>2009-04-17T17:13:47.053+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090417</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family: Arial;"&gt;szöveg::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;- Alan Sokal . Jean Brickmont: Intellektuális imposztorok,Posztmodern értelmiségiek visszaélése a tudománnyal, Bp, Typotex, 2008, eredeti: Impostores Intellectuelles, Odile Jacob, 1997&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;a Sokal-ügyről: &lt;a href="http://hps.elte.hu/%7Egk/Sokal/Sokal.html"&gt;http://hps.elte.hu/~gk/Sokal/Sokal.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a href="http://www.physics.nyu.edu/faculty/sokal/" target="_new"&gt;Alan Sokal&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;„Sokal-cirkusz”, cikk a magyar tudományban, 1998, itt: &lt;a href="http://www.kfki.hu/chemonet/hun/teazo/sokal/cirkusz.html"&gt;http://www.kfki.hu/chemonet/hun/teazo/sokal/cirkusz.html&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;- Arthur Koestler: A teremtés, Bp, Európa, 1998&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- e-flux journal issue #5&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;, &lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;a href="http://e-flux.com/journal" target="_blank"&gt;http://e-flux.com/journal&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;- &lt;/span&gt;&lt;span style="font-family: Arial;"&gt;Art Lies, Issue No. 61, Spring 2009, Second Acts, &lt;a href="http://www.artlies.org/" target="_blank"&gt;http://www.artlies.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Mousse Magazine, April-May 2009, &lt;a href="http://www.moussemagazine.it/" target="_blank"&gt;www.moussemagazine.it &lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style=""&gt;hely::::&lt;br /&gt;&lt;/b&gt;- Witte de With, Rotterdam&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;,&lt;/span&gt;&lt;span style="font-family: Arial;"&gt; &lt;a href="http://www.wdw.nl/" target="_blank"&gt;http://www.wdw.nl&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Kunsthalle zu Kiel, &lt;a href="http://www.kunsthalle-kiel.de/" target="_blank"&gt;www.kunsthalle-kiel.de&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- B.P.S.22 space for contemporary creation, Charleroi,&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://bps22.hainaut.be/" target="_blank"&gt;http://bps22.hainaut.be&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Espai d'art contemporani de Castelló, &lt;a href="http://www.eacc.es/" target="_blank"&gt;http://www.eacc.es&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Index, the Swedish Contemporary Art Foundation, Stockholm, &lt;a href="http://www.indexfoundation.se/" target="_blank"&gt;http://www.indexfoundation.se&lt;/a&gt;, itt:&lt;span style=""&gt;  &lt;/span&gt;Mladen Stilinović (1947): Artist's Books, 15 April - 7 June 2009&lt;br /&gt;- Slovak National Gallery, Pozsony, &lt;a href="http://www.sng.sk/" target="_blank"&gt;http://www.sng.sk&lt;/a&gt;, itt&lt;span style=""&gt;  &lt;/span&gt;Július Koller, U.F.O.-naut? 23 - 26 April 2009, info: &lt;a href="http://tranzit.org/" target="_blank"&gt;tranzit.org&lt;/a&gt; Július Koller (1939–2007)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- The Július Koller Society – občianske združenie, &lt;a href="http://www.sjk.sk/" target="_blank"&gt;www.sjk.sk&lt;/a&gt;&lt;o:p&gt;&lt;br /&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;b style=""&gt;&lt;span style="font-family: Arial;"&gt;néz::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;- Klímavédelmi program, fényvisszaverő kampány: &lt;a href="http://fika.hu/index.php?mm=11&amp;amp;p=386" target="_blank"&gt;http://fika.hu/index.php?mm=11&amp;amp;p=386&lt;/a&gt;&lt;br /&gt;- Inaugural Migrating Forms festival, April 15 -19, 2009, Anthology Film Archives, New York, &lt;a href="http://migratingforms.org/" target="_blank"&gt;http://migratingforms.org&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6471350303967085563?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6471350303967085563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6471350303967085563'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090417.html' title='misc 20090417'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-27766984271045320</id><published>2009-04-15T17:07:00.002+02:00</published><updated>2009-04-15T17:14:17.190+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kritikai művészet'/><title type='text'>misc 20090414</title><content type='html'>&lt;p  style="color: rgb(102, 102, 102); font-family: arial;font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;Tagezodjunk! – tranzitblog offline esemeny&lt;br /&gt;„A tranzitblog tag-jei kozul kivalasztott &lt;span style="font-weight: bold;"&gt;kritikai muveszet&lt;/span&gt; fogalmat es hozzatartozo bejegyzeseket Mullner Andras es Suvecz Emese elemzi tovabbi kepzo- es filmmuveszeti peldakat is bemutatva. Az est folyaman a kritikai muveszet temakorehez kapcsolodo mukritikat, (Dua Didaktika, azaz Hock Bea es Zolyom Franciska bejegyzeset, címe &lt;a href="http://tranzit.blog.hu/2008/11/20/rendezetlen_szamla"&gt;Rendezetlen számla&lt;/a&gt;), valamint az erre beerkezett valaszt, Schneemeier Andrea szoveget (&lt;a href="http://tranzit.blog.hu/2008/12/09/valasz_dua_ditaktia_kritikajara"&gt;Válasz Dua Ditaktika kritikájára&lt;/a&gt;) olvassuk kozosen ujra a jelenlevo erdeklodokkel egyuttmukodesben. A rendezveny elott levetitesre kerul Schneemeier Andrea Luxusvacsora (Terapiaszinhaz) cimu munkaja.” róla Baglyas Erika: Kinek terápia, kinek színház, &lt;a href="http://www.balkon.hu/"&gt;Balkon&lt;/a&gt;, 2008/&lt;a href="http://issuu.com/elnfree/docs/balkon_2008_11_12/49?mode=embed&amp;amp;documentId=090204144322-0d4bda1bf758495fb68ca9f3387647da&amp;amp;layout=grey"&gt;11-12&lt;/a&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  style="color: rgb(102, 102, 102); font-family: arial;font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;még: Dobai Péter: Archaikus torzó &lt;a href="http://www.bbsarchiv.hu/index.php?module=movies&amp;amp;action=movie&amp;amp;mid=28"&gt;bbs&lt;/a&gt;, Hajas Tibor: Öndivatbemutató &lt;a href="http://www.bbsarchiv.hu/index.php?module=movies&amp;amp;action=movie&amp;amp;mid=362"&gt;bbs&lt;/a&gt;, Szentjóby Tamás: Kentaur &lt;a href="http://www.bbsarchiv.hu/index.php?module=movies&amp;amp;action=movie&amp;amp;mid=243"&gt;bbs&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  style="color: rgb(102, 102, 102); font-family: arial;font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p  style="color: rgb(102, 102, 102); font-family: arial;font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;kritikai művészet olvasmánylistából:&lt;br /&gt;Jacques Ranciere: The Politics of Aesthetics: The Distribution of the Sensible. London; New York: Continuum, 2006 &lt;a href="http://www.a.aaaarg.org/"&gt;http://a.aaaarg.org&lt;/a&gt; lapon Ranciere írások!&lt;br /&gt;Gerald Raunig: What is Critique? in: &lt;a href="http://transform.eipcp.net/transversal/0808/raunig/en"&gt;http://transform.eipcp.net/transversal/0808/raunig/en&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-27766984271045320?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/27766984271045320'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/27766984271045320'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090414.html' title='misc 20090414'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-4363046809092288054</id><published>2009-04-15T17:00:00.001+02:00</published><updated>2009-04-15T17:07:52.469+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090414</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Peternák Miklós&lt;/span&gt; CSc művészettörténész, egyetemi tanár (MKE): Egológia - Az új médiumoktól az egyszerű képekig, avagy mi az ábra válság idején?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;linkek: &lt;a href="http://www.pillanatgepek.c3.hu/"&gt;Pillanatgépek&lt;/a&gt;, Műcsarnok &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=481&amp;amp;curmenu=201"&gt;20090620-0830&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;a href="http://www.c3.hu/%7Epm"&gt;http://www.c3.hu/~pm&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;és &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: arial;font-size:85%;" &gt;&lt;span style="font-size: 11pt;"&gt;1981 SIRÁLY (párhuzamos utirajz) két vetítő, S8 színes és ff. 20`&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;Kicsiny Balázs Hal Foster: The Return of the Real (1996) c. könyvről&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;ehhez: Michael Fried: Art and Objecthood &lt;a href="http://books.google.hu/books?id=RxwtHGHbiFcC&amp;amp;dq=art+and+objecthood&amp;amp;printsec=frontcover&amp;amp;source=bn&amp;amp;hl=hu&amp;amp;ei=lPflSZaPDNqMsAaW6-yxCw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=4"&gt;olv&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Donald Judd: Specific Objects &lt;a href="http://cep.ens-lsh.fr/poetik/doc/judd-specific%20objects.pdf"&gt;pdf&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Deleuze: Difference and Repetition &lt;a href="http://www.lcc.gatech.edu/%7Exinwei/classes/readings/DeleuzeGuattari/DifferencePreface.pdf"&gt;pdf&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;Gács Anna esztéta, egyetemi docens (ELTE Művészetelméleti és Médiakutatási Intézet): Írásmű szeminárium (3. alkalom)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Gombrich: A látható kép (1972), &lt;a href="http://mokk.bme.hu/mediatervezo/targyak/vizualkomm/gombrich.pdf" target="_blank"&gt;http://mokk.bme.hu/mediatervezo/targyak/vizualkomm/gombrich.pdf&lt;/a&gt;&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-4363046809092288054?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4363046809092288054'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4363046809092288054'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/kulturipar-es-muveszi-autonomia_15.html' title='kultúripar és művészi autonómia 20090414'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-4832178632261645072</id><published>2009-04-05T07:25:00.000+02:00</published><updated>2009-04-05T07:26:48.704+02:00</updated><title type='text'>misc 20090403</title><content type='html'>&lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;Marion von Osten: A modernizmus sivatagában - A kolonialista tervezés és öröksége,&lt;br /&gt;20090403, mke vetítő (művészetelméleti és gyakorlati szabadiskola, &lt;a href="http://hu.tranzit.org/fetcharticle.php?puzzle&amp;amp;page=2556&amp;amp;siteid=23&amp;amp;article=2649"&gt;tranzit link&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;"Az eloadas kereteben a muvesz egy kiallitasi es kutatasi projekt tapasztalatairol fog beszelni, amely az 1950-es es 60-as evek Nyugati modernista varostervezesi kiserleteit vizsgalta Eszak-Afrikaban a gyarmati kormanyzas, a gyarmatellenes mozgalmak es a nemzetkozi migracio kontextusaban."&lt;br /&gt;&lt;br /&gt;Desert of Modernity, Haus der Kulturen der Welt, Berlin, 29 August – 26 October 2008&lt;/span&gt;  &lt;/p&gt;  &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;róla Mark Crinson: Montrous Plans and Good Habitats (2008) &lt;a href="http://www.metamute.org/en/content/monstrous_plans_good_habitats"&gt;mute magazine&lt;/a&gt;,&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;bidonville (&lt;a href="http://fr.wikipedia.org/wiki/Bidonville"&gt;wiki fr&lt;/a&gt;)&lt;/span&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-4832178632261645072?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4832178632261645072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4832178632261645072'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090403_05.html' title='misc 20090403'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-862531109089078859</id><published>2009-04-03T11:36:00.002+02:00</published><updated>2009-04-05T07:27:24.357+02:00</updated><title type='text'>misc 20090403</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdXY1g-LdTI/AAAAAAAADdY/rPT_mc31Aac/s1600-h/bigrade_poster.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 101px; height: 143px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdXY1g-LdTI/AAAAAAAADdY/rPT_mc31Aac/s200/bigrade_poster.jpg" alt="" id="BLOGGER_PHOTO_ID_5320396948703507762" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;a href="http://www.biennialtehran.com/"&gt;Urban Jealousy&lt;/a&gt; in Belgrade, 2009 ápr 3-10.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-862531109089078859?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/862531109089078859'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/862531109089078859'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090403_03.html' title='misc 20090403'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/SdXY1g-LdTI/AAAAAAAADdY/rPT_mc31Aac/s72-c/bigrade_poster.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3088445668210140244</id><published>2009-04-03T11:14:00.008+02:00</published><updated>2009-04-03T11:36:41.944+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='elmélet'/><title type='text'>misc 20090403</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;b style=""&gt;néz::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;br /&gt;---- &lt;a href="http://www.tate.org.uk/britain/exhibitions/altermodern/manifesto.shtm" target="_blank"&gt;Altermodern Manifesto&lt;/a&gt;, Tate Triennial 2009, febr 4-ápr 26&lt;br /&gt;ALTERMODERN MANIFESTO - POSTMODERNISM IS DEAD&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=bqHMILrKpDY" target="_blank"&gt;Interjú Nicolaus Bourriauddal&lt;/a&gt; (4:07), &lt;a href="http://vimeo.com/3251119" target="_blank"&gt;Videó&lt;/a&gt; a kiállításról (Sodobna Umetnost 24:22)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;o:p style="color: rgb(102, 102, 102);"&gt;&lt;/o:p&gt;&lt;b style=""&gt;&lt;span style=""&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;hely::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;br /&gt;---- &lt;a href="http://www.smak.be/"&gt;S.M.A.K.&lt;/a&gt;, Ghent, itt Dara Birnbaum Retrospective : the dark matter of media light, 04.04 - 02.08.2009&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Calouste &lt;a href="http://www.gulbenkian-paris.org/"&gt;Gulbenkian&lt;/a&gt; Cultural Centre, Paris&lt;br /&gt;---- &lt;a href="http://www.fakeorfeint.org/"&gt;fake or feint&lt;/a&gt;, Berlin &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.horsecross.co.uk/"&gt;Horsecross&lt;/a&gt;, Perth &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- galeria &lt;a href="http://www.raster.art.pl/"&gt;rast&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;a href="http://www.raster.art.pl/"&gt;er&lt;/a&gt;, Varsó&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.werkstattgalerie.org/"&gt;werkstattgalerie&lt;/a&gt;, Berlin&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.g-mk.hr/"&gt;g-mk&lt;/a&gt; | galerija miroslav kraljević, Zagreb, itt: Igor Grubic: 366 liberation rituals, &lt;span style=""&gt; &lt;/span&gt;2009, márc 20- ápr 21.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;                    &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;b style="font-family: arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:85%;"  &gt;&lt;span style="color: rgb(102, 102, 102);"&gt;---- “An Artist who Cannot Speak English is no Artist”, 1992 by &lt;a href="http://www.galerieimtaxispalais.at/ausstellungen/stilinovic/progindex_stilinovic_engl.htm" target="_blank"&gt;Mladen Stilinović&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdXUACLJhwI/AAAAAAAADdQ/pi7xZSGNnRw/s1600-h/mladen.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 159px; height: 95px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdXUACLJhwI/AAAAAAAADdQ/pi7xZSGNnRw/s200/mladen.jpg" alt="" id="BLOGGER_PHOTO_ID_5320391631856830210" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;span style="color: rgb(102, 102, 102);"&gt;---- Image - Music – Text, Roland Barthes, &lt;a href="http://a.aaaarg.org/text/3004/image-music-text"&gt;a.aaaarg&lt;/a&gt;, a classic collection of classic essays, among them "The Death of the Author", "From Work to Text", and "Change the Object Itself"&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- AAAARG új helye itt: &lt;a href="http://a.aaaarg.org/" target="_blank"&gt;http://a.aaaarg.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Baglyas Erika: Van fogalmunk róla, Szöveghasználat Rácz Márta műveiben, &lt;a href="http://balkon.c3.hu/"&gt;balkon&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- DIGIMAG  42 / &lt;a href="http://www.digicult.it/digimag_eng/index.asp"&gt;MARCH 2009&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- The 4th Radiator festival. Going Underground - Surveillance and Sousveillance.&lt;br /&gt;&lt;a href="http://www.furtherfield.org/displayreview.php?review_id=338" target="_blank"&gt;http://www.furtherfield.org/displayreview.php?review_id=338&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;"A contemporary enactment of the Orwellian vision is now here and for real, millions of lensed spectres watch our every move around the country in the streets, as the constant drone of shopping serfs waddle around in their state imposed panopticon daze. In George Orwell's visionary novel Nineteen Eighty-Four the Thought Police could view and control citizens at any moment via a tele-screen, no one new whether they were being watched or not. Today, the UK Government is so rabid in its support of technocratic solutions to control its citizens, we are now the most watched soap opera by the powers that be on the planet. Us, who live in Britain are presently monitored by 4 million CCTV cameras, and if you happen to be living in London you are likely to be viewed on camera about 300 times a day."&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- James &lt;a href="http://www.jameselkins.com/"&gt;Elkins&lt;/a&gt;: Artists with PhDs On the New Doctoral Degree in Studio Art, New Academia Publishing, LLC (March 9, 2009) (&lt;a href="http://www.amazon.com/Artists-PhDs-Doctoral-Degree-Studio/dp/0981865453"&gt;amazon)&lt;/a&gt; 2009/03&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Arial;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3088445668210140244?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3088445668210140244'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3088445668210140244'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/misc-20090403.html' title='misc 20090403'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/SdXUACLJhwI/AAAAAAAADdQ/pi7xZSGNnRw/s72-c/mladen.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2857515604319444774</id><published>2009-04-01T10:07:00.008+02:00</published><updated>2009-04-02T10:21:11.327+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090331</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Kicsiny Balázs&lt;/span&gt;: „Bányavíztől az Óceánig - Óceántól a Bányavízig" c. előadása (&lt;a href="http://www.mke.hu/info/tutor_page.php?mid=143340afd3a1a4"&gt;mke link&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;                                      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;hozzá:&lt;br /&gt;- Szondi Lipót: Kain. Gestalten des Bösen, Huber, Bern, Stuttgart, Wien, 1969. Magyar fordításban: Káin, a törvényszegő, Budapest, Gondolat, 1987, Mérei Vera fordítása&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Kalandorok (Les Aventuriers, r: Robert Enrico, 1967)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Guy Debord A spektákulum társadalma („Tartóshullám sorozat”) Budapest, Balassi Kiadó, 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- J. Baudrillard: A Rossz transzparenciája, Balassi-Tartóshullám, Bp. 1997&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- bolygó zsidó, róla Losonczi Eszter a &lt;a href="http://www.ketezer.hu/menu4/2006_06/losonczi.html"&gt;2000&lt;/a&gt;-ben, &lt;a href="http://www.kislexikon.hu/bolygo_zsido.html"&gt;pallas&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt; bolygó hollandi, &lt;a href="http://hu.wikipedia.org/wiki/Bolyg%25C3%25B3_Hollandi"&gt;wiki&lt;/a&gt;, &lt;a href="http://www.kislexikon.hu/bolygo_hollandi.html"&gt;pallas&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Arany János: &lt;a href="http://mek.niif.hu/00500/00597/html/vs185302.htm"&gt;Ágnes asszony&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdMiseOK30I/AAAAAAAADdI/FJtvz7bSdmI/s1600-h/md-clock.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 103px; height: 119px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdMiseOK30I/AAAAAAAADdI/FJtvz7bSdmI/s200/md-clock.jpg" alt="" id="BLOGGER_PHOTO_ID_5319633732276772674" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Jacques Tati: Traffic (1971), &lt;a href="http://www.youtube.com/watch?v=WKSCVdhkQSs"&gt;trailer&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Bress&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;on: Egy falusi plébános naplója (1950)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Marcel Duchamp: &lt;a href="http://www.toutfait.com/issues/volume2/issue_4/news/barnes/popup_16.html"&gt;Óra oldalnézetből&lt;/a&gt; (1964) &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Erdély Miklós: &lt;a href="http://www.artpool.hu/Erdely/mobius.html"&gt;Idő-Mőbius&lt;/a&gt;&lt;br /&gt;- Orson Welles: Az óra körbejár (The Stranger - 1946)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;- S. Beckett: Molloy, Malone meghal, A megnevezhetetlen, Európa kiadó, 2006 (&lt;a href="http://www.libri.hu/hu/konyvek/irodalom/szepirodalom/regeny/molloy_malone_meghal_a_megnevezhetetlen"&gt;libri&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Godard: Alphaville, (1965), &lt;a href="http://www.youtube.com/watch?v=SHikpdf8ktM"&gt;yt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;- András Edit: Kulturális átöltözés - Művészet a szocializmus romjain, 2009, Argumentum&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;- Jindrich Chalupecky: A mű&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;vész sorsa (Duchamp-meditációk), Bp-Balassi, 2002, isbn 9635064933&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdMhyY1SPmI/AAAAAAAADcw/lVvLXVOi67A/s1600-h/Duchamp%2BCentre%2BPompidou.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 185px; height: 112px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SdMhyY1SPmI/AAAAAAAADcw/lVvLXVOi67A/s200/Duchamp%2BCentre%2BPompidou.jpg" alt="" id="BLOGGER_PHOTO_ID_5319632734397808226" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Duchamp &lt;a href="http://uneinsamkeiten.blogspot.com/2008/07/marcel-duchamp.html"&gt;ötször itt&lt;/a&gt;, Broadway Photo Shop, NY, 1917, Collection Centre Pompidou - Musée national d'art moderne, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Paris, Inv.-Nr.: AM 2004-177, 8&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;,7 x 14 cm. Hierzu: James W. McManus, Trucage photographique et déplacement de l'objet, À p&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;ropos d'une photographie de Marcel D&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;uchamp &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;prise devant un miroir à charnières (1917), in: Les Cahiers du Musée national d'art moderne, Nr. 92, Juli 2005&lt;o:p&gt;&lt;/o:p&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;forrás: &lt;a href="http://uneinsamkeiten.blogspot.com/"&gt;http://uneinsamkeiten.blogspot.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://www.artpool.hu/Erdely/mobius.html"&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;br /&gt;*&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=480&amp;amp;curmenu=201&amp;amp;kovetkezo_collapse=0"&gt;Mi Vida,&lt;/a&gt; Menny és pokol, Műcsarnok, 2009. március 28 - 2009. május 17.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/SdMhy77i04I/AAAAAAAADc4/POAGrqtFWwg/s1600-h/logo_cabeza_5.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 141px; height: 103px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SdMhy77i04I/AAAAAAAADc4/POAGrqtFWwg/s200/logo_cabeza_5.jpg" alt="" id="BLOGGER_PHOTO_ID_5319632743819301762" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://musac.es/"&gt;musac&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a href="http://www.musac.es/index.php?ref=78800"&gt;Mi Vida. From Heaven to Hell.&lt;/a&gt; Life experiences in art from MUSAC, 27 de marzo - 17 de mayo, 2009. Mücsarnok Kunsthalle de Budapest mostrará a partir de marzo de 2009 Mi Vida. From Heaven to Hell. Life experiences in art from MUSAC Collection, una gran exposición de la Colección MUSAC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;- Hal Foster: The Return of the Real, Cambridge, Mass. : MIT Press, ©1996. (&lt;a href="http://books.google.hu/books?id=Yl9oCT0fTVQC&amp;amp;dq=return+of+the+real&amp;amp;printsec=frontcover&amp;amp;source=bn&amp;amp;hl=hu&amp;amp;ei=_xnTSYiRJMKLsAahsLCfBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;resnum=4&amp;amp;ct=result#PPP1,M1"&gt;olvasható itt&lt;/a&gt;)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2857515604319444774?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2857515604319444774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2857515604319444774'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/04/kulturipar-es-muveszi-autonomia.html' title='kultúripar és művészi autonómia 20090331'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/SdMiseOK30I/AAAAAAAADdI/FJtvz7bSdmI/s72-c/md-clock.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3090181295025099157</id><published>2009-03-27T11:19:00.005+01:00</published><updated>2009-03-27T11:52:02.124+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='fotó'/><title type='text'>misc 20090327</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;néz::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;              &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- techne = művészet (StAuby) &lt;a href="http://www.youtube.com/watch?v=6WwPHeM5ltI" target="_blank"&gt;http://www.youtube.com/watch?v=6WwPHeM5ltI&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;és &lt;a href="http://www.youtube.com/watch?v=cHJJQ0zNNOM"&gt;Big Dog&lt;/a&gt;, &lt;span style=""&gt; &lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=4U5SigzQFuw&amp;amp;feature=related"&gt;Robotic Chair&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.youtube.com/randomrules09"&gt;Random Rules&lt;/a&gt; - A Channel of Artists' Selections from YouTube, curated by Marina Fokidis&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Artists: Andreas Angelid&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;akis, Aids 3D ( Daniel Keller and Nick Kosmas) , assume vivid astro focus, Pablo Leon de la Bar&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;ra, Eric Beltran, Keren Cytter, Jeremy Deller, Cerith Wyn Evans, Dominique Gonzalez &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Foerster, Dora Garcia, Rodney Graham, Annika Larss&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;on, Matthieu Laurette, Ingo Niermann, &lt;a href="http://www.manetas.com/"&gt;Miltos Manetas&lt;/a&gt;, Ahmet Ögüt, Angelo Plessas, Lisi Raskin, Linda Wallace.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;„The history of moving image seems to have 'seriously' diverted from its canonical route ever since the launch of YouTube, in 2005, the website which made possible for anyone who could use a computer to post a video that millions of people could watch within a few minutes. More effectively than ever before, amateur videos, music vi&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;deos, footages of films, commercials and news segments as well as artists' videos (in lesser numbers) mingle together, in a random way, free of any short of predetermined hierarchy or sy&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;stem.&lt;span style=""&gt;   &lt;/span&gt;Does amateur culture have undervalued artistic expertise? Some would argue that this is true; how&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;ever, it is neith&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;er a major concern nor a pragmatic threat. During the last decades, there have been a lot of debates about expertise versus amateurism or around the idea that everyone is an artist, etc, that it would be redundant to renegotiate these notions anew. Maybe it is more interesting to focus on the gaps and the relations between the systems of the art market and a more open mass culture market, to find some answers, which will not be fixed in anyway. Even if artists, in some cases, are reluctant to upload their works in there (at least up to now) due to reproduction and copyright issues, they still seem to frequent YouTube for inspiration, collecting information, socializing, communication, activism or entertainment, among other reasons! Active use of YouTube is a short of curating, where different 'playlists' of people are the exhibiti&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;ons and 'tagging' is a process of a random archiving.&lt;br /&gt;In a time that invitations for YouTube-exchange private gatherings become regular, seemed to make lots of sense to explore what YouTube means to a specific intellectual community, by a&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;sking a number of artists to select videos already exciting in YouTube an&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;d create their own playlists. The idea was to form a YouTube channel, a &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;short of a paradoxical archive, or an emission in an independent media (such as YouTube) which includes all these playlists, each under the name of the artist-selector. In that plot, the uploader or the broadcaster becomes the artist, the artist becomes the curator or the collector, and the viewers exceed by far the number that can be contained into a normal screening room, since the channel is to be watched in a black cube setting and online at the same time.&lt;span style=""&gt;  &lt;/span&gt;Through the combination of this specific set of artists -as selectors- the aim remains always to come up with an anthology of different voices existing within the YouTube context. Perhaps, by watching this channel one could come across the notions of political, private, humor, narcissism, pop and DIY culture and distribution, -among others- as th&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;ey result from various personal accounts in YouTube today.” Launched at Pulse, Contemporay Art Fair NY, 5th March 2009&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;„Mi a baj a yt-al?”, &lt;a href="http://tranzit.blog.hu/2008/02/22/mi_a_baj_a_yt_al"&gt;tranzitblog 20080222&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;fi&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo0Evt2OI/AAAAAAAADbI/ZaOyjyneseA/s1600-h/20090327nagyhalaszigolya.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 117px; height: 86px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo0Evt2OI/AAAAAAAADbI/ZaOyjyneseA/s200/20090327nagyhalaszigolya.JPG" alt="" id="BLOGGER_PHOTO_ID_5317810872598255842" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;gyel::::&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/Scyo0aORdrI/AAAAAAAADbY/TuSU9nmrZL0/s1600-h/nasapic20090327.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 114px; height: 85px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Scyo0aORdrI/AAAAAAAADbY/TuSU9nmrZL0/s200/nasapic20090327.jpg" alt="" id="BLOGGER_PHOTO_ID_5317810878363563698" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;-- nagyhalászi &lt;a href="http://golya.mme.hu/golyakamera/kamera.php?c=halasz"&gt;gólyák&lt;/a&gt;, szöveg itt : &lt;a href="http://nagyhalaszgolyakamera.blogspot.com/"&gt;mme gólyanapló&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.nasa.gov/multimedia/nasatv/index.html"&gt;nasa tv&lt;/a&gt;,&lt;span style=""&gt;  &lt;/span&gt;kép &lt;a href="http://www.nasa.gov/multimedia/imagegallery/iotd.html"&gt;forrása&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;hely::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo00mymqI/AAAAAAAADbg/sic8kR9t_-4/s1600-h/wagerage.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 88px; height: 63px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo00mymqI/AAAAAAAADbg/sic8kR9t_-4/s200/wagerage.jpg" alt="" id="BLOGGER_PHOTO_ID_5317810885445720738" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- wage &lt;a href="http://www.wageforwork.com/"&gt;work&lt;/a&gt;,&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://wagerage.blogspot.com/"&gt;blog&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.ludwigforum.de/"&gt;Ludwig Forum&lt;/a&gt; für Internationale Kunst, Aachen&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Neuer Berliner Kunstverein &lt;a href="http://www.nbk.org/"&gt;n.b.k.&lt;/a&gt; Berlin, 40 éves&lt;br /&gt;---- Stedelijk Museum Bureau Amsterdam (&lt;a href="http://www.smba.nl/"&gt;SMBA&lt;/a&gt;), itt The Demon of Comparisons, 28 March - 17 May 2009&lt;br /&gt;”With Heman Chong, Hafiz, Tibor Hajas, Beom Kim, Sung Hwan Kim, Wendelien van Oldenborgh, Tadasu Takamine, with special contributions by Philippe Rekacewicz and Grace Samboh&lt;br /&gt;The Demon of Comparisons is an association of subjective positions relating in various ways to larger social and political frameworks, to power and cultural constructions. Placing emphasis on the issue of individual agency in a landscape defined by questions of national and cultural identities, The Demon of Comparisons questions the kind of collectivity these sub&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;jects can form. The title is a translation of a phrase from Jose Rizal's novel Noli Me Tangere, "el demonio de las comparaciones", also used by Benedict Anderson as the title of his book, where it is rendered as The Specter of Comparisons. An original and insightful thinker, Benedict Anderson questioned the patterns and the meeting points that are to be found throughout geographies, times and power structures that lead to formations of identities and various senses of belonging. Our translation remains anchored in this area of interest, but is intended to add the potential of the polisemy, indeed the spectres, of the original Spanish word, "demonio", in dealing with the subjectivity of one's experience of culture and power.&lt;br /&gt;The Demon of Comparisons grew out of exchanges and discussions during Open Circuit #1: Yogyakarta, organized by Electric Palm Tree in September 2008 in Indonesia. During the week-long workshop, participants shared and negotiated their experiences and vocabularies of social transformation from their respective backgrounds.”&lt;br /&gt;---- &lt;a href="http://www.cascoprojects.org/"&gt;Casco&lt;/a&gt;, Office for Art, Design and Theory, Utrecht, itt The Antagonistic Link 29 March - 17 May 2009&lt;br /&gt;”Mixrice, Hwa Yeon Nam, Nam June Paik, Sasa [44] with Sulki &amp;amp; Min, Curated by Binna Choi&lt;br /&gt;The Antagonisti&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;c Link is an experimental setting for drawing transnational links in the form of an agonistic process that assumes the opposing parties to be in a state of conflicting coexistence. The Antagonistic Link uses 'Bye Bye Kipling', a historical satellite event conceived by Nam June Paik in 1986, as a point of departure. The exhibition combines this piece with three other projects initiated by artists and designers from South Korea, as well as other related activities. All these works explore the constructive possibilities of overcoming the sense of distance and antagonism that is the paradoxical product of advancing globalization.&lt;br /&gt;"East is East, and West is West, and never the twain shall meet", the first line of The Ballad of East and West, a poem by Rudyard Kipling, opens up Paik's live satellite link-up of Japan, Korea and the United States – a broadcast featuring different sorts of cultural events and performances. Paik designed and coordinated the event with the intention of countering this poetic declaration (which, to be fair, is also undermined in the rest of Kipling's poem as he suggests that individuals are capable of this after all). The video is a shorter edit of the original broadcast and reveals various ironic and fractious moments in such a linkage. This may be a starting point for questioning the co&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;mplexities and contradictions inherent in today's communication channels and global links — an inquiry that neither denies nor blithely celebrates the possibilities of transnational connection.”&lt;br /&gt;---- &lt;a href="http://www.electricpalmtree.org/"&gt;Electric Palm Tree&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.laisladesign.com/"&gt;CCA Gallery&lt;/a&gt;, kubai fotósok,  Ahi…escapando, 2009 (10th Havana Biennial Project)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.riksutstallningar.se/"&gt;Riksutställningar&lt;/a&gt;, Visby, Svédország&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.ekm.ee/kumu"&gt;Kumu Art Museum&lt;/a&gt;, Tallinn&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Urban Jealousy, 1st International Roaming Biennial of Tehran, 3rd station, &lt;a href="http://www.biennialtehran.com/belgrade.html"&gt;Belgrád&lt;/a&gt;, 2009.04.03.-04.10. (korábban &lt;a href="http://www.biennialtehran.com/istanbul.html"&gt;Istanbul&lt;/a&gt;, és &lt;a href="http://www.biennialtehran.com/berlin.html"&gt;Berlin&lt;/a&gt;), &lt;a href="http://urbanjealousy.blogspot.com/"&gt;blog&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;szöveg::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo0Zt4UFI/AAAAAAAADbQ/Ae3a8LIM9uU/s1600-h/emagazine01.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 80px; height: 80px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo0Zt4UFI/AAAAAAAADbQ/Ae3a8LIM9uU/s200/emagazine01.jpg" alt="" id="BLOGGER_PHOTO_ID_5317810878227697746" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- e-magazine. 10th Havana Bienal, &lt;a href="http://www.cubancontemporaryart.com/"&gt;cca&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.publicpreparation.org/"&gt;Public Preparation&lt;/a&gt;&lt;br /&gt;---- Miltényi Tibor: &lt;a href="http://www.jamk.hu/ujforras/000214.htm"&gt;Papp Gergely&lt;/a&gt;ről, monográfia: Papp Gergely: Fotóalbum, 1998, &lt;a href="http://www.szellemkep.hu/beloldal-kiado-bevezeto"&gt;Szellemkép&lt;/a&gt; Kiadó&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- AAAARG új címe: &lt;a href="http://a.aaaarg.org/" target="_blank"&gt;http://a.aaaarg.org&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3090181295025099157?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3090181295025099157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3090181295025099157'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/misc-20090327.html' title='misc 20090327'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Scyo0Evt2OI/AAAAAAAADbI/ZaOyjyneseA/s72-c/20090327nagyhalaszigolya.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1624793955694654396</id><published>2009-03-25T10:59:00.002+01:00</published><updated>2009-03-27T11:48:27.701+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090324</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;span style="font-weight: bold;"&gt;Mélyi József &lt;/span&gt;művészettörténész : Megint a pénz. "Pénzes" projektek a kortárs magyar művészetben az Újlak csoporttól Uglár Csabáig&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;p  style="color: rgb(102, 102, 102); font-family: arial;font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(102, 102, 102); font-family: arial;font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Baglyas Erika&lt;/span&gt;: &lt;a href="http://exindex.hu/index.php?l=hu&amp;amp;page=14&amp;amp;id=52798"&gt;Ember tervez&lt;/a&gt; c. kiállítása - Szent István Múzeum, Székesfehérvár (2009. február 21 - április 13.)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;róla  Dékei Kriszta: Nekem nyolc, &lt;a href="http://exindex.hu/index.php?l=hu&amp;amp;page=3&amp;amp;id=625"&gt;exindex&lt;/a&gt;, 2009. március 24. (képek BE)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scytjrm31gI/AAAAAAAADcQ/dtJ5ZC23yPw/s1600-h/DSCN3610_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 127px; height: 167px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/Scytjrm31gI/AAAAAAAADcQ/dtJ5ZC23yPw/s200/DSCN3610_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5317816088530507266" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/ScytkrHkT0I/AAAAAAAADco/yHAlRHgJpLw/s1600-h/DSCN3658_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 126px; height: 166px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/ScytkrHkT0I/AAAAAAAADco/yHAlRHgJpLw/s200/DSCN3658_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5317816105579073346" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/ScytkQOeSdI/AAAAAAAADcg/5862RPw621w/s1600-h/DSCN3645_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 126px; height: 166px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/ScytkQOeSdI/AAAAAAAADcg/5862RPw621w/s200/DSCN3645_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5317816098360281554" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;  &lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/ScytjL5OglI/AAAAAAAADcI/9X1vCEAoIjI/s1600-h/DSCN3589_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 124px; height: 166px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/ScytjL5OglI/AAAAAAAADcI/9X1vCEAoIjI/s200/DSCN3589_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5317816080017556050" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/ScytkJicC9I/AAAAAAAADcY/0XGn5WkdHdw/s1600-h/DSCN3636_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 125px; height: 165px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/ScytkJicC9I/AAAAAAAADcY/0XGn5WkdHdw/s200/DSCN3636_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5317816096564972498" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p face="arial" style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p face="arial" style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: arial; font-weight: bold;"&gt;misc:&lt;/span&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;Közös képnézés, Kovács Dénes, &lt;a href="http://www.obudaitarsaskor.hu/kiallitasok.htm"&gt;Óbudai Társaskör Galéria&lt;/a&gt;, 2009. márc 24-ápr 19.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Miltényi Tibor: &lt;a href="http://www.jamk.hu/ujforras/000214.htm"&gt;Papp Gergely&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1624793955694654396?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1624793955694654396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1624793955694654396'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/kulturipar-es-muveszi-autonomia_25.html' title='kultúripar és művészi autonómia 20090324'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/Scytjrm31gI/AAAAAAAADcQ/dtJ5ZC23yPw/s72-c/DSCN3610_resize.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8108184216901800481</id><published>2009-03-23T10:00:00.001+01:00</published><updated>2009-03-23T10:03:09.557+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090323</title><content type='html'>&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt;&lt;b style=""&gt;hely::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;            &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.extracity.org/"&gt;Extra City&lt;/a&gt;, Antwerpen, itt Eisenstein mexikói rajzai, 2009 ápr 3-jún 21.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.reakt.org/"&gt;RE:akt!&lt;/a&gt; Reconstruction, Re-enactment, Re-reporting, 2009 márc 25-ápr 17.&lt;br /&gt;(Lucas Bambozzi, Vaginal Davis, Janez Janša, Eva and Franco Mattes (aka &lt;a href="http://0100101110101101.org/" target="_blank"&gt;0100101110101101.ORG&lt;/a&gt;), SilentCell Network / Mare Bulc, Janez Janša, Bojana Kunst, Igor Štromajer)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.galerija.skuc-drustvo.si/"&gt;Galerija Škuc&lt;/a&gt;, Ljubljana, Slovenia&lt;br /&gt;---- &lt;a href="http://www.aksioma.org/"&gt;Aksioma&lt;/a&gt; – Institute for Contemporary Art, Ljubljana&lt;br /&gt;---- &lt;a href="http://www.fri-art.ch/"&gt;Fri Art&lt;/a&gt;, Fribourg &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.cacbretigny.com/"&gt;CAC Brétigny&lt;/a&gt;, Centre d'art contemporain de Brétigny&lt;br /&gt;---- &lt;a href="http://www.apexart.org/exhibitions/berlet.htm"&gt;apexart&lt;/a&gt; New York, itt I Am Art: An Expression of the Visual &amp;amp; Artistic Process of Plastic Surgery, 2009 márc 28-máj 9.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;„Leon Dufourmentel, a pi&lt;/span&gt;&lt;span style="font-size:85%;"&gt;oneer in plastic surgery, said in 1948, '...If I went to Picasso for my portrait, he would probably make me a monster and I should be pleased because it would be worth a million francs. But if Picasso came to me with a facial injury and I made him into a monster, aha, he might not be so pleased.'”&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.berliner-kuenstlerprogramm.de/"&gt;daad&lt;/a&gt;galerie, Berlin, itt Artur Żmijewski: "Democracies"28 March - 9 May 2009&lt;br /&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;szöveg::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;---- András Edit: Kulturális átöltözés - Művészet a szocializmus romjain, 2009, Argumentum Kiadó&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/ScdQFwTUS5I/AAAAAAAADbA/restSZr4sWE/s1600-h/artspeak.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 136px; height: 92px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/ScdQFwTUS5I/AAAAAAAADbA/restSZr4sWE/s200/artspeak.gif" alt="" id="BLOGGER_PHOTO_ID_5316305944929651602" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;---- Mélyi József: Mihez kezdjünk a Breker-szobrokkal? &lt;a href="http://tranzit.blog.hu/2009/03/21/mihez_kezdjunk_a_breker_szobrokkal"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- urbanspace &lt;a href="http://urbanscape.blog.hu/"&gt;blog&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.artspeak.ca/"&gt;ARTSPEAK&lt;/a&gt; PUBLICATIONS, Vancouver&lt;br /&gt;Artspeak is a Vancouver artist run centre established in 1986. Artspeak presents contemporary practices, innovative publications, book works, editions, talks, and events that encourage dialogue between visual art and writing. &lt;a href="http://www.artspeak.ca/publications/list.html"&gt;lista&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;br /&gt;&lt;b style=""&gt;individ::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-family: arial; color: rgb(102, 102, 102);font-size:85%;" &gt;Antal István Juszuf (1951-2009) &lt;a href="http://www.es.hu/index.php?view=doc;22327"&gt;Kórterem&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8108184216901800481?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8108184216901800481'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8108184216901800481'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/misc-20090323.html' title='misc 20090323'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/ScdQFwTUS5I/AAAAAAAADbA/restSZr4sWE/s72-c/artspeak.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-4159928398272142375</id><published>2009-03-23T09:57:00.004+01:00</published><updated>2009-03-23T10:03:35.910+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090317</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;András Edit&lt;/span&gt; művészettörténész (MTA): Művészet az utópiák romjain c. előadása&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;website: &lt;a href="http://editandras.arthistorian.hu/" target="_blank"&gt;http://editandras.arthistorian.hu&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Vollmuth Krisztián&lt;/span&gt; prezentáció&lt;o:p&gt;&lt;/o:p&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-weight: bold;"&gt;Gács Anna&lt;/span&gt; esztéta, egyetemi docens: Írásmű szeminárium (2. alkalom)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-4159928398272142375?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4159928398272142375'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4159928398272142375'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/kulturipar-es-muveszi-autonomia_23.html' title='kultúripar és művészi autonómia 20090317'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1662314476261767285</id><published>2009-03-17T12:26:00.003+01:00</published><updated>2009-03-17T12:34:14.065+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='film'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090317</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- BAVO: &lt;a href="http://aaaarg.org/always-choose-the-worst-option-artistic-resistance-and-the-strategy-of-over-identification"&gt;"Always Choose the Worst Option. Artistic Resistance and the Strategy of Over-Identification"&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.thepoliticsintheroom.org/"&gt;The Politics in the Room&lt;/a&gt; - In Eight Chapters, 16 March - 16 April&lt;br /&gt;---- &lt;a href="http://www.thekaleidoscope.eu/"&gt;Kaleidoscope&lt;/a&gt;. A contemporary magazine (Milánó)&lt;br /&gt;---- Florian Cramer &lt;a href="http://aaaarg.org/concepts-notations-software-art"&gt;"Concepts, notations, software art"&lt;/a&gt;&lt;br /&gt;----"&lt;a href="http://textz.com/" target="_blank"&gt;textz.com&lt;/a&gt;", róla Sebastian Luetgert &lt;a href="http://aaaarg.org/textzcom"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- A közismertségről: tranzitblog &lt;a href="http://tranzit.blog.hu/2009/03/11/kozismertseg_tranzitblog_off_line_beszamolo"&gt;offline beszámoló&lt;/a&gt; (esemény 2009. 03.05.)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;span style=""&gt; &lt;/span&gt;&lt;a href="http://www.metropolism.com/"&gt;METROPOLIS M&lt;/a&gt; , benne Claire Fontaine-ről (F)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;a href="http://www.mambo-bologna.org/"&gt;MAMbo&lt;/a&gt; - Museo d'Arte Moderna di Bologna, Bologna&lt;br /&gt;---- LUX, London &lt;a href="http://www.lux.org.uk/" target="_blank"&gt;http://www.lux.org.uk&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.bamart.be/"&gt;BAM&lt;/a&gt;, Flemish institute for visual, audiovisual and media art, itt: 'arts flanders 08: visual and audiovisual arts'&lt;br /&gt;---- &lt;a href="http://www.kunstverein-wiesbaden.de/"&gt;NKV&lt;/a&gt; nassauischer kunstverein wiesbaden&lt;br /&gt;---- &lt;a href="http://www.cgac.org/"&gt;CGAC&lt;/a&gt; (Galician Center for Contemporary Art), Santiago de Compostela&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- The National Museum of Contemporary Art (&lt;a href="http://www.emst.gr/"&gt;emst&lt;/a&gt;), Athén, itt: SHIRIN NESHAT, WOMEN WITHOUT MEN, 2009 márc 18-máj 31.&lt;br /&gt;”...presents the new monumental opus of the international Iranian- American artist Shirin Neshat, Women without Men, which begun in 2004 and was completed in 2008. Neshat's new work is based on a banned book from 1989 by the Iranian author Shahrnush Parsipur. The novel is set in 1953, the year when the democratically elected prime minister, Mohammad Mossadegh, vainly tried to avert a coup d'état mounted by American and British forces, whose task it was to reinstate the Shah as an absolute ruler in order to avoid the nationalisation of the country's oil resources...”&lt;br /&gt;&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;néz::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- made in china vol. 1, &lt;a href="http://www.edesinkovics.hu/"&gt;sinkovics ede&lt;/a&gt;,&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://www.magyarmuhely.hu/" target="_blank"&gt;magyar műhely galéria&lt;/a&gt;, 2009. márc 18-ápr 10., ede blog: &lt;a href="http://museschinkovich.blogspot.com/"&gt;http://museschinkovich.blogspot.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Carlos &lt;a href="http://http://katastrofsky.cont3xt.net"&gt;Katastrofsky&lt;/a&gt;: &lt;a href="http://katastrofsky.cont3xt.net/webzen"&gt;webzen&lt;/a&gt;, 2009, webpage on server&lt;o:p&gt;&lt;/o:p&gt;e&gt;A Koan: “All things can be traced back to the One, to what, however, can the One be traced back?” - “Untitled Document” is written on top of the browser window. No name, no content, no design: a webpage as simple as it can be. Still the work webzen (2009) demands outmost concentration. Clicking from one page to the next, the neverending quest for links is leading further, the skimming through pieces of information and the scanning of texts and pictures is interrupted - which is irritating. webzen is an attempt to abandon representational thinking, to understand life as utterly art of absent-mindedness and to experience the reality beyond duality and logic and beyond space and time. webzen has only one assignment: the single-serving site wants to overcome itself by means of meditating on the basic formulas of sourcecode: , , , system, spirit, concept, body. But overcoming would only have been possible if the site would have never existed. - another Koan: “All things can be traced back to the code, to what, however, can the code be traced back?”&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.freeweb.hu/perimedia/myhomeinthenews.htm"&gt;periprojekció&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Contemporary Drawing Fair &lt;a href="http://www.salondudessincontemporain.com/"&gt;09&lt;/a&gt;, Párizs, 2009 márc 26-29. &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.videonale.org/"&gt;Videonale&lt;/a&gt; e.V. im Kunstmuseum Bonn, 2009 márc 26-ápr 26&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.monochrom.at/suz-game/"&gt;SUZ-Game&lt;/a&gt;, Soviet Unterzoegersdorf (pronounced «oon-taa-tsee-gars-doorf») is the last existing client republic of the USSR. The soviet enclave maintains no diplomatic relationship with the surrounding so-called "Republic of Austria" or with the capitalist fortress "European Union". The downfall of the people's motherland – the Soviet Union -- in the early 1990s had a devastating effect on the country’s intra-economic situation. External reactionary forces threatened the last remaining proletarian paradise. Party secretary Wladislav Gomulka has been kidnapped and is being held in US-Oberzoegersdorf. We must save comrade Gomulka! Because communism isn't an opinion. It's a promise. Crest, Daria Prawda, Bre Pettis -- and many more.&lt;br /&gt;---- &lt;a href="http://eaf.asn.au/2009/biotech09.html"&gt;Biotech Art&lt;/a&gt; – Revisited, 2009, ápr 8-máj 2. (experimental art foundation, Lion Arts Centre North Tce [West End] Adelaide South Australia)&lt;br /&gt;ARTISTS/SCIENTISTS Trish Adams, &lt;a href="http://www.biokino.net/"&gt;Bio-Kino&lt;/a&gt; (Guy Ben-Ary &amp;amp; Tanja Visosevic), &lt;a href="http://www.arts.usyd.edu.au/publications/philament/issue9_pdfs/FARGHER_bioHome.mov"&gt;BioHome&lt;/a&gt; (Catherine Fargher &amp;amp; Terumi Narushima), André Brodyk, Gary Cass &amp;amp; Donna Franklin, &lt;span style=""&gt; &lt;/span&gt;(&lt;a href="http://www.bioalloy.org/"&gt;bioalloy&lt;/a&gt;) &lt;a href="http://fo.am/"&gt;FOaM&lt;/a&gt; (Maja Kuzmanovic &amp;amp; Nik Gaffney), Niki Sperou, &lt;a href="http://www.visiblespace.com/"&gt;Paul Thomas&lt;/a&gt; in collaboration with Kevin Raxworthy, Tissue Culture &amp;amp; Art Project (&lt;a href="http://eaf.asn.au/2009/www.symbiotica.uwa.edu.au"&gt;Oron Catts&lt;/a&gt; &amp;amp; Ionat Zurr)&lt;br /&gt;---- Vákuumzaj (&lt;a href="http://balkon.c3.hu/ballon/2009/ballon_05_2009.pdf"&gt;pdf&lt;/a&gt;) a &lt;a href="http://www.trafo.hu/statics/trafo_galeria"&gt;trafó&lt;/a&gt;ban, 2009 feb 5 - márc 29., róla &lt;a href="http://www.photoblog.com/dromidriver/2009/02/05/"&gt;dromidriver&lt;/a&gt;, &lt;a href="http://www.viddler.com/explore/tbrVideos/videos/2/"&gt;TGM&lt;/a&gt; bevezetője (résztvevők: Doa Aly, Chen Chieh-Jen, Csákány István, Harun Farocki, Isa Rosenberger, Artur Żmijewski)&lt;br /&gt;ehhez kapcsolódva ld Harun Farocki: Négy film, március 17 és 18 / &lt;a href="http://akino.hu/"&gt;KINO&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a href="http://www.farocki-film.de/"&gt;Harun Farocki&lt;/a&gt; német dokumentum- és kísérleti filmes alkotó, író. Munkáiban a képek mögötti láthatatlan, de feltárható más képeket, szándékokat, hatalmi viszonyokat, a képolvasás és a filmnézés politikai és társadalmi beágyazottságát vizsgálja. Jellemzően archív anyagokkal, talált vagy újra-fellelt filmekkel dolgozik, filmesszéket ír a vágóasztalon, amelyekben a metaforikusan vagy leplezetlen didaxissal szerkesztett képek egymást értelmezik. &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Haladék / Respite / Aufschub, 2007, 40min, beta, ff, néma&lt;br /&gt;Börtönképek / Gefängnisbilder / Prison Images, 2000, 60 min, beta, ff + színes.&lt;br /&gt;Két háború közt / Zwischen zwei Kriegen / Between two Wars, 1978, 83min, 16mm, ff (Fatos Ustek: &lt;a href="http://thelostmoment.blogspot.com/"&gt;http://thelostmoment.blogspot.com/&lt;/a&gt;)&lt;br /&gt;A látás útja / Wie man sieht / As you see, 1986, 72min, 16mm, ff + színes&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- „The Manchester Small-Scale Experimental Machine (SSEM), nicknamed Baby, was the world's first stored-program computer... it ran its first program on June 21, 1948.” &lt;a href="http://www.digital60.org/" target="_blank"&gt;http://www.digital60.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- David Link: Alpha 60 technologies, &lt;a href="http://alpha60.de/" target="_blank"&gt;alpha60.de&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1662314476261767285?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1662314476261767285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1662314476261767285'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/misc-20090317.html' title='misc 20090317'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2116917246898667974</id><published>2009-03-12T11:11:00.001+01:00</published><updated>2009-03-12T11:13:09.829+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090310</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Sebők Zoltán&lt;/span&gt; (MKE Művészetelméleti Tanszék): Erdély Miklós: Tavaszi kivégzés című filmjének vetítése és elemezése &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;-- Erdély Miklós: A filmről, Balassi-BAE-Intermédia, 1995, benne: Tavaszi kivégzés, 86-94. old., Mozgó jelentés (A zenei szervezés lehetősége a filmben) 113-126.,&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Tavaszi kivégzés a &lt;a href="http://www.bbsarchiv.hu/index.php?module=movies&amp;amp;action=movie&amp;amp;mid=463"&gt;bbs&lt;/a&gt;-ben, az artpoolon (&lt;a href="http://www.artpool.hu/Erdely/tavaszi.html"&gt;szöveg&lt;/a&gt; és hang 20´28”)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;„Különben is a lefejezésre használt szerkezet csak nagy jóindulattal volt nevezhető guillotine-nak, tulajdonképpen egy közönséges ócskaság volt, durván megmunkált fagerendákból ácsolt középkori tákolmány. Körülbelül másfél méter magas, ugyancsak fadobogón már ősidők óta változatlanul állt. Egyetlen modernizálás, hogy bevezették az áramot, így a zsinegen lógó rozsdás kés egy gombnyomásra hullhatott az elítélt nyakára. Ezt az újítást az önkéntes ítéletvégrehajtás újabban elterjedt gyakorlata tette szükségessé.”&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;-- (Franciaországban 1977. szeptemben 10-én végeztek ki utoljára &lt;a href="http://hu.wikipedia.org/wiki/Nyaktil%25C3%25B3"&gt;guillotine&lt;/a&gt;-nal halálraítéltet.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;-- Mozgó jelentés (&lt;a href="http://www.intermedia.c3.hu/mszovgy1/erdely.htm"&gt;im szöveggyűjt&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- metropolis Erdély száma, &lt;a href="http://www.c6.hu/metropolis/?pid=19&amp;amp;iid=36"&gt;2007/4&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Puskin utca Erdély száma, &lt;a href="http://www.puskinutca.hu/"&gt;2008/4&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Ivan Ladislav &lt;a href="http://ilgaleta.alu.hr/"&gt;Galeta&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Erdély 80/80 nap (2008.06.05-06.) flash videói &lt;a href="http://www.c3.hu/collection/videomuveszet/video_events_hu.html"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;Süli-Zakar Szabolcs II. éves hallg prezentációja (PTE-MKE)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2116917246898667974?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2116917246898667974'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2116917246898667974'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/kulturipar-es-muveszi-autonomia_12.html' title='kultúripar és művészi autonómia 20090310'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1301309184361235867</id><published>2009-03-06T10:40:00.000+01:00</published><updated>2009-03-06T10:41:50.814+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090306</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;hely::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shapetype id="_x0000_t75" coordsize="21600,21600" spt="75" preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"&gt;  &lt;v:stroke joinstyle="miter"&gt;  &lt;v:formulas&gt;   &lt;v:f eqn="if lineDrawn pixelLineWidth 0"&gt;   &lt;v:f eqn="sum @0 1 0"&gt;   &lt;v:f eqn="sum 0 0 @1"&gt;   &lt;v:f eqn="prod @2 1 2"&gt;   &lt;v:f eqn="prod @3 21600 pixelWidth"&gt;   &lt;v:f eqn="prod @3 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @0 0 1"&gt;   &lt;v:f eqn="prod @6 1 2"&gt;   &lt;v:f eqn="prod @7 21600 pixelWidth"&gt;   &lt;v:f eqn="sum @8 21600 0"&gt;   &lt;v:f eqn="prod @7 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @10 21600 0"&gt;  &lt;/v:formulas&gt;  &lt;v:path extrusionok="f" gradientshapeok="t" connecttype="rect"&gt;  &lt;o:lock ext="edit" aspectratio="t"&gt; &lt;/v:shapetype&gt;&lt;v:shape id="_x0000_i1025" type="#_x0000_t75" alt="" style="'width:.75pt;"&gt;  &lt;v:imagedata src="file:///E:\DOCUME~1\MILLES~1\LOCALS~1\Temp\msohtml1\01\clip_image001.gif" href="http://www.e-flux.com/img/px.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///E:/DOCUME%7E1/MILLES%7E1/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" shapes="_x0000_i1025" height="15" width="1" /&gt;&lt;!--[endif]--&gt;---- &lt;a href="http://www.kaistrasse10.de/"&gt;KAI 10&lt;/a&gt; – Raum fuer Kunst, Duesseldorf&lt;br /&gt;---- &lt;a href="http://www.marres.org/"&gt;Marres&lt;/a&gt;, Centre for Contemporary Culture, Maastricht itt: The Russian Schizorevolution: an exhibition that might have been March 1st - May 31st 2009&lt;br /&gt;---- &lt;a href="http://www.oca.no/"&gt;Office for Contemporary Art&lt;/a&gt; Norway, Oslo&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.fourdublin.com/"&gt;FOUR&lt;/a&gt;, Dublin&lt;br /&gt;---- &lt;a href="http://www.x-initiative.org/"&gt;X&lt;/a&gt;, New York&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.umjetnicki-paviljon.hr/"&gt;Art Pavilion&lt;/a&gt; Zagreb, itt: Looking at Others&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.projectartscentre.ie/"&gt;Project Arts Centre&lt;/a&gt;, Dublin&lt;br /&gt;---- &lt;a href="http://www.royalhibernianacademy.ie/"&gt;Royal Hibernian Academy&lt;/a&gt;, Gallagher Gallery, Dublin&lt;br /&gt;---- &lt;a href="http://www.deutsche-guggenheim.de/"&gt;Deutsche Guggenheim&lt;/a&gt;, Berlin&lt;br /&gt;---- &lt;a href="http://www.mglc-lj.si/"&gt;MGLC&lt;/a&gt; International Centre of Graphic Arts, Ljubljana&lt;br /&gt;---- &lt;a href="http://www.antidatamining.net/"&gt;Antidatamining&lt;/a&gt; is a series of visualizations of financial data extracted from the web. Economy is represented by its main agents - companies, groups and holdings, stock exchanges, banks and investment funds - and their interactions : capital relationships, geographic deployments, structuralization on market places. Beyond the current crisis, its mediatic and polictic levers, Antidatamining is a permanent monitoring device, which aims to highlight the structure of the contemporary economy, seen as a complex dynamic system.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;              &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;szöveg::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: Arial;"&gt;---- Boris Groys: Religion in the Age of Digital Reproduction, itt: e-flux journal &lt;a href="http://www.e-flux.com/journal/view/49"&gt;issue #4&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;March 2009&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.flashartonline.com/"&gt;Flash Art&lt;/a&gt; International No.265 (March-April 2009), itt DAN GRAHAM Violaine Boutet de Monvel-lel beszélget, 56. old&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.frieze.com/blog/"&gt;frieze editor’s blog&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Art Lover: a.k.a. Álneves művészek, művészi álnevek, Orpheusz Kiadó, Budapest, 2006, 136 p., ill., ff&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Beke László: Elképzelés. A magyar konceptművészet kezdetei. Beke László Gyűjteménye, 1970., Nyílt Struktúrák Művészeti Egyesület OSAS – tranzit.hu, Budapest, 2008, 219 p., ill., színes [&lt;a href="http://artpool.hu/lehetetlen/real-kiall/elkepzeles/beke.html" target="book"&gt;Az "Elképzelés"-ről&lt;/a&gt;]&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1301309184361235867?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1301309184361235867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1301309184361235867'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/misc-20090306.html' title='misc 20090306'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-9016313204034673774</id><published>2009-03-03T22:25:00.006+01:00</published><updated>2009-03-04T09:35:05.691+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia, 20090303</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Sebők Zoltán&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; (MKE Művészetelméleti Tanszék): Erdély Miklós jelentés kioltás elmélete&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://www.artpool.hu/kontextus/mono/nullpont6b2.html"&gt;marlyi tézisek&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://www.tankonyvtar.hu/muveszet/ne-ma-ne-ma-080905"&gt;Né/ma&lt;/a&gt;, 2004, Tanulmányok a magyar neoavantgárd köréből, itt &lt;a href="http://www.tankonyvtar.hu/main.php?objectID=5330523"&gt;5. fejezet&lt;/a&gt;, Kolozsi Orsolya a Marlyi tézisekről&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;-- Claude &lt;a href="http://hu.wikipedia.org/wiki/Claude_L%25C3%25A9vi-Strauss"&gt;Lévi-Strauss&lt;/a&gt;, szimbolikus csere, társadalmi csere, ajándékozás&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Sebők Z: Az ajándék lelki élete, itt: &lt;a href="http://www.zetna.org/zek/folyoiratok/82/sebok1.html"&gt;zetna&lt;/a&gt;,&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Marcel Mauss (1872-1950): Tanulmány az ajándékról (1924) in: Szociológia és antropológia, Osiris, 2004 (válogatta és előszó Claude Lévi-Strauss)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Emil Durkheim: Az öngyilkosság. Közgazdasági és Jogi Könyvkiadó Bp. 1982 (első kiadás 1897-ben!)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;-- George Bataille gazdaságelmélete (&lt;a href="http://www.c3.hu/%7Eprophil/profi991/George_Bataille.html"&gt;bőség és nyomor&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;              &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/Sa2g9SqKmLI/AAAAAAAADao/oCqjuEMU7Ug/s1600-h/filliou.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 110px; height: 166px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Sa2g9SqKmLI/AAAAAAAADao/oCqjuEMU7Ug/s200/filliou.jpg" alt="" id="BLOGGER_PHOTO_ID_5309076510580840626" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;-- &lt;/o:p&gt;Regine. Prange, «Die mythische Geste,» Jackson Pollock, Number 32, 1950, Munich, 1996&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Ernst Bloch (1885-1977): A remény elve, 1954-59 (Das Prinzip Hoffnung/ The Principle of Hope, MIT Press, 1986)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Dosztojevszkij: Karamazov testvérek, Feljegyzések az egérlyukból&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Erdély Miklós: &lt;a href="http://www.intermedia.c3.hu/mszovgy1/erdely.htm"&gt;Mozgó jelentés&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- palinódia, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Robert &lt;a href="http://www.artpool.hu/Fluxus/Filliou/Filliou.html"&gt;Filliou&lt;/a&gt;, Dear Skywatcher - &lt;span style="font-weight: bold;"&gt;art is what makes life more interesting than art&lt;/span&gt;, 1984, foto &lt;a href="http://www.muhka.be/verzamelt_depot_detail.php?work_id=566&amp;amp;person_id=26&amp;amp;letter=F&amp;amp;la=nl"&gt;MuHKA&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;régebbről: &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Gelencsér Gábor: Erdély Miklós, mint film, in &lt;a href="http://www.c6.hu/metropolis/?pid=19&amp;amp;iid=36"&gt;metropolis&lt;/a&gt; em száma 07/4, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Beszélgetések Erdély Miklósról, &lt;a href="http://www.puskinutca.hu/"&gt;puskin utca&lt;/a&gt; 08/4, 8-37.old, pdf&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;íráskurzus – &lt;span style="font-weight: bold;"&gt;Gács Anna&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;            &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;-- Kosztolányi: Költő disznózsírból (1928)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Danto Eperjesi Ágiról, holmi &lt;a href="http://www.holmi.org/2006/11/arthur-c-danto-testet-oltott-jelentesekmint-esztetikai-ideak"&gt;2006/nov&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Jeff Wall: Dead Troops Talk &lt;a href="http://www.tate.org.uk/modern/exhibitions/jeffwall/infocus/section3/img1.shtm"&gt;http://www.tate.org.uk/modern/exhibitions/jeffwall/infocus/section3/img1.shtm&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Susan Sontag: A szenvedés képei, Európa Könyvkiadó, Bp, 2004&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;(erről Kolozsi László, filmkultúra &lt;a href="http://www.filmkultura.iif.hu/regi/2005/articles/reviews/sontag.hu.html"&gt;2005&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Virginia Woolf: Három Guinea/Three Guineas (1938) &lt;a href="http://ebooks.adelaide.edu.au/w/woolf/virginia/w91tg/"&gt;angolul&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-9016313204034673774?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/9016313204034673774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/9016313204034673774'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/03/kulturipar-es-muveszi-autonomia.html' title='kultúripar és művészi autonómia, 20090303'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/Sa2g9SqKmLI/AAAAAAAADao/oCqjuEMU7Ug/s72-c/filliou.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8463438954430079608</id><published>2009-02-27T15:44:00.003+01:00</published><updated>2009-02-27T15:54:04.358+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090227</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102); font-family: arial;"&gt;hely::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.hirshhorn.si.edu/"&gt;Hirshhorn Museum and Sculpture Garden&lt;/a&gt;, Washington, itt Louise Bourgeois 2009 Feb.&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/Saf91kTZZ0I/AAAAAAAADZg/YUhymjuFA1c/s1600-h/bourgeois.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 112px; height: 139px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Saf91kTZZ0I/AAAAAAAADZg/YUhymjuFA1c/s200/bourgeois.jpg" alt="" id="BLOGGER_PHOTO_ID_5307489782599345986" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt; 26 - Máj 17. kép: Louise Bourgeois with Spider IV in 1996, Peter Bellamy fotója, és Louise Bourgeois: &lt;a href="http://www.youtube.com/watch?v=JMdWNwOWnng"&gt;The Spider, The Mistress and The Tangerine&lt;/a&gt;&lt;br /&gt;---- sala rekalde, Bilbao &lt;a href="http://www.salarekalde.bizkaia.net/" target="_blank"&gt;http://www.salarekalde.bizkaia.net&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://www.independent-collectors.com/"&gt;Independent Collectors&lt;/a&gt; is the first online community specifically designed&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;for collectors of contemporary art.&lt;br /&gt;&lt;span style="font-style: italic;"&gt; ”If you're collecting contemporary art in countries like the USA, the UK or Germany, you &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;have the feeling of being part of a large and vibrant scene. Try moving to Chile, Japan or … Lithuania. In those and many other countries, collecting contemporary art does not seem to be a very common hobby; or passion, if you prefer a more enthusiastic term.”&lt;/span&gt;&lt;br /&gt;---- OK OFFENES K&lt;/span&gt;&lt;span style="font-size:85%;"&gt;ULTURHAUS, Center for Contemporary Art, Linz, &lt;a href="http://www.ok-centrum.at/" target="_blank"&gt;http://www.ok-centrum.at&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Iri&lt;/span&gt;&lt;span style="font-size:85%;"&gt;sh Museum of Modern Art, Dublin, &lt;a href="http://www.imma.ie/" target="_blank"&gt;&lt;span style=""&gt; &lt;/span&gt;http://www.imma.ie&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a href="http://www.youtube.com/watch?v=JMdWNwOWnng"&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;néz:::: &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.sound-of-ebay.com/visualcoding.html" target="_blank"&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;---- SUGÁR JÁNOS Tűz a múzeumban, &lt;a href="http://www.lengyelkultura.hu/index.php?page=2&amp;amp;uklad=5&amp;amp;full=1&amp;amp;id=553"&gt;Platán&lt;/a&gt; Galéria, 2009. febr 19-ápr 10.&lt;br /&gt;róla: &lt;a href="http://www.photoblog.com/dromidriver/2009/02/19/two-openings.html"&gt;dromidriver&lt;/a&gt;, és a megnyitóról &lt;a href="http://www.indavideo.hu/video/Tuz_a_muzeumban__megnyito" target="_blank"&gt;video&lt;/a&gt;&lt;br /&gt;---- Kis Varsó: &lt;a href="http://www.btmfk.iif.hu/kisvarso.html" target="_blank"&gt;Két darab&lt;/a&gt;, Fővárosi Képtár/Kiscelli Múzeum, 2009. febr 19-márc 29.&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/Saf910PSPGI/AAAAAAAADZw/z3ZP2bD3sZ8/s1600-h/ubermorgen.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 108px; height: 120px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/Saf910PSPGI/AAAAAAAADZw/z3ZP2bD3sZ8/s200/ubermorgen.JPG" alt="" id="BLOGGER_PHOTO_ID_5307489786877066338" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;---- &lt;a href="http://ubermorgen.com/" target="_blank"&gt;UBERMORGEN.COM&lt;/a&gt;:&lt;br /&gt;"The Sound of eBay",&lt;br /&gt;&lt;a href="http://www.sound-of-ebay.com/visualcoding.html" target="_blank"&gt;http://www.Sound-of-eBay.com/visualcoding.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt; &lt;!--[if !supportLineBreakNewLine]--&gt;  &lt;!--[endif]--&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8463438954430079608?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8463438954430079608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8463438954430079608'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090227.html' title='misc 20090227'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/Saf91kTZZ0I/AAAAAAAADZg/YUhymjuFA1c/s72-c/bourgeois.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8447094074788578124</id><published>2009-02-27T10:16:00.002+01:00</published><updated>2009-03-02T11:17:25.091+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kritika'/><title type='text'>misc 20090226</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/Saevw5WcfLI/AAAAAAAADZY/KuZc1hjpokI/s1600-h/GustavoArtigas.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 118px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/Saevw5WcfLI/AAAAAAAADZY/KuZc1hjpokI/s200/GustavoArtigas.jpg" alt="" id="BLOGGER_PHOTO_ID_5307403940442963122" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://www.ikon.hu/ikon-nap2009.html"&gt;are you talking to me?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;ikon nap&lt;/span&gt; a műcsarnokban, 20090226&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Emiliano_Zapata"&gt;Zapata&lt;/a&gt;, &lt;span style=""&gt; &lt;/span&gt;&lt;a href="http://www.photoblog.com/dromidriver/2009/02/26/ikon-nap-ikon-day.html"&gt;dromidriver&lt;/a&gt;, &lt;a href="http://www.c3.hu/%7Eligal/ManamanaFO.htm"&gt;manamana&lt;/a&gt;, &lt;a href="http://exindex.hu/"&gt;exindex&lt;/a&gt;, &lt;a href="http://tranzit.blog.hu/"&gt;tranzitblog&lt;/a&gt;, &lt;a href="http://kepgyar.blog.hu/"&gt;képgyár&lt;/a&gt; ("Ilyet én is tudok csinálni." "Ezt nevezik művészetnek?" "Régen bezzeg tudtak festeni." "Na, ezt én is kiraknám otthon." "Afrikában közben éheznek."), &lt;a href="http://boingboing.net/"&gt;boingboing&lt;/a&gt;, &lt;a href="http://www.we-make-money-not-art.com/"&gt;we-make-money-not-art&lt;/a&gt;, &lt;a href="http://www.litera.hu/hirek/es-nem-is-kell-hozza-blog"&gt;kritika-vita&lt;/a&gt;, (erről: és &lt;a href="http://www.es.hu/print.php?nid=18159"&gt;2007nov9&lt;/a&gt;), és &lt;a href="http://ingyenpia.blog.hu/"&gt;INGYENPIA&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;span style="font-style: italic;"&gt;Gustavo Artigas: The Rules of the Game, 2000-2001, via &lt;/span&gt;&lt;a style="font-style: italic;" href="http://www.soccas.org/html/rpintro.html"&gt;soccas&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8447094074788578124?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8447094074788578124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8447094074788578124'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090226.html' title='misc 20090226'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/Saevw5WcfLI/AAAAAAAADZY/KuZc1hjpokI/s72-c/GustavoArtigas.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3056625268344666874</id><published>2009-02-25T16:12:00.003+01:00</published><updated>2009-02-25T16:15:04.231+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090224</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Seregi Tamás&lt;/span&gt; filozófus (ELTE): Gilles Deleuze Francis Bacon - Az érzet logikája (Deleuze: &lt;/span&gt;&lt;i&gt;Francis Bacon - Logique de la sensation&lt;/i&gt;, 1981)&lt;span style="font-family:Arial;"&gt; című művének elemzése Deleuze filozófiája és a huszadik századi művészetelmélet kontextusában&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;            &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/SaVgH7aA0WI/AAAAAAAADZQ/OwgBIf7-hfY/s1600-h/beard_1-bacon.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 60px; height: 200px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SaVgH7aA0WI/AAAAAAAADZQ/OwgBIf7-hfY/s200/beard_1-bacon.jpg" alt="" id="BLOGGER_PHOTO_ID_5306753425248145762" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;   &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;span style="font-weight: bold;"&gt;Francis Bacon&lt;/span&gt; portréja, 1972, Peter Beard fotója, forrás: &lt;a href="http://www.francis-bacon.cx/"&gt;http://www.francis-bacon.cx/&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Francis Bacon video: - Documentary &lt;a href="http://www.youtube.com/watch?v=QhaqwlZxJZI"&gt;part 1/6&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=VbCeNlFmmSo&amp;amp;feature=related"&gt;part 2/6&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=22jJdNORnak&amp;amp;feature=related"&gt;part 3/6&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=oixAAcBTstE&amp;amp;feature=related"&gt;part 4/6&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=wO08_b3y_nI&amp;amp;feature=related"&gt;part 5/6&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=M5sBhaAYJRs&amp;amp;feature=related"&gt;part 6/6&lt;/a&gt; (egyenként kb 10 percesek)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;a href="http://www.webdeleuze.com/php/sommaire.html"&gt;webdeleuze&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- L’Abecedaire részletesen és egyben is &lt;a href="http://www.langlab.wayne.edu/CStivale/D-G/ABCs.html"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- L'Abécédaire de &lt;span style="font-weight: bold;"&gt;Gilles Deleuze&lt;/span&gt; - Pierre-André Boutang (1996) &lt;a href="http://video.google.com/videoplay?docid=438091653681675611"&gt;[PART 1]&lt;/a&gt; - 2:24:54&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- L'Abécédaire de Gilles Deleuze - Pierre-André Boutang (1996) &lt;a href="http://video.google.com/videosearch?q=L%27Ab%25C3%25A9c%25C3%25A9daire+de+Gilles+Deleuze+-+Pierre-Andr%25C3%25A9+Boutang+%281996%29+%5bPART+2%5d+&amp;amp;emb=0"&gt;[PART 2]&lt;/a&gt; - 2:42:34&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Nyolc órányi beszélgetés-sorozat Gilles Deleuze és Claire Parnet között, a filmet Pierre-André Boutang készítette 1988-1989-ban. Az egyes részek címei: "A comme Animal," "B comme Boisson," "C comme Culture," "D comme Désir," "E comme Enfance," "F comme Fidélité," "G comme Gauche," "H comme Histoire de la philosophie", "I comme Idée, "J comme Joie", "K comme Kant", "L comme Literature,"M comme Maladie,"N comme Neurologie", "O comme Opéra", "P comme Professeur", "Q comme question," "R comme Résistance", "S comme Style","T comme Tennis","U comme Un", "V comme Voyage", "W comme Wittgenstein, "X &amp;amp; Y comme inconnues," "Z comme Zigzag"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Deleuze az &lt;a href="http://aaaarg.org/"&gt;aaaarg.org&lt;/a&gt;-on: &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/gilles-deleuze-postscript-on-the-socieities-of-control" title="Go to Postscript on the Socieities of Control"&gt;Postscript on the Socieities of Control&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/postscript-on-control-societies" title="Go to Postscript On Control Societies"&gt;Postscript On Control Societies&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/control-and-becoming" title="Go to Control and Becoming"&gt;Control and Becoming&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/plato-and-the-simulacrum" title="Go to Plato and the Simulacrum"&gt;Plato and the Simulacrum&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/a-new-cartographer-discipline-and-punish" title="Go to A New Cartographer (Discipline and Punish)"&gt;A New Cartographer (Discipline and Punish)&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- Felix Guattari-val: &lt;a href="http://aaaarg.org/introduction-rhizome" title="Go to "&gt;"Introduction: Rhizome"&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/1440-the-smooth-and-the-striated" title="Go to 1440: The Smooth and the Striated"&gt;1440: The Smooth and the Striated&lt;/a&gt; &lt;a href="http://aaaarg.org/what-is-philosophy-conclusion" title="Go to What Is Philosophy: Conclusion"&gt;What Is Philosophy: Conclusion&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;- &lt;a href="http://aaaarg.org/november-28-1947-how-do-you-make-yourself-a-body-without-organs" title="Go to November 28, 1947: How Do You Make Yourself a Body without Organs?"&gt;November 28, 1947: How Do You Make Yourself a Body without Organs?&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;DLA NAP a &lt;a href="http://www.labor.c3.hu/"&gt;LABOR&lt;/a&gt;BAN: &lt;a href="http://www.mke.hu/dla/doktoriiskola.php"&gt;MKE&lt;/a&gt;, &lt;a href="http://www.art.pte.hu/menu/91"&gt;PTE&lt;/a&gt;, &lt;a href="http://www.mome.hu/doktori_iskola_2.html"&gt;MOME&lt;/a&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3056625268344666874?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3056625268344666874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3056625268344666874'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/kulturipar-es-muveszi-autonomia_25.html' title='kultúripar és művészi autonómia 20090224'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/SaVgH7aA0WI/AAAAAAAADZQ/OwgBIf7-hfY/s72-c/beard_1-bacon.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3046201087526460609</id><published>2009-02-23T10:41:00.002+01:00</published><updated>2009-02-23T10:45:07.327+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090223</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;kép::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- BAGLYAS ERIKA:&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SaJvvGHgldI/AAAAAAAADZA/u3-sYlOQOW0/s1600-h/baglyas.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 38px; height: 57px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SaJvvGHgldI/AAAAAAAADZA/u3-sYlOQOW0/s200/baglyas.jpg" alt="" id="BLOGGER_PHOTO_ID_5305926165882508754" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Ember tervez,&lt;br /&gt;2009. 02.21-04.13.,&lt;br /&gt;Szent István Király Múzeum,&lt;br /&gt;Székesfehérvár, Országzászló tér 3.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;----&lt;span style=""&gt;  &lt;/span&gt;The &lt;a href="http://www.aldrichart.org/"&gt;Aldrich&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SaJvvEk0vyI/AAAAAAAADZI/DiNHzxEVqaA/s1600-h/lazzarini.gif"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 83px; height: 83px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SaJvvEk0vyI/AAAAAAAADZI/DiNHzxEVqaA/s200/lazzarini.gif" alt="" id="BLOGGER_PHOTO_ID_5305926165468593954" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;Contemporary Art Museum,&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;Ridgefield,&lt;span style=""&gt;  &lt;/span&gt;&lt;br /&gt;itt: Robert Lazzarini-&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.aldrichart.org/evite.html"&gt;Guns and Knives&lt;/a&gt;,&lt;br /&gt;2009, márc 1.   &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                    &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;szöveg::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;br /&gt;---- E. M. Cioran: A bomlás kézikönyve, Atlantisz, Bp, 1999&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Derrida: Hit és tudás, Brambauer, Pécs, 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Deleuze: Hume és Kant, Osiris, Bp, 1998&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- A kép a médiaművészet korában, szerk Nagy Edina, L’Harmattan, Bp, 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Hivatalos falukutatók, szerk Bíró Judit, (A vidéki Magyarország leírása 1930 és 1940 között) PolgArt, Bp, 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Kihasználatlan pillanatok – &lt;a href="http://tranzit.blog.hu/2009/02/23/kihasznalatlan_pillanatok_beszelgetes_kurti_emese_muveszettortenesszel_a_tranzitblog_egy_eves_teveke#more957585"&gt;beszélgetés&lt;/a&gt; Kürti Emese művészettörténésszel&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Kürti Emese: Széttörni egy szál gyufát, élet és irodalom, &lt;a href="http://www.es.hu/?view=doc;13921"&gt;L 28&lt;/a&gt;, 2006, 07. 14.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Laurie Anderson - "Women and Money", &lt;a href="http://www.youtube.com/watch?v=yWcpWiZY-eg&amp;amp;feature=related"&gt;youtube&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://blog.furtherfield.org/" target="_blank"&gt;http://blog.furtherfield.org&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3046201087526460609?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3046201087526460609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3046201087526460609'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090223.html' title='misc 20090223'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/SaJvvGHgldI/AAAAAAAADZA/u3-sYlOQOW0/s72-c/baglyas.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2341661393723924969</id><published>2009-02-18T21:34:00.005+01:00</published><updated>2009-02-18T21:43:16.163+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090218</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/SZxywcI6B0I/AAAAAAAADYg/2h_IdmAWmZA/s1600-h/037_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 125px; height: 152px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SZxywcI6B0I/AAAAAAAADYg/2h_IdmAWmZA/s200/037_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5304240637648439106" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/SZxxReb7R1I/AAAAAAAADYQ/ilXVU1JYOzM/s1600-h/027_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 114px; height: 152px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SZxxReb7R1I/AAAAAAAADYQ/ilXVU1JYOzM/s200/027_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5304239006177511250" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/SZxxRSywXzI/AAAAAAAADYI/WwF7xtVbNN4/s1600-h/021_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 114px; height: 152px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SZxxRSywXzI/AAAAAAAADYI/WwF7xtVbNN4/s200/021_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5304239003052039986" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/SZxxRV7vGyI/AAAAAAAADYA/gMa4nJYnvps/s1600-h/007_resize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 108px; height: 153px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SZxxRV7vGyI/AAAAAAAADYA/gMa4nJYnvps/s200/007_resize.jpg" alt="" id="BLOGGER_PHOTO_ID_5304239003895012130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;&lt;br /&gt;&lt;/span&gt;   &lt;p  style="color: rgb(102, 102, 102);font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;Kiállítás a Feszty-házban: Hübler János, Albert Ádám, Szentirmai Tamás, Vági János. Elbeszél: Szakács István&lt;/span&gt;&lt;/p&gt;    &lt;p  style="color: rgb(102, 102, 102);font-family:arial;"&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;Időpont: 2009. február 18. szerda 18.00-22.00&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-family:arial;font-size:85%;"  &gt; helyszín: MKE, &lt;span style=""&gt;Feszty-ház, 1063 Budapest Kmety Gy. u. 27.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-2341661393723924969?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2341661393723924969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/2341661393723924969'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090218.html' title='misc 20090218'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/SZxywcI6B0I/AAAAAAAADYg/2h_IdmAWmZA/s72-c/037_resize.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-6149076168178695991</id><published>2009-02-18T09:12:00.000+01:00</published><updated>2009-02-18T09:14:25.980+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia, 20090217</title><content type='html'>&lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Vajda Lajos&lt;/span&gt; (1908-1941) kiállítása 2008. december 13 - 2009. március 1. &lt;a href="http://www.mng.hu/kiallitasok/idoszaki/aktualis/vajda_menu"&gt;Magyar Nemzeti Galéria&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;              &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;Spiró György: &lt;a href="http://www.mta.hu/index.php?id=3155&amp;amp;no_cache=1&amp;amp;backPid=3153&amp;amp;tt_news=10080&amp;amp;cHash=ccf29d75af"&gt;Vajda Lajos kiállítása elé&lt;/a&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Vajda L. irodalom: &lt;a href="http://mek.niif.hu/05200/05262/html/irodalom.htm#3"&gt;http://mek.niif.hu/05200/05262/html/irodalom.htm#3&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Karátson Gábor: Hármaskép : Leonardo, Grünewald, Vajda Lajos, Bp, Magvető, 1975&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Pataki Gábor: Vajda Lajos: Felmutató ikonos önarckép, Ars Hungarica, 2000/1&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Éber Miklós: &lt;a href="http://balkon.c3.hu/balkon03_06-07/01eber.html"&gt;Conditio Humana.&lt;/a&gt; Vajda Lajos: Felmutató Ikonos önarckép, Balkon, 2003/6&lt;br /&gt;Éber Miklós: &lt;a href="http://balkon.c3.hu/balkon04_01-02/01eber.html"&gt;Vajda Lajos önarcképei&lt;/a&gt;, Balkon, 2004/1,2&lt;br /&gt;Éber Miklós: Indokolt-e narcisztikusnak tartani Vajda Lajost?, &lt;a href="http://balkon.c3.hu/2006/2006_5/08vajda.html"&gt;Balkon, 2006/5&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Mándy Stefánia: Vajda Lajos, Bp, Corvina Kiadó, 1983&lt;br /&gt;Mándy Stefánia: Vajda Lajos, Bp, Corvina Kiadó, 1971&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;br /&gt;”ez a papír!” - 1. &lt;span style=""&gt; &lt;/span&gt;Jan Šerých (1972) cseh képzőművész, akinek a rajzlap zine sorozaton belül jelenik meg Year 2006 című füzete. Info a rajzlapról: &lt;strong&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.c3.hu/%7Erub/rajzlap/" target="_blank"&gt;http://www.c3.hu/~rub/rajzlap/ &lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;Bip bip (Beep Beep) című kiállítás 2009 február 18-tól március 5-ig (k, cs) a &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.labor.c3.hu/"&gt;Labor&lt;/a&gt;&lt;span style="font-family: arial;"&gt;ban.&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-6149076168178695991?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6149076168178695991'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/6149076168178695991'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/kulturipar-es-muveszi-autonomia_18.html' title='kultúripar és művészi autonómia, 20090217'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7367901822464027311</id><published>2009-02-15T23:32:00.002+01:00</published><updated>2009-02-15T23:58:51.848+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090215</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;szövegek::::&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;              &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;/span&gt;matthew bown blogja (russian art &amp;amp; c): &lt;a href="http://www.izo.com/"&gt;http://www.izo.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-family:Arial;"&gt;---- Schilling Árpád: Egy szabadulóművész feljegyzései, Krétakör, 2008.&lt;br /&gt;&lt;a href="http://m.blog.hu/kr/kretakor/file/schillingarpad_szabadulomuvesz2008.pdf" target="_blank"&gt;http://m.blog.hu/kr/kretakor/file/schillingarpad_szabadulomuvesz2008.pdf&lt;/a&gt;, hozzá krétakör-ről még &lt;a href="http://kretakor.blog.hu/2008/12/02/egy_szabadulomuvesz_feljegyzesei_a_folyamat"&gt;ez&lt;/a&gt;, orbán györgy jegyzetei &lt;a href="http://www.radaykonyveshaz.hu/orban-gyorgy-jegyzetei-az-egy-szabadulomuvesz-feljegyzeseirol"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Zalavári József: A forma tervezése, Budapest, &lt;a href="http://design.scolar.hu/a-forma-tervezese.html"&gt;Scolar&lt;/a&gt;, 2008&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Elképzelés, 1971 - A magyar konceptművészet kezdetei. Beke Laszló gyűjteménye. (Nyílt Struktúrák Művészeti Egyesület és a tranzit. hu kiadása) ”Beke Laszlo 1971 augusztusaban 28 muvesznek kuldott el egy levelet, amelyben arra kerte oket, hogy kuldjenek olyan iratfuzobe fuzheto lapokat, amelyek eseteben a MU= ELKEPZELES DOKUMENTACIOJA. Beke a beerkezo lapokat dossziekba rendezve orizte meg, melyeket az utobbi 30 evben a muveszettortenesz lakasan lehetett megtekinteni, es ritkan voltak lathatoak kiallitasokon. Ma a konceptualis muveszet fontos dokumentumait alkotjak.”&lt;br /&gt;&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-weight: bold;"&gt;individ:::: &lt;/span&gt;&lt;br /&gt;&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_pBCFKGHuH5c/SZieB3VVi0I/AAAAAAAADXw/lI_CF3aAIcI/s1600-h/galeta2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 127px; height: 103px;" src="http://3.bp.blogspot.com/_pBCFKGHuH5c/SZieB3VVi0I/AAAAAAAADXw/lI_CF3aAIcI/s200/galeta2.jpg" alt="" id="BLOGGER_PHOTO_ID_5303162316099259202" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;---- Shadi Ghadirian, iráni fotós az aeroplastics-ban, brüsszel, &lt;a href="http://www.aeroplastics.net/" target="_blank"&gt;www.aeroplastics.net&lt;/a&gt;, 2009 feb 13-ápr 04&lt;br /&gt;---- &lt;/span&gt;&lt;b style=""&gt;Ladislav Galeta, &lt;a href="http://www.youtube.com/watch?v=j2O_3IYXFBw&amp;amp;feature=channel_page"&gt;YES and NO insert&lt;/a&gt;&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-family:Arial;"&gt; és &lt;a href="http://www.youtube.com/watch?v=lojOHfYHFHs&amp;amp;feature=channel"&gt;where ...&lt;/a&gt;&lt;br /&gt;---- elveszett bárány, &lt;a href="http://bakisrovar.blog.hu/"&gt;http://bakisrovar.blog.hu/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;helyek::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;o:p&gt;&lt;/o:p&gt;---- &lt;a href="http://www.trafo.hu/statics/trafo_galeria"&gt;Trafó&lt;/a&gt; Galériában Csákány István "A holnap dolgozója" című szobra&lt;br /&gt;---- Cornerhouse, Manchester, &lt;a href="http://www.cornerhouse.org/" target="_blank"&gt;http://www.cornerhouse.org&lt;/a&gt;&lt;br /&gt;---- Contemporary Art Centre (CAC) Vilnius, &lt;a href="http://www.cac.lt/" target="_blank"&gt;http://www.cac.lt&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.artscatalyst.org/" target="_blank"&gt;http://www.artscatalyst.org&lt;/a&gt; london&lt;br /&gt;---- Gävle Konstcentrum, Gävle, &lt;a href="http://www.gavle.se/konstcentrum" target="_blank"&gt;http://www.gavle.se/konstcentrum&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7367901822464027311?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7367901822464027311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7367901822464027311'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090215.html' title='misc 20090215'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_pBCFKGHuH5c/SZieB3VVi0I/AAAAAAAADXw/lI_CF3aAIcI/s72-c/galeta2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7701433602989657524</id><published>2009-02-15T22:37:00.004+01:00</published><updated>2009-02-15T22:41:56.451+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090210</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:Arial;"&gt;dla febesz 2:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;Ševic Katarina &lt;a href="http://www.impex-info.org/texts_hu.html"&gt;1&lt;/a&gt;, El-Hassan Róza &lt;a href="http://www.roza-el-hassan.hu/"&gt;1&lt;/a&gt;, &lt;a href="http://www.gandy-gallery.com/exhib2/index_current_show.html"&gt;2&lt;/a&gt;, &lt;a href="http://www.periferic.org/"&gt;3&lt;/a&gt;, &lt;a href="http://www.artpool.hu/Erdely/sajto/Boros.html"&gt;4&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/The_Gift_%28book%29"&gt;5&lt;/a&gt;, Vecsey Ádám &lt;a href="http://www.aquincum.hu/"&gt;1&lt;/a&gt;, &lt;span style=""&gt; &lt;/span&gt;Bánföldi Zoltán, Dabi István M &lt;a href="http://mwave.irq.hu/mediawavearchivum/index.php?modul=filmek&amp;amp;kod=841&amp;amp;nyelv=hun"&gt;1&lt;/a&gt;, &lt;a href="http://www.pauergyula.hu/"&gt;2&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=HfbFJjY2LwI"&gt;3&lt;/a&gt;, Horváth Kinga &lt;a href="http://artportal.hu/lexikon/muveszek/lenkey_zoltan"&gt;1&lt;/a&gt;, , Hübler János M., Kupcsik Adrián &lt;a href="http://www.kupcsikadrian.hu/"&gt;1&lt;/a&gt;, &lt;a href="http://indy.poliod.hu/program/vizualis_illuziok/kani.html"&gt;2&lt;/a&gt;, Mészáros Márta &lt;a href="http://mirror-miroir-spiegel-tukor.blogspot.com/"&gt;1&lt;/a&gt;, &lt;a href="http://sine-coincidence.blogspot.com/"&gt;2&lt;/a&gt;, &lt;a href="http://multiplika2000.wordpress.com/2009/01/12/jobbra-nezo-balra-nezo-kocka/"&gt;3&lt;/a&gt;, Németh Róbert, Takács Szilvia &lt;a href="http://www.arts7.hu/news/index.php?func=showarticle&amp;amp;art=148d91821c42b7"&gt;1&lt;/a&gt;, &lt;a href="http://www.arts7.hu/news/index.php?func=showarticle&amp;amp;art=1492eebcdb1205"&gt;2&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="color: rgb(102, 102, 102);font-size:130%;" &gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7701433602989657524?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7701433602989657524'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7701433602989657524'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/kulturipar-es-muveszi-autonomia_15.html' title='kultúripar és művészi autonómia 20090210'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-726505106998349383</id><published>2009-02-09T21:44:00.005+01:00</published><updated>2009-02-09T21:50:35.656+01:00</updated><title type='text'>misc 20090209</title><content type='html'>&lt;span style="color: rgb(102, 102, 102); font-family: arial;font-size:85%;" &gt;&lt;span style="font-weight: bold;"&gt;„mindannyian más nyelven beszélünk”&lt;/span&gt;, interjú a &lt;a href="http://tranzit.blog.hu/2009/02/06/mindannyian_mas_nyelven_beszelunk#more924356"&gt;tranzitblogon&lt;/a&gt; György Péterrel, 2009.02.06.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;p style="color: rgb(102, 102, 102); font-family: arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;***&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;span style="color: rgb(102, 102, 102); font-family: arial;font-size:85%;" &gt;IkOn második tortakonferencia: "&lt;a href="http://www.youtube.com/watch?v=XzPBUGUM7KQ" target="_blank"&gt;Are you talking to me?&lt;/a&gt;" - Kritika és kánon a hálózatban&lt;br /&gt;-itt előadások a művészetről folytatott kommunikáció különböző aspektusairól és tereiről, párhuzamos diskurzusok és a kánon viszonyáról, a játéktér demokratizálódásáról. (Km: Horányi Attila, Fuchs Péter, Hock Bea, Mélyi József, Nagy Edina, Radnai Tamás, Sári B. László, Timár Katalin, &lt;a href="http://tranzit.blog.hu/" target="_blank"&gt;tranzit.blog.hu&lt;/a&gt;, Várnagy Tibor)&lt;br /&gt;2009. február 26. Műcsarmok, konferencia terem, 15-22 óráig&lt;br /&gt;&lt;a href="http://www.ikon.hu/" target="_blank"&gt;http://www.ikon.hu&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-726505106998349383?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/726505106998349383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/726505106998349383'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090209_608.html' title='misc 20090209'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1434777125798958970</id><published>2009-02-09T21:41:00.002+01:00</published><updated>2009-02-09T21:43:56.474+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='urban'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kritika'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090209</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;helyek:::: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;                          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Halle für Kunst Lüneburg eV, Lüneburg, &lt;a href="http://www.halle-fuer-kunst.de/" target="_blank"&gt;www.halle-fuer-kunst.de&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Guggenheim Museum Bilbao &lt;a href="http://www.guggenheim-bilbao.es/" target="_blank"&gt;http://www.guggenheim-bilbao.es&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Museum Morsbroich, Leverkusen, &lt;a href="http://www.museum-morsbroich.de/" target="_blank"&gt;http://www.museum-morsbroich.de&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- APO33, space of research and experimentation, &lt;a href="http://www.apo33.org/" target="_blank"&gt;http://www.apo33.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Kunsthalle Bern, &lt;a href="http://www.kunsthalle-bern.ch/" target="_blank"&gt;http://www.kunsthalle-bern.ch&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Museo Nacional del Prado, Madrid, &lt;a href="http://www.museodelprado.es/" target="_blank"&gt;http://www.museodelprado.es&lt;/a&gt;, itt Francis Bacon 2009 feb 3-apr 19. (Study after Velázquez’s Portrait of Pope Innocent X, 1953)&lt;br /&gt;---- PAVILION UNICREDIT, Bukarest, &lt;a href="http://www.pavilionunicredit.ro/" target="_blank"&gt;www.pavilionunicredit.ro&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;PAVILION UNICREDIT is the first centre for contemporary art and culture from Romania and it is the result of an extended cooperation between PAVILION magazine, BUCHAREST BIENNALE and UNICREDIT ŢIRIAC BANK.&lt;br /&gt;---- Ludwig Forum für Internationale Kunst, Aachen, &lt;a href="http://www.ludwigforum.de/" target="_blank"&gt;http://www.ludwigforum.de&lt;/a&gt;&lt;br /&gt;---- Chinese Characters Kortárs Műtér, &lt;a href="http://www.chinesecharacters.hu/" target="_blank"&gt;www.chinesecharacters.hu&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Göteborg Biennále (2009): &lt;a href="http://www.biennal.goteborg.se/" target="_blank"&gt;www.biennal.goteborg.se&lt;/a&gt;&lt;br /&gt;---- Riksutstallningar: &lt;a href="http://www.riksutstallningar.se/" target="_blank"&gt;www.riksutstallningar.se&lt;/a&gt;&lt;br /&gt;---- Baltic Art Center: &lt;a href="http://www.balticartcenter.com/" target="_blank"&gt;www.balticartcenter.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- The Fruitmarket Gallery, Edinburgh, &lt;a href="http://www.fruitmarket.co.uk/" target="_blank"&gt;http://www.fruitmarket.co.uk&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- abioparisartgallery, Brescia, &lt;a href="http://www.fabioparisartgallery.com/" target="_blank"&gt;www.fabioparisartgallery.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Centro Cultural Montehermoso -- &lt;a href="http://www.montehermoso.net/" target="_blank"&gt;http://www.montehermoso.net&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- killertv,&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt; a testbed, streaming laboratory and interactive television in progress, offering debate and presentations on a regular basis about digital culture and technological society. &lt;a href="http://killertv.nl/" target="_blank"&gt;http://killertv.nl/&lt;/a&gt;&lt;br /&gt;---- Waag Society is a medialab based in Amsterdam that researching creative applications of technology for social innovation in the field of healthcare, arts &amp;amp; culture, education and the public domain. &lt;a href="http://waag.org/" target="_blank"&gt;http://waag.org/&lt;/a&gt;&lt;br /&gt;---- colourschool, Vancouver, &lt;a href="http://colourschool.org/about"&gt;http://colourschool.org/about&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.kisterem.hu/"&gt;http://www.kisterem.hu/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;szövegek::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- cabinet magazine issue 32, "Fire," &lt;a href="http://www.cabinetmagazine.org/issues/32" target="_blank"&gt;http://www.cabinetmagazine.org/issues/32&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Wolfgang Schivelbusch: A vasúti utazás története, A tér és az idő iparosodása a 19. században. Napvilág Kiadó, 2008, ISBN: 9789639697089&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- BALLON: a Balkon pdf melléklete: &lt;a href="http://www.balkon.hu/ballon" target="_blank"&gt;www.balkon.hu/ballon&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.criticalsecret.com/"&gt;http://www.criticalsecret.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Jürgen Habermas A társadalmi nyilvánosság szerkezetváltása, Gondolat, 1971&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- a hacker manifesto, McKenzie Wark, &lt;a href="http://www.hup.harvard.edu/catalog/WARHAC.html"&gt;http://www.hup.harvard.edu/catalog/WARHAC.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_pBCFKGHuH5c/SZCVZc7l1nI/AAAAAAAADXQ/eoBRALCSX2E/s1600-h/brumaria200902.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 135px; height: 200px;" src="http://1.bp.blogspot.com/_pBCFKGHuH5c/SZCVZc7l1nI/AAAAAAAADXQ/eoBRALCSX2E/s200/brumaria200902.jpg" alt="" id="BLOGGER_PHOTO_ID_5300901025910478450" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Brumaria 12: ART AND TERRORISM &lt;a href="http://www.brumaria.net/" target="_blank"&gt;http://www.brumaria.net&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;tartalom: Marius Babias. Zones of Indifference. The World in a 'State of Exception'. On the Relations of 'Populism', 'Public Sphere' and 'Terrorism'&lt;br /&gt;Ross Birrell. The Gift of Terror: Suicide-Bombing as Potlatch&lt;br /&gt;Bernardette Buckley. Terrible Beauties&lt;br /&gt;Mike Davis. Buda's Wagon: A Brief History of the Car Bomb&lt;br /&gt;Horacio González. Shadows of the Building: Construction and Anti-Construction&lt;br /&gt;Boris Groys. Art at War&lt;br /&gt;W. J. T. Mitchell. Cloning Terror: The War of Images, 9/11 to Abu Ghraib&lt;br /&gt;Ken Neil. Double Trauma: Mute Art of Terror&lt;br /&gt;Lila Pastoriza. Memory as Public Policy: The Axes of the Debate&lt;br /&gt;Khaled D. Ramadan. Suicide-Bombers/Martyrs' Videos and Site-Specific Art&lt;br /&gt;Retort. Afflicted Powers: The State, the Spectacle and September 11.&lt;br /&gt;Irit Rogoff. Engendering Terror&lt;br /&gt;James A. Walker. A Terror Lexicon: Shadows, Places and Ghosts&lt;br /&gt;Peter Weibel. Theories on Violence&lt;br /&gt;Slavoj Žižek. Discomfort in Democracy&lt;br /&gt;Joseba Zulaika. In Cold Terror: Capote versus the Counterterrorists.cccc&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- HTV De IJsberg, a free bi-monthly arts paper based in Amsterdam, &lt;a href="http://www.htvdeijsberg.nl/" target="_blank"&gt;http://www.htvdeijsberg.nl/&lt;/a&gt;&lt;br /&gt;---- idea, &lt;a href="http://www.idea.ro/revista/index.php?nv=1&amp;amp;mlng=2"&gt;http://www.idea.ro/revista/index.php?nv=1&amp;amp;mlng=2&lt;/a&gt;, Kolozsvár, román és angol nyelvű szöveggyűjtemény&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- october, &lt;a href="http://www.mitpressjournals.org/loi/octo"&gt;http://www.mitpressjournals.org/loi/octo&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- grey room, &lt;a href="http://www.mitpressjournals.org/loi/grey"&gt;http://www.mitpressjournals.org/loi/grey&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1434777125798958970?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1434777125798958970'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1434777125798958970'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/misc-20090209.html' title='misc 20090209'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_pBCFKGHuH5c/SZCVZc7l1nI/AAAAAAAADXQ/eoBRALCSX2E/s72-c/brumaria200902.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5536063186989095585</id><published>2009-02-09T21:40:00.003+01:00</published><updated>2009-02-15T22:37:19.371+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20090203</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:Arial;"&gt;dla febesz 1:&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;  &lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;Baglyas Erika &lt;a href="http://www.museum.hu/museum/temporary_hu.php?IDT=8020&amp;amp;ID=306"&gt;1&lt;/a&gt;, &lt;a href="http://www.c3.hu/collection/koncept/index0.html"&gt;2&lt;/a&gt;, &lt;a href="http://www.artpool.hu/Erdely/sajto/Sebok.html"&gt;3&lt;/a&gt;, Langh Róbert, Nagy Róbert, Schmal Róza, Tuzson Eszter, Varga Eszter, Heitler András &lt;a href="http://www.amazon.com/Raffaello-Borghinis-Lorenzo-Italian-Library/dp/080209743X"&gt;1&lt;/a&gt;, Kapitány András &lt;a href="http://kapi8.blogspot.com/"&gt;1&lt;/a&gt;, Raatzsch Jenő A. &lt;a href="http://raatzsch.com/"&gt;1&lt;/a&gt;, &lt;a href="http://bogdeu.blogspot.com/"&gt;2&lt;/a&gt;, &lt;a href="http://bog-berlinopengeneration.blogspot.com/"&gt;3&lt;/a&gt;, Rácz Márta &lt;a href="http://www.photoblog.com/dromidriver/2008/11/19/wed.html"&gt;1&lt;/a&gt;, &lt;a href="http://www.ligetgaleria.c3.hu/338.html"&gt;2&lt;/a&gt;, &lt;a href="http://www.photoblog.com/dromidriver/2008/11/24/mon.html"&gt;3&lt;/a&gt;, &lt;a href="http://www.photoblog.com/dromidriver/2008/11/25/diary-mrtis-opening.html"&gt;4&lt;/a&gt;, &lt;a href="http://www.photoblog.com/studio/2008/11/11/gallery-by-night-2008-11.html"&gt;5&lt;/a&gt;&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;o:p&gt;&lt;/o:p&gt;bonus track: Thomas Ruff &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=474&amp;amp;curmenu=101"&gt;retrospektív&lt;/a&gt;, műcsarnok, 2008. december 13. - 2009. február 15., TR a David Zwirner Galleryben: &lt;a href="http://www.davidzwirner.com/artists/18/index.htm"&gt;http://www.davidzwirner.com/artists/18/index.htm&lt;/a&gt;, NY , és Pixelek, (epizódok &lt;a href="http://www.mtv.co.hu/show.aspx?ShowID=14&amp;amp;Category=Episodes"&gt;itt&lt;/a&gt;) Ernst Múzeum&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5536063186989095585?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5536063186989095585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5536063186989095585'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/02/kulturipar-es-muveszi-autonomia.html' title='kultúripar és művészi autonómia 20090203'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7196330371439399276</id><published>2009-01-29T13:38:00.002+01:00</published><updated>2009-01-29T13:43:13.810+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><title type='text'>misc 20090128</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;irodalom:&lt;/span&gt;&lt;span style="font-family: Arial;"&gt; &lt;/span&gt;&lt;span style="font-family: Arial;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;(mome, doktori, aktuális&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;, művészetfilozófiá&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;k)&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;-- Beck András: Hagyni a teóriát másra, Magvető, Bp., 2000.  &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Bíró Béla: Legenda a kerek egészről, Liget, Bp., 2007.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Hannes Böhringer: Szinte semmi. Életművészet és más művészetek, Balassi, Bp., 2006.&lt;br /&gt;&lt;a href="http://www.c3.hu/%7Etillmann/forditasok/bohringer_szintesemmi.html"&gt;http://www.c3.hu/~tillmann/forditasok/bohringer_szintesemmi.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Hannes Böhringer: Daidalosz vagy Diogenész. Építészet- és művészetfilozófiai írások, Terc, Bp., (megj: 2009 febr)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Hannes Böhringer: Kísérletek és tévelygések. A filozófiától a művészetig és vissza. Balassi, Bp., 1995. &lt;a href="http://www.c3.hu/%7Etillmann/forditasok/bohringer_kiserletek_tart.html" target="_blank"&gt;http://www.c3.hu/~tillmann/forditasok/bohringer_kiserletek_tart.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Dolinszky Miklós: A Mozart-űrhajó. Esszék, Jelenkor, Pécs, 1999.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Rényi András: Az értelmezés tébolya. Hermeneutikai tanulmányok, Kijárat, Bp., 2008. &lt;a href="http://www.renyiandras.hu/" target="_blank"&gt;http://www.renyiandras.hu/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;-- Tillmann J. A.: Merőleges elmozdulások. Utak a modern művészetben , Palatinus , Bp., 2004. &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a href="http://www.c3.hu/%7Etillmann/konyvek/meroleges/tartalom.html" target="_blank"&gt;http://www.c3.hu/~tillmann/konyvek/meroleges/tartalom.html&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7196330371439399276?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7196330371439399276'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7196330371439399276'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/misc-20090128_29.html' title='misc 20090128'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8775364175635472267</id><published>2009-01-29T12:42:00.003+01:00</published><updated>2009-01-29T12:45:24.571+01:00</updated><title type='text'>misc 20090128</title><content type='html'>&lt;p  style="color: rgb(102, 102, 102);font-family:arial;" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;Nádas Péter: &lt;a href="http://nadas.irolap.hu/hu/kemia"&gt;Kémia&lt;/a&gt;&lt;br /&gt;Garaczi László: metaXa, Magvető, 2006&lt;br /&gt;Háy János: &lt;a href="http://www.zetna.org/zek/folyoiratok/69/hay.html"&gt;Lajos&lt;/a&gt; utolsó levele Feri feleségéhez&lt;br /&gt;Ficsku Pál olvasónaplója a literán 2009. &lt;a href="http://www.litera.hu/szabad-cimkezes/ficsku-pal"&gt;jan 5-11ig&lt;/a&gt; &lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:78%;" &gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Ficsku Pál &lt;a href="http://www.litera.hu/irodalom/ficsku-pal-gyerekgyar"&gt;Gyerekgyár&lt;/a&gt; Ulpius-ház Könyvkiadó 2006. ISBN 963 9602 72 8&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style=";font-family:arial;font-size:12;"  &gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8775364175635472267?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8775364175635472267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8775364175635472267'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/misc-20090128.html' title='misc 20090128'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7235065771276775986</id><published>2009-01-28T14:16:00.000+01:00</published><updated>2009-01-28T14:17:03.516+01:00</updated><title type='text'>*</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: arial;"&gt;Ferenczi Róbert (1967-2009)&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7235065771276775986?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7235065771276775986'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7235065771276775986'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/blog-post.html' title='*'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-8091404555225810122</id><published>2009-01-27T11:54:00.005+01:00</published><updated>2009-01-27T12:00:27.186+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090127</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;szövegek::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;                  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Sturcz János: Szkeptikus Konceptualitás - Elekes Károly "tunning" képeiről,&lt;br /&gt;&lt;a href="http://www.mamu.hu/tagsag/elekes_karoly_sturcz.htm"&gt;http://www.mamu.hu/tagsag/elekes_karoly_sturcz.htm&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- parkett, benne Zoe Leonard, &lt;a href="http://www.parkettart.com/" target="_blank"&gt;http://www.parkettart.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_pBCFKGHuH5c/SX7onw5YZrI/AAAAAAAADPQ/a8QJM-2508g/s1600-h/parkett01.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 109px; height: 133px;" src="http://4.bp.blogspot.com/_pBCFKGHuH5c/SX7onw5YZrI/AAAAAAAADPQ/a8QJM-2508g/s200/parkett01.jpg" alt="" id="BLOGGER_PHOTO_ID_5295925981672400562" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Grove Art adatbázis a PTE-n keresztül: &lt;a href="http://www.lib.pte.hu/main.php?menu=electro&amp;amp;article=elektkonyvtar/adatbazisok/index.html"&gt;1&lt;/a&gt;, &lt;a href="http://www.lib.pte.hu/main.php?menu=news&amp;amp;article=konyvtarrol/hirek.php"&gt;2&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- újra ingyenpia, &lt;a href="http://ingyenpia.blog.hu/"&gt;http://ingyenpia.blog.hu/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Nicolas Bourriaud "Relational Aesthetics: Aesthetic Paradigm" &lt;a href="http://aaaarg.org/relational-aesthetics-aesthetic-paradigm"&gt;itt&lt;/a&gt;&lt;br /&gt;---- Gilles Deleuze and Felix Guattari "What Is Philosophy: Conclusion" &lt;a href="http://aaaarg.org/what-is-philosophy-conclusion"&gt;itt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Caroline Langill, &lt;a href="http://www.fondation-langlois.org/html/e/page.php?Repere=200901&amp;amp;NumPage=1949"&gt;Shifting Polarities&lt;/a&gt;&lt;br /&gt;Shifting Polarities is a project by Caroline Langill which documents the production of electronic and new media works by Canadian artists between 1970 and 1990. Caroline Langill was a researcher in residence at the Daniel Langlois Foundation in 2006. Concurrently to her artistic practice, she is an Assistant Professor (Liberal Studies/Art) at the Ontario College of Art and Design (OCAD) in Toronto (Canada).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-weight: bold;"&gt;helyek::::&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                            &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Threshold artspace, Perth,&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://www.horsecross.co.uk/" target="_blank"&gt;http://www.horsecross.co.uk&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- LUX 28, London, &lt;a href="http://www.lux28.org.uk/" target="_blank"&gt;http://www.lux28.org.uk&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- kirkhoff contemporary art, Koppenhága, &lt;a href="http://www.kirkhoff.dk/" target="_blank"&gt;www.kirkhoff.dk&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- The Museum of Modern Art in Warsaw, &lt;a href="http://www.artmuseum.pl/" target="_blank"&gt;http://www.artmuseum.pl&lt;/a&gt;, itt Ion Grigorescu: In the Body of the Victim 1969–2008, 2009 feb5-tól márc 16-ig, Grigorescu retrospektív kiállítása&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Temporäre Kunsthalle Berlin,&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://www.kunsthalle-berlin.com/" target="_blank"&gt;http://www.kunsthalle-berlin.com&lt;/a&gt;, itt: Simon Starling, Under Lime, 2009 feb 7-től márc 18-ig&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.mattsgallery.org/" target="_blank"&gt;www.mattsgallery.org&lt;/a&gt;, London&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Konsthall C, Farsta, Sweden, &lt;a href="http://www.konsthallc.se/" target="_blank"&gt;http://www.konsthallc.se&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Neuer Berliner Kunstverein n.b.k. &lt;a href="http://www.nbk.org/" target="_blank"&gt;http://www.nbk.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Los Angeles County Museum of Art (LACMA) &lt;a href="http://www.lacma.org/" target="_blank"&gt;http://www.lacma.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- BLACKOUT at Kunsthallen Brandts, Odense, &lt;a href="http://www.brandts.dk/" target="_blank"&gt;http://www.brandts.dk&lt;/a&gt; itt: Simon Starling (UK) &amp;amp; SUPERFLEX (DK), 2009 jan 30-2009 máj 17&lt;br /&gt;---- Ernst Múzeum, &lt;a href="http://www.mucsarnok.hu/new_site/index.php?lang=hu&amp;amp;t=479&amp;amp;curmenu=102"&gt;PIXELEK&lt;/a&gt;, 2009 jan18-2009 febr 8&lt;br /&gt;---- &lt;a href="http://www.reakt.org/"&gt;*RE:akt!*&lt;/a&gt;&lt;span style=""&gt;  &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.aksioma.org/"&gt;aksioma&lt;/a&gt;, Ljubljana&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://sndrv.nl/" target="_blank"&gt;http://sndrv.nl&lt;/a&gt;, Amsterdam ("Google Adsense Tuesdays") kedden nem!&lt;br /&gt;---- &lt;a href="http://www.mnac.ro/events%20main.htm"&gt;mnac&lt;/a&gt;, Bukarest&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;!--[if !supportLineBreakNewLine]--&gt;  &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-weight: bold;"&gt;képek::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;---- online képkereső: &lt;a href="http://www.re-title.com/"&gt;http://www.re-title.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Joseph Plateau (1801-1883) -ról a genti egyetem honlapján: &lt;a href="http://www.mhsgent.ugent.be/eng-plat1.html"&gt;http://www.mhsgent.ugent.be/eng-plat1.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Thomas Weynants (BE) linkjei (18, 19. szdi fotográfia, kronofotográfia, mágikus tükrök, daguerrotípa, sztereotípia, danse macabre, televízió, stb): &lt;a href="http://users.telenet.be/thomasweynants/links.html"&gt;http://users.telenet.be/thomasweynants/links.html&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- Orosz István: „...nothing but confusion”&lt;span style=""&gt;  &lt;/span&gt;(székfoglaló, MTA, 2008/02) &lt;a href="http://www.mta.hu/fileadmin/2008/02/Orosz_Istv_n__sz_kfoglal__el_ad_s.doc"&gt;http://www.mta.hu/fileadmin/2008/02/Orosz_Istv_n__sz_kfoglal__el_ad_s.doc&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-8091404555225810122?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8091404555225810122'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/8091404555225810122'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/misc-20090127.html' title='misc 20090127'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_pBCFKGHuH5c/SX7onw5YZrI/AAAAAAAADPQ/a8QJM-2508g/s72-c/parkett01.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-1385589564525414856</id><published>2009-01-16T17:49:00.004+01:00</published><updated>2009-01-16T17:54:26.088+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='elmélet'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><category scheme='http://www.blogger.com/atom/ns#' term='kiállítás'/><title type='text'>misc 20090116</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;szövegek::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;---- vector, e-zine &lt;a href="http://www.virose.pt/vector" target="_blank"&gt;http://www.virose.pt/vector&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- n.paradoxa: inl feminist art journal, &lt;a href="http://www.ktpress.co.uk/" target="_blank"&gt;www.ktpress.co.uk&lt;/a&gt;, és &lt;a href="http://web.ukonline.co.uk/n.paradoxa/index.htm"&gt;http://web.ukonline.co.uk/n.paradoxa/index.htm&lt;/a&gt;&lt;br /&gt;---- MUSEO, &lt;a href="http://www.museomagazine.com/" target="_blank"&gt;http://www.museomagazine.com&lt;/a&gt;, Jeff Wall interjúja David Shapiroval &lt;a href="http://www.museomagazine.com/10/wall/"&gt;itt&lt;/a&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.aaaarg.org/"&gt;aaaarg.org&lt;/a&gt;-on új szövegek:&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Alan Kaprow "Art Which Can't Be Art" &lt;a href="http://aaaarg.org/art-which-cant-be-art"&gt;itt&lt;/a&gt;&lt;br /&gt;Claire Bishop "Antagonism and Relational Aesthetics" &lt;a href="http://aaaarg.org/antagonism-and-relational-aesthetics"&gt;itt&lt;/a&gt;&lt;br /&gt;Grant Watson "Response to Clair Bisop's Essay on Relational Aesthetics" &lt;a href="http://aaaarg.org/response-to-clair-bisops-essay-on-relational-aesthetics"&gt;itt&lt;/a&gt;&lt;br /&gt;Nicolas Bourriaud "Relational Form from Relational Aesthetics, 1 &lt;a href="http://aaaarg.org/nicolas-bourriaud-relational-form"&gt;itt&lt;/a&gt;, 2" &lt;a href="http://aaaarg.org/relational-form-from-relational-aesthetics-2"&gt;itt&lt;/a&gt;&lt;br /&gt;Felix Guattari "New Aesthetic Paradigm from _Chaosmosis_" &lt;a href="http://aaaarg.org/new-aesthetic-paradigm-from-_chaosmosis_"&gt;itt&lt;/a&gt;&lt;br /&gt;Liam Gillick "Response to Clair Bishop (Antagonism and Relational ...)" &lt;a href="http://aaaarg.org/response-to-clair-bishop-antagonism-and-relational"&gt;itt&lt;/a&gt;&lt;br /&gt;Michel Foucault "Freindship as a Way of Life" &lt;a href="http://aaaarg.org/freindship-as-a-way-of-life"&gt;itt&lt;/a&gt; (Felix Gonzales-Torresről)&lt;br /&gt;Steven Madoff "Service Aesthetics" 2, &lt;a href="http://aaaarg.org/service-aesthetics-2"&gt;itt&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;Michael Fried "Art and Objecthood [1967]" &lt;a href="http://aaaarg.org/art-and-objecthood-1967"&gt;itt&lt;/a&gt;, innen: Art in Theory 1900-1990: An Anthology of Changing Ideas Ed. Charles Harison, Paul Wood 822-834&lt;br /&gt;&lt;br /&gt;&lt;b style=""&gt;individ::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;a href="http://www.parapeace.de/" target="_blank"&gt;www.parapeace.de&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.futuresonic.com/0809/news/FutureEverything_and_Futuresonic.html" target="_blank"&gt;http://www.futuresonic.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Koronczi Endre: Tükör, Budapest Kiállítóterem, 20090115-0215 &lt;a href="http://www.koronczi.hu/mirror/" target="_blank"&gt;http://www.koronczi.hu/mirror/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style=""&gt;helyek::::&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/SXC66sVZs7I/AAAAAAAADIo/BjVAskr2jow/s1600-h/oneday.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 73px; height: 73px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SXC66sVZs7I/AAAAAAAADIo/BjVAskr2jow/s200/oneday.jpg" alt="" id="BLOGGER_PHOTO_ID_5291935079656436658" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- One Day Sculpture, &lt;a href="http://www.onedaysculpture.org.nz/" target="_blank"&gt;http://www.onedaysculpture.org.nz&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Vartai Gallery, Vilnius, Lithuania, &lt;a href="http://www.galerijavartai.lt/" target="_blank"&gt;http://www.galerijavartai.lt&lt;/a&gt;&lt;br /&gt;---- Michael Kohn Gallery, Los Angeles, &lt;a href="http://www.kohngallery.com/" target="_blank"&gt;http://www.kohngallery.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- factory-art, &lt;a href="http://www.factory-art.com/" target="_blank"&gt;www.factory-art.com&lt;/a&gt;, trieste&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-1385589564525414856?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1385589564525414856'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/1385589564525414856'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/misc-20090116_16.html' title='misc 20090116'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_pBCFKGHuH5c/SXC66sVZs7I/AAAAAAAADIo/BjVAskr2jow/s72-c/oneday.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-5798917991381388159</id><published>2009-01-11T10:39:00.004+01:00</published><updated>2009-02-27T10:25:12.063+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090111</title><content type='html'>&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;individ::::&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;---- Working Artists and the Greater Economy (W.A.G.E.), &lt;a href="http://www.wageforwork.com/" target="_blank"&gt;http://www.wageforwork.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://ubermorgen.com/" target="_blank"&gt;UBERMORGEN.COM&lt;/a&gt; (lizvlx &amp;amp; Hans Bernhard, &lt;a href="http://www.ubermorgen.com/" target="_blank"&gt;www.ubermorgen.com&lt;/a&gt;, művészduó, Bécs&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Robin Nicolas (Brüsszel) : &lt;a href="http://panoplie.org/" target="_blank"&gt;panoplie.org&lt;/a&gt;, &lt;a href="http://robinnicolas.net/ensuspens.htm"&gt;En suspens&lt;/a&gt;, &lt;a href="http://www.robinnicolas.net/shuffle.mov"&gt;Shuffle&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;helyek::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Shenzhen &amp;amp; Hong Kong Bi-city Biennale of Urbanism \ Architecture &lt;a href="http://www.szhkbiennale.org/" target="_blank"&gt;http://www.szhkbiennale.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Ateliér Josef Sudek, Prága &lt;a href="http://www.sudek-atelier.cz/" target="_blank"&gt;www.sudek-atelier.cz&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Galerie Bugdahn und Kaimer,&lt;span style=""&gt;  &lt;/span&gt;Düsseldorf, &lt;span style=""&gt; &lt;/span&gt;&lt;a href="http://www.bugdahnundkaimer.com/" target="_blank"&gt;www.bugdahnundkaimer.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Berlin's Haus der Kulturen der Welt, &lt;a href="http://www.hkw.de/" target="_blank"&gt;http://www.hkw.de&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Kunstmuseum Wolfsburg, &lt;a href="http://www.kunstmuseum-wolfsburg.de/" target="_blank"&gt;http://www.kunstmuseum-wolfsburg.de&lt;/a&gt;&lt;br /&gt;---- fake or feint, Berlin, &lt;a href="http://www.fakeorfeint.org/" target="_blank"&gt;www.fakeorfeint.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- londoni metróállatok &lt;a href="http://www.animalsontheunderground.com/"&gt;http://www.animalsontheunderground.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- anty-bodies &lt;a href="http://www.anti-bodies.net/hp/ab.php"&gt;http://www.anti-bodies.net/hp/ab.php&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.tate.org.uk/"&gt;Tate&lt;/a&gt;, itt Contemporary Art in the Middle East címmel kétnapos szimpozium, jan 22-23: &lt;a href="http://www.tate.org.uk/britain/eventseducation/symposia/16579.htm" target="_blank"&gt;http://www.tate.org.uk/britain/eventseducation/symposia/16579.htm&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="font-weight: bold;"&gt;szöveg, kép::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;                          &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;---- Drozdik Orsolya: Individuális Mitológia, Konceptuálistól a posztmodernig, Gondolat Kiadó, Budapest, 2006. ISBN 9639567795&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- György Péter: A hely szelleme, Magvető, 2007 (róla Bán Zsófia a holmi-ban, &lt;a href="http://www.holmi.org/2007/12/a-kipontozottemlekezet-jegyzetek"&gt;2007/12&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Bodor Ádom: A börtön szaga, Magvető, &lt;span class="b111"&gt;ISBN 9789631425895, itt pedig a 83-85. oldalig, a Majális utcai fogdáról &lt;i style=""&gt;(„Ilyesmi, ha belegondolok, aránylag kevés emberrel töténhetett meg, földkerekség-szinten is, hogy élete egyik mélypontjának színtere merő véletlenségből egybeesik a gyönyörű emlékű gyermekkoréval...”)&lt;/i&gt;&lt;/span&gt;&lt;i style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;---- Kotun Viktor: Foglaltház makettek a képzőművészetben, in Helikon, 2008/4, 621-625. old&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Antal István Juszuf: Művészet és anarchizmus, in Helikon, 2008/4, 552-570. old (sex pistols, etc)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- TATE ETC. Issue 15, &lt;a href="http://www.tate.org.uk/tateetc" target="_blank"&gt;http://www.tate.org.uk/tateetc&lt;/a&gt;, benne: Christina Kiaer a harmincas évek feminista művészeiről (The Short Life of the Equal Woman)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://77filmajandek.nava.hu/" target="_blank"&gt;http://77filmajandek.nava.hu&lt;/a&gt;, nava (Nemzeti Audiovizuális Archívum) amúgy is: &lt;a href="http://www.nava.hu/"&gt;http://www.nava.hu/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- e-flux journal issue #2, Jan 2009, &lt;a href="http://www.e-flux.com/journal" target="_blank"&gt;http://www.e-flux.com/journal&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt; benne: In Politics of Installation, Boris Groys, (&lt;a href="http://www.e-flux.com/journal/view/31" target="_blank"&gt;itt&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Almanac 2009, Annual Issue Volume 4, &lt;a href="http://www.aapmag.com/" target="_blank"&gt;http://www.aapmag.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- mediaspace_09 &gt; an online curator discussion, &lt;a href="http://blog.media-space.org/"&gt;http://blog.media-space.org/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- digital art blog: &lt;a href="http://vagueterrain.net/"&gt;http://vagueterrain.net/&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- új program &lt;a href="http://puredyne.goto10.org/"&gt;http://puredyne.goto10.org/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-5798917991381388159?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5798917991381388159'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/5798917991381388159'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/misc-20091011.html' title='misc 20090111'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-7062487177340466990</id><published>2009-01-04T15:42:00.001+01:00</published><updated>2009-01-04T15:45:20.624+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20090104</title><content type='html'>&lt;p style="font-family: arial; color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;helyek::::&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;                  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;---- Model Arts and Niland Gallery, Sligo, Ireland, &lt;a href="http://www.modelart.ie/" target="_blank"&gt;http://www.modelart.ie&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- FILTER and ONOMATOPEE at P40, Hamburg, &lt;a href="http://www.filter-hamburg.com/" target="_blank"&gt;www.filter-hamburg.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://magnetic-room.com/" target="_blank"&gt;http://magnetic-room.com/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.vitamincreativespace.com/" target="_blank"&gt;http://www.vitamincreativespace.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- open-frames / KunstWerk, Brussels / Belgium, &lt;a href="http://www.open-frames.net/" target="_blank"&gt;www.open-frames.net&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- CENTRE DES MONUMENTS NATIONAUX, Salses-le-Château, France, &lt;a href="http://monuments-nationaux.fr/" target="_blank"&gt;http://monuments-nationaux.fr&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Salon of the Museum of Contemporary Art – Belgrade, &lt;a href="http://www.msub.org.rs/" target="_blank"&gt;www.msub.org.rs&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.http.uk.net/exhibitions/golan_szpakowski/index.shtml"&gt;HTTP&lt;/a&gt; Gallery, London, itt: Doron Golan (&lt;a href="http://www.the9th.com/"&gt;1&lt;/a&gt;, &lt;a href="http://computerfinearts.com/"&gt;2&lt;/a&gt;) Michael Szpakowski (&lt;a href="http://www.somedancersandmusicians.com/"&gt;1&lt;/a&gt;, &lt;a href="http://dvblog.org/"&gt;2&lt;/a&gt;)&lt;br /&gt;2009 jan 16-márc 01&lt;br /&gt; &lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;szövegek::::&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;---- Art Lies, &lt;a href="http://www.artlies.org/" target="_blank"&gt;http://www.artlies.org&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: trebuchet ms;"&gt;---- Volumen, a Museum of Contemporary Art Zagreb katalógusa, 2008, &lt;/span&gt;&lt;a style="font-family: trebuchet ms;" href="http://www.msu.hr/" target="_blank"&gt;http://www.msu.hr&lt;/a&gt;&lt;span style="font-size: 12pt; font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;br /&gt;---- &lt;a href="http://www.frieze.com/"&gt;Frieze&lt;/a&gt; &lt;a name="11e500398a337c55_754946C1045BD62F"&gt;&lt;/a&gt;Jan-Feb, benne Bourriauld a 2009-es Tate triennáléról&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt; (kiállítások 1955-2006)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-7062487177340466990?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7062487177340466990'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/7062487177340466990'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2009/01/misc-20090104.html' title='misc 20090104'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-3515565733358776490</id><published>2008-12-18T16:00:00.002+01:00</published><updated>2008-12-18T16:04:02.104+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='írás'/><category scheme='http://www.blogger.com/atom/ns#' term='hely'/><title type='text'>misc 20081218</title><content type='html'>&lt;span style="font-family:Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;szövegek::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;        &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Gilles Deleuze "Plato and the Simulacrum" &lt;a href="http://aaaarg.org/plato-and-the-simulacrum" target="_blank"&gt;http://aaaarg.org/plato-and-the-simulacrum&lt;/a&gt;&lt;br /&gt;---- Tatiana Bazzichelli "Networking. The Net as Artwork", 2008, Digital Aesthetics Research Center, Aarhus University, and the author&lt;br /&gt;&lt;a href="http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf" target="_blank"&gt;http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf&lt;/a&gt; (PDF, 3.10 Mb).&lt;br /&gt;More: &lt;a href="http://www.blogger.com/www.networkingart.eu"&gt;www.networkingart.eu&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.virose.pt/moms/analytical/ejournal/vol_04/16.html" target="_blank"&gt;http://www.virose.pt/moms/analytical/ejournal/vol_04/16.html&lt;/a&gt;&lt;br /&gt;---- Bán András: A vizuális Antropológia felé&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://e-flux.com/journal" target="_blank"&gt;http://e-flux.com/journal&lt;/a&gt; issue #1 December 2008&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://chtodelat-info.livejournal.com/" target="_blank"&gt;chtodelat-info.livejournal.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;individ:::&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- Henning Christiansen (1932-2008), zene: &lt;a href="http://www.ubu.com/sound/christiansen.html" target="_blank"&gt;http://www.ubu.com/sound/christiansen.html&lt;/a&gt;,&lt;br /&gt;kép:  &lt;a href="http://www.flickr.com/photos/yorkwegerhoff/sets/72157601668766152/" target="_blank"&gt;http://www.flickr.com/photos/yorkwegerhoff/sets/72157601668766152/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Tolvaly Ernő (1947-2008)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;b style=""&gt;&lt;span style="font-family:Arial;"&gt;helyek::::&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;                    &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:Arial;"&gt;---- &lt;a href="http://www.virose.pt/" target="_blank"&gt;www.virose.pt&lt;/a&gt;, porto-i székhelyű non-profit szervezet (and techonology)&lt;br /&gt;---- &lt;a href="http://darc.imv.au.dk/?p=62"&gt;DARC&lt;/a&gt;, Digital Aesthetics Research Center of Aarhus University&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- Akademie der Künste, Berlin, itt re.act.feminism, performance art of the 1960s and 70s today, 13 Dec 2008 - 8 Febr 2009 &lt;a href="http://www.adk.de/reactfeminism/index.htm" target="_blank"&gt;http://www.adk.de/reactfeminism/index.htm&lt;/a&gt;&lt;br /&gt;---- Vpered (Forward!) Socialist Movement (&lt;a href="http://vpered.org.ru/" target="_blank"&gt;vpered.org.ru&lt;/a&gt;)&lt;br /&gt;---- Chto Delat Work Group &amp;amp; Platform (&lt;a href="http://www.chtodelat.org/" target="_blank"&gt;www.chtodelat.org&lt;/a&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.kossuthgaleria.blogspot.com/" target="_blank"&gt;www.kossuthgaleria.blogspot.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.oktoopus.org/" target="_blank"&gt;http://www.oktoopus.org/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- iMAL, Center for digital cultures and technology, Brussels, itt INTERNET DISORDERS: Internet Health Institute, &lt;a href="http://www.imal.org/InternetDisorders/" target="_blank"&gt;http://www.imal.org/InternetDisorders/&lt;/a&gt;&lt;br /&gt;---- Aeroplastics Contemporary, Brussels, itt: Power to the People, &lt;a href="http://powertothepeople.aeroplastics.net/eartnow.php" target="_blank"&gt;powertothepeople.aeroplastics.net/eartnow.php&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.spacestudios.org.uk/" target="_blank"&gt;http://www.spacestudios.org.uk&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.barbican.org.uk/" target="_blank"&gt;http://www.barbican.org.uk&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.serpentinegallery.org/" target="_blank"&gt;http://www.serpentinegallery.org&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- &lt;a href="http://www.buildingcentre.co.uk/" target="_blank"&gt;http://www.buildingcentre.co.uk&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.thomasdane.com/" target="_blank"&gt;http://www.thomasdane.com&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.artscatalyst.org/" target="_blank"&gt;http://www.artscatalyst.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://c-lab.co.uk/" target="_blank"&gt;http://c-lab.co.uk&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://co-pilot.net/" target="_blank"&gt;http://co-pilot.net&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.electra-productions.com/" target="_blank"&gt;http://www.electra-productions.com&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.furtherfield.org/" target="_blank"&gt;http://www.furtherfield.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.goldsmiths.ac.uk/cultural-studies" target="_blank"&gt;http://www.goldsmiths.ac.uk/cultural-studies&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.ica.org.uk/" target="_blank"&gt;http://www.ica.org.uk&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.iniva.org/" target="_blank"&gt;http://www.iniva.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.kurator.org/" target="_blank"&gt;http://www.kurator.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.mediashed.org/" target="_blank"&gt;http://www.mediashed.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.metamute.org/" target="_blank"&gt;http://www.metamute.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.onedotzero.com/" target="_blank"&gt;http://www.onedotzero.com&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.proboscis.org.uk/" target="_blank"&gt;http://www.proboscis.org.uk&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.urbanbuzz.org/" target="_blank"&gt;http://www.urbanbuzz.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.vr.ucl.ac.uk/" target="_blank"&gt;http://www.vr.ucl.ac.uk&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.whitechapel.org/" target="_blank"&gt;http://www.whitechapel.org&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.scansite.org/" target="_blank"&gt;http://www.scansite.org&lt;/a&gt; (Bournemouth)&lt;br /&gt;---- &lt;a href="http://www.arnolfini.org.uk/" target="_blank"&gt;http://www.arnolfini.org.uk&lt;/a&gt; (Bristol)&lt;br /&gt;---- &lt;a href="http://project.arnolfini.org.uk/" target="_blank"&gt;http://project.arnolfini.org.uk&lt;/a&gt;&lt;br /&gt;---- &lt;a href="http://www.supertoy.org/" target="_blank"&gt;http://www.supertoy.org&lt;/a&gt; (exh. Bristol)&lt;br /&gt;---- &lt;a href="http://www.watershed.co.uk/" target="_blank"&gt;http://www.watershed.co.uk&lt;/a&gt; (Bristol)&lt;br /&gt;---- &lt;a href="http://www.cubecinema.com/" target="_blank"&gt;http://www.cubecinema.com&lt;/a&gt; (Bristol)&lt;br /&gt;---- &lt;a href="http://www.fact.co.uk/" target="_blank"&gt;http://www.fact.co.uk&lt;/a&gt; (Liverpool)&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;---- The Israeli Center for Digital Art &lt;a href="http://www.digitalartlab.org.il/" target="_blank"&gt;http://www.digitalartlab.org.il&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=";font-family:Arial;font-size:12;"  &gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;---- Vlaams Cultuurhuis de Brakke Grond, Amsterdam, &lt;a href="http://www.brakkegrond.nl/" target="_blank"&gt;http://www.brakkegrond.nl&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-3515565733358776490?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3515565733358776490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/3515565733358776490'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2008/12/misc-20081218.html' title='misc 20081218'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-4530888397908708238</id><published>2008-12-18T15:59:00.000+01:00</published><updated>2008-12-18T16:00:41.705+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mke'/><title type='text'>kultúripar és művészi autonómia 20081216</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-weight: bold;"&gt;Szoboszlai János &lt;/span&gt;művészettörténész (acb Galéria): A kortárs művészet piaca (galériák, aukciós házak, dealerek, árak, írott és íratlan szabályok)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;*&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;III. éves prezentációk (Bölcskey Miklós, Dabi István M., Eperjesi Ágnes, Hübler János M., Mészáros Márta, Török Gombos Adél, Vihart Anna)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-4530888397908708238?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4530888397908708238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/4530888397908708238'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2008/12/kultripar-s-mvszi-autonmia-20081216.html' title='kultúripar és művészi autonómia 20081216'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-906283765852677227</id><published>2008-12-18T15:57:00.001+01:00</published><updated>2008-12-18T15:59:27.256+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='elmélet'/><title type='text'>misc 20081215</title><content type='html'>&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102); font-family: arial;font-size:85%;" &gt;Antoni Muntadas: A projekt mint metodológia, a tranzit. hu által kezdeményezett Művészetelméleti és gyakorlati szabadiskola &lt;a href="http://hu.tranzit.org/fetcharticle.php?puzzle&amp;amp;page=2242&amp;amp;siteid=23&amp;amp;article=2494"&gt;decemberi szemináriuma&lt;/a&gt;&lt;/span&gt;&lt;a href="http://hu.tranzit.org/fetcharticle.php?puzzle&amp;amp;page=2242&amp;amp;siteid=23&amp;amp;article=2494"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: rgb(102, 102, 102); font-family: arial;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;p style="color: rgb(102, 102, 102);" class="MsoNormal"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt; ”Ki? Mit? Miért? Hogyan? Hol? Mikor? És Kinek?”&lt;br /&gt;&lt;span style=""&gt; &lt;/span&gt;A szeminárium időpontja: 2008 dec 16-17. &lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;a href="http://hu.tranzit.org/fetcharticle.php?puzzle&amp;amp;page=2242&amp;amp;siteid=23&amp;amp;article=2494"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: Arial;"&gt; Antoni Muntadas projektjei:&lt;br /&gt;- &lt;a href="http://www.newschool.edu/mediastudies/immediacy/archives/01/memory2"&gt;Media Sites/Media Monuments&lt;/a&gt; 1982 Washington DC, 1998 Budapest&lt;br /&gt;-&lt;a href="http://www.kentgallery.com/artists/images_muntadas_1/details_0408_05.pdf"&gt; The Board Room&lt;/a&gt;, 1987&lt;br /&gt;- &lt;a href="http://www.kentgallery.com/artists/images_muntadas_1/details_0408_06.pdf"&gt;Stadium&lt;/a&gt;, 1989&lt;br /&gt;- Between the Frames 1983-1992&lt;br /&gt;- &lt;a href="http://www.thefileroom.org/"&gt;The File Room&lt;/a&gt; 1994  &lt;br /&gt;- On Translation-sorozat 1995 óta (többek között: On Translation: The Pavilion 1995 Helsinki, On Translation: The Monuments 1998, Budapest, On Translation : The Audience 1999, Rotterdam,  On Translation: Museum, 2002-2003, Barcelona)&lt;br /&gt; &lt;!--[if !supportLineBreakNewLine]--&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;Film: Antoni Muntadas - Marshall Reese: Political Advertisment VII (1952-2008) (75’)&lt;br /&gt;2008. december 15. Kozep-Európai Egyetem, Auditórium &lt;a href="http://www.tranzit.org/" target="_blank"&gt;www.tranzit.org&lt;/a&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/37065257-906283765852677227?l=learning-machine.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/906283765852677227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/37065257/posts/default/906283765852677227'/><link rel='alternate' type='text/html' href='http://learning-machine.blogspot.com/2008/12/misc-20081215.html' title='misc 20081215'/><author><name>sine</name><uri>http://www.blogger.com/profile/05126492290266613235</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-37065257.post-2426792512123048698</id><published>2008-12-12T22:25:00.004+01:00</published><updated>2008-12-12T22:37:29.693+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='elmélet'/><title type='text'>misc 20081212</title><content type='html'>&lt;span style="color: rgb(102, 102, 102);font-size:85%;" &gt;&lt;span style="font-family:arial;"&gt;Könyvbemutató: &lt;span style="color: rgb(0, 0, 0); font-weight: bold;"&gt;„Az autonómia új esélyei”&lt;/span&gt;: Helikon Irodalomtudományi Szemle 2008/4-es száma (Argumentum Kiadó), 2008. december 12. - MKE Intermédia Tanszék&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;p style="color: rgb(102, 102, 102); font-family: arial;" class="MsoNormal"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_pBCFKGHuH5c/SULXtBhtBjI/AAAAAAAAC3g/yHDWNsLlByM/s1600-h/helikon-ff.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 121px; height: 174px;" src="http://2.bp.blogspot.com/_pBCFKGHuH5c/SULXtBhtBjI/AAAAAAAAC3g/yHDWNsLlByM/s200/helikon-ff.jpg" alt="" id="BLOGGER_PHOTO_ID_5279018881735525938" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:arial;font-size:85%;"  &gt;A tematikus lapszámot a kötet szerkesztője, Sőrés Zsolt mutatja be. Vendégek a Helikon-szám munkatársai közül: Nagy Imola, Ivacs Ágnes és Antal István Juszuf.&lt;br /&gt;&lt;br /&gt;Az autonómia és a kultúra alapvetően problematikus viszonyának elemzései az emberi civilizáció megjelenésének legelső fázisa óta ontológiai kérdések megválaszolását igénylik. Kant ugyan rámutatott arra, hogy az emberek metafizikailag szabadok, de a szabad tettek megválasztásának joga nem írja felül a cselekedetekért való felelősségvállalást. Az állam és az autonómia közötti konfliktus során az egyén abban a pillanatban alul marad, amint elfogadja az alávetettséget. Eközben ontológiai - és nem erkölcsi - beágyazódása okán felelősségét el kellene ismernie, autonómiáját megteremtenie minden korban és időpontban, amikor ez csak lehetséges. A civilizált ember az önmaga által teremtett ontológiai paradoxon megoldatlansága miatt nem csupán kultúráját, művészi kreativitását veszítheti el, hanem saját identitását is. A művészet ugyanakkor az autonómiateremtés egyik színtere. A Helikon mostani száma a művészi autonómia újraalkotásának egy radikálisan provokatív kísérletét mutatja be. Sőrés Zsolt az ontológiai anarchizmus egyik fő teoretikusának, Peter Lamborn Wilsonnak a poétikájáról és a hazai alternatív kulturális-művészeti élettel kialakult kapcsolatáról írt tanulmányt. Peter Lamborn Wilson, a New York-i Autonomedia szerkesztője, Hakim Bey néven írt műveiben az autonóm területek kialakításának alternatíváival, a technológiai-társadalmi változások természetével, a média és a művészet kritikájával foglalkozik. A második, _Nomadozófia_ című témakörben Peter Lamborn Wilsonnak az iszlám történelem és kultúra emblematikus sajátosságait tárgyaló valamint az álom nyelvéről szóló metalingvisztikai műveiből válogattunk. Az „Utópia blues” részben René Balliger az ellenállás zenéjének szónikus térfoglalásáról, Hakim Bey a zene utópikus poétikájának és spiritualitásának megteremtéséről, Antal István Juszuf pedig a radikális művészet és az anarchia esztétikai és ontológiai kapcsolatáról értekezik. A negyedik, „Mai magyar autonómia-törekvések” című témakörben Kotun Viktor a budapesti házfoglalók tevékenységét, a squat-ideológia esélyeit foglalja össze. Galambos Attila tanulmánya a globalizáció által teremtett új nevelési helyzeteket veszi számba. Szemle rovatunkban az ontológiai anarchizmus művelődéstörténeti hagyományából a klasszikus anarchista iró, John Henry Mackay eredetileg 1891-ben megjelent _Az anarchisták_című regényének utolsó fejezetét közöljük. Hubert Kennedy és Peter Lamborn Wilson esszéi Mackay munkásságának szellemi hátterét vázolják. (Az autonómia új esélyei – a szerkesztőség bevezetője)&lt;br /&gt;&lt;br /&gt;A tartalomból:&lt;br /&gt;&lt;br /&gt;TANULMÁNYOK&lt;br /&gt;Sőrés Zsolt: Az autonómia új esélyei&lt;br /&gt;"Hakim Bey - Autonóm területek"&lt;br /&gt;- Káosz: Az Ontológiai Anarchizmus nyomtatványai (Fordította: Nagy Imola)&lt;br /&gt;- Immediatizmus (Fordította: Deák Ágnes és Koronczay Dávid)&lt;br /&gt;- Az Ideiglenes Autonóm Terület (Fordította: Nagy Imola)&lt;br /&gt;- Permanens IAT-k (Fordította: Pajtók Ágnes)&lt;br /&gt;- Nyári Otthon. A Periodikus Autonóm Terület (Fordította: Horváth Mária)&lt;br /&gt;- A No Go Terület (Fordította: Garai Eszter)&lt;br /&gt;- Millenium (Fordította: Ivacs Ágnes)&lt;br /&gt;- A palimpszeszt (Fordította: Nagy Imola)&lt;br /&gt;"Peter Lamborn Wilson - Nomadozófia"&lt;br /&gt;- "A sejkek két státusza": Szabad meditáció szexualitásról és hatalomról a modern szúfizmusban (Fordította: Sándor László)&lt;br /&gt;- Szent sodródás. Úton Doktor Maximusszal (Fordította: Sándor László)&lt;br /&gt;- Az álom szertelen bőke
