l'e-m

litográfia:

1. csiszolás (polírozás)
2. savanyítás (timsó, ecetsav, vizes lemosás)
3. rajzolás (tus, kréta)
4. gumizás (talkum, híggumi)
5. eccelés (vékony rajznál kevéssé. Csak nem rajzolt felületre önteni!)
6. vizes lemosás (eccelés után kötelező)
7. gumizás (nem száraz, de letörölt kő)
8. szárítás (víz már ne érje)
9. kimosás (száraz vagy vizes tinktúra+benzin), textillel szárazra törlés, megszárítás
10. festékezés gumihengerrel
11. gumihengerrel víz alatt kimosni
12. gumizás (lehet vizes a kő, de nem nagyon), eccelés, vizes kimosás, megszárítás
13. ismét gumizás, ha eccelés történt. Ezek után lehet a)nyomtatni, b)eltenni a követ

(forrás: Szabó István, Vác)

# posted by sine : 8:32 PM

Labels: mke

# posted by sine : 8:31 PM

Kaleidoszkóp készítés: http://www.free-pc.hu/unic/graph/graph.html

kaleidoszkóp (David Brewster, 1815)
"A kaleidoszkóp távcsőhöz hasonlatos tárgy, melynek egyik végén betekintve folyamatosan változó, szimmetrikus formákat látunk. Ha két sík tükröt bizonyos szögben egymás felé fordítunk, akkor a két tükör közé helyezett tárgynak, például egy egyszerű papírdarabnak többszörösen visszavert képét láthatjuk a tükrökben. Minél hegyesebb szögben állítjuk be a két tükröt, annál több visszaverődést láthatunk. Megfelelően megválasztott szöggel elérhetjük, hogy a szimmetrikus visszaverődés folytán egy teljesen szabályos csillagszerű alakzatot láthatunk, bármilyen szabálytalan alakú is az eredetileg tükröztetett tárgy." (Kolta Magdolna, forrás: http://www.fotomuzeum.hu/kepmutogatok/vii.html)

Labels: kutatás

# posted by sine : 8:31 PM

mke konferencia

http://www.mkf.hu/

Labels: mke

# posted by sine : 8:29 PM

http://www.kortarsonline.hu/0212/ferdinandy.htm, a Keleti órájának nagymutatója (http://vfek.vfmk.hu/eso/2004_1/016.html ), Műhely 2006/6, Az otthonos város

# posted by sine : 8:27 PM

Labels: mke

# posted by sine : 8:27 PM

A MŰVÉSZET HÁLÓZATI ESEMÉNYEI (1986-2006) ÉS
A DECENTRALIZÁLT VILÁGKONGRESSZUSOK
Előadás-események, videóvetítések, kiállítás az Artpool P60-ban
(Budapest VI., Paulay E. u. 60.)
2006. november 3., 8., 10.
A DECENTRALIZÁLT MŰVÉSZET ÉS A VILÁG
előadók: Galántai György, Colette & Günther Ruch (Genf, Svájc), Peter Küstermann / Netmail (Minden, Németország), Tóth Károly (Rotterdam, Hollandia)
2006. november 15., 17.
A DECENTRALIZÁLT VILÁG ÉS A MŰVÉSZET
előadók: Marko Stamenkovic (O3ONE - Belgrád, Szerbia), Fuchs Péter (Budapest)
http://www.artpool.hu

# posted by sine : 8:26 PM

(http://www.mke.hu/news/index.php?func=showarticle&art=145407f0c914aa)
20061027-20061118 MKE/Barcsay
Chantal Akerman (B) (http://www.imdb.com/name/nm0001901/ http://www.hoverground.com/chantal/ ),
Gőbölyös Luca (H),
Gerber Pál (H) (http://www.ica-d.hu/projektek/2005/gerber/gerb.htm )
Gyenis Tibor (H),
Anna Konik (Pl) (http://www.polishculture-nyc.org/konik_bio.htm, http://www.pushthebuttonplay.com/artists/konik/konik_profile.html ),
Anri Sala (Al /Fr) (http://www.the-artists.org/ArtistView.cfm?id=7FC521F5-4F6B-4D2B-BC9F7CE23CE38DEC , http://www.designboom.com/contemporary/sala.html ),
Adrian Paci (AL / I) (http://web.tiscali.it/adrianpaci/ ),
Mario Rizzi (I) (http://www.gasart.it/gallery/it/artists/artista_26.html )

# posted by sine : 8:25 PM

IKEMXX (http://www.balkon.hu/balkon04_04/08fogarassy.html )

IKEMXX (http://www.balkon.hu/balkon03-03/01karolyi.html )

Aktuális Levelek (http://www.artpool.hu/Al/al01/Karolyi.html)

MOTÍVUM-LELTÁR, 1979-80

Labels: mke

# posted by sine : 8:23 PM

www.blender.org, www.blender3d.org, www.elysiun.com, www.linuxgraphic.org, blenderchar.weirdhat.com, www.selleri.org, www.design21.hu, www.render.hu,

hivatalos verziók: blender-2.36-windows.exe, yafray-0.0.7.exe

wiki: http://hu.wikipedia.org/wiki/Blender_(program) (sok link)

# posted by sine : 8:23 PM

http://www.artpool.hu/Fluxus/Maciunas/Eloszo.html

Astrit Schmidt-Burkhardt (http://www.bildwissenschaft.org/VIB/content.php?menuItem=1&uid=284)

( Maciunas' Learning Machines. From Art History to a Chronology of Fluxus von Astrit Schmidt-Burkhardt, Erscheinungsdatum: September 2003, ISBN: 3932809394
Taschenbuch)

The Gilbert and Lila Silverman Fluxus Collection, Detroit

Labels: mke

# posted by sine : 8:22 PM

http://museum.antwerpen.be/plantin_moretus

Vrijdagmarkt 22
2000 Antwerp
tel.: +32 03 221 14 50 of +32 03 221 14 51
fax: +32 03 221 14 71

képek a Plantin-Moretus házból: eredeti Garamond matricák, nyomda, a két legrégebbi nyomdagép a világon, tipográfiai eszközök

www.mudam.lu

# posted by sine : 8:21 PM

www.codemagazine.be

www.mekanik-strip.be

www.bries.be

www.workshopcomocs.tk

www.cuitemagazine.nl

www.uitgeverijxtra.nl

www.stickerclub.be

www.watisuwexcuus.be

HISK Hoger Instituut voor Schone Kunsten www.hisk.edu

# posted by sine : 8:20 PM

Muhka www.muhka.be Academy, Learning from Art

# posted by sine : 8:17 PM

John C. Welchman is Professor of art history in the Visual Arts department at the University of California, San Diego. His books on art include Modernism Relocated: Towards a Cultural Studies of Visual Modernity (Allen & Unwin, 1995), Invisible Colours: A Visual History of Titles (Yale UP, 1997) and Art After Appropriation: Essays on Art in the 1990s (Routledge, 2001); he is co-author of the Dada and Surrealist Word Image (MIT Press, 1987) and of Mike Kelley in the Phaidon Contemporary Artists series (1999); and editor of Rethinking Borders (Minnesota UP, 1996).
He has written for Artforum (were he had a column in the late 1980s and early 90s), Screen, the New York Times, International Herald Tribune, the Economist and other newspapers and journals; and contributed catalogue essays for exhibitions at the Tate (London and Liverpool), Reina Sophia (Madrid), Museum of Contemporary Art (Los Angeles), the LA County Museum of Art, the Sydney Biennial, Vienna Museum of Contemporary Art, the Contemporary Art Gallery (Vancouver), the Ludwig Museum (Budapest), and the Haus der Kunst (Munich).
His current book projects include editing the collected writings of Mike Kelley (the first vol., Foul Perfection: Essays and Criticism, was published with MIT Press in 2003; the second, Minor Histories, also, with MIT, arrived Spring 2004; and the third Mike Kelley: Interviews, Conversations, and Chit-Chat, 1988-2004 with JRP|Ringier, Zurich in 2005; volumes on music and sound culture, and performance scripts are in preparation). He is also finalizing two books on the relation between art, film and the representation of faces (The Celluloid Face and Faces and Powers); and is contracted to write a major survey on World Art Now for Phaidon (London).
His most recent exhibition projects are: “The Uncanny and Visual Culture” for Mike Kelley’s The Uncanny (Tate Liverpool/Vienna Museum of Contemporary Art (Spring-Fall, 2004); “First Mate’s Blood Flux,” for Paul McCarthy: LaLa Land Parody Paradise, Haus der Kunst, Munich, Germany, June-July 2005 [text in German and English]; “Relational Equilibrium” a discussion between John Baldessari and John Welchman, for John Baldessari: Drawn From Life, Carré d’Art Musée d’Art Contemporain de Nîmes, France, October 2005 to January 2006. [text in French and English]; “Of(f) White,” for Gunter Brus: Nervous Stillness in the Horizon, Museum of Contemporary Art, Barcelona [MACBA] Spain, October 11, 2005 - January 15, 2006 [text in Catalan and English]; “A Museum of Unnatural History “for Xavier Veilhan, Musée d’Art Moderne, Strasbourg, France, Fall 2005. [text in French and English]; “Fęte Accompli: Mike Kelley’s Day is Done” for Day is Done, Gagosian Gallery, New York (2005), catalogue published by Yale University Press, 2006.
Welchman also writes on food and culinary history—he co-authored Please to the Table: The Russian Cookbook (Workman, 1989) and Terrific Pacific (1995) with Anya von Bremzen, and provided the photography for Fiesta! (Doubleday 1997)—the first and last won James Beard awards.
forrás: tranzit

Labels: mke

# posted by sine : 8:15 PM

Akademie Voor Schone Kunsten:

http://www.kunst.academiegeel.be/

# posted by sine : 8:13 PM

RUE MARCHÉ-AUX-HERBES 83

24/24, att.: jusqu’au 15/11!

Les phrases, sommations, pensées, sensations inscrites sur les banderoles fonctionnent comme les reflets, passés au crible de l'intellect, d'un monde intérieur. La peinture est ici un lieu de l'intime et de la médiation. L'adresse de ces phrases est inconnue et permet alors d'imaginer un ensemble de réseaux de signification et de liens infinis.

Autres lieux:

Boulevard Anspach 64 - Pl. de Brouckère 39 - rue des Fripiers 44 -

rue Marché-aux-Herbes 1A - rue du Midi 46 - rue de Flandre 46

Irma Firma (kép 2) CORTEGEMANEGE: a small walk with giants

# posted by sine : 8:07 PM

Életrajz (http://www.graphicwitness.org/historic/fm.htm ), linkek: (http://www.bugpowder.com/andy/e.masereel.html, wiki: http://en.wikipedia.org/wiki/Franz_Masereel, http://www.iisg.nl/exhibitions/art/indexmasereel.html, http://www.wallvis.com/wikikotten/index.php/Frans_Masereel ), + körút fesztivál (http://www.korutfesztival.hu/ ) hírei, The City: (http://www.graphicwitness.org/historic/s01.html )

# posted by sine : 8:04 PM

http://www.wvc.vlaanderen.be/fransmasereelcentrum/

# posted by sine : 8:04 PM

http://www.ccnoa.org/

„Since its inception in 1998, CCNOA center for contemporary non-objective art, a multidisciplinary, non-for-profit organization, has focused on the presentation, promotion, and dissemination of a broad range of international identities, concepts and practices in the field of contemporary abstract art, notably in the areas of visual art, multimedia and publications.

CCNOA attracts European and international artists and art professionals to Brussels, provides a platform for emerging as well as established artists from Belgium and elsewhere, and facilitates their introduction to other European countries and the rest of the world by organizing traveling exhibitions and exchanges with art galleries, art centers and museums worldwide. Thanks to our combined efforts, CCNOA and its associates are today not only integrated into the Belgian cultural landscape but continue to increase their visibility and relevance on the European and international cultural circuit. Our larger traveling exhibitions in recent years include amongst others 'minimalpop' @ Florence Lynch Gallery New York City 2004 & Galerie Les filles du calvaire, Paris & Brussels 2005; '2step' @ Kunstnernes Hus Oslo & UH University Galleries, Hertfordshire 2006, and 'Painted Objects' @ PS Amsterdam 2005.

Alan Uglow (ehhez van kép is) Alan Uglow (UK/USA)
Date: 15/09/2006 – 22/10/2006
Format: solo exhibition
Disciplines: multi-media installation

*1941 in Luton (England)
Lives & works in New York City (USA)

Uglow’s rigorous abstractions, often cited as ‘minimalist’, are, in fact, deeply grounded in the world. Locations and situations - isolated and extracted from their original context, stripped to the bare bones and reduced to their constituent parts - find their way into the artist’s vibrant, sensuous, and subtle abstract compositions. In examining one of Uglow’s primary compositional elements, the monochrome bands surrounding a seemingly uninflected surface, the symbiosis between his formal concerns and one source of inspiration for his work - his lifelong fascination with the game of soccer itself, as well as the nature of its space - is revealed. Challenging and sharpening perceptual awareness, Uglow’s works are "... phenomenological and epistemological propositions. ... [They] ... are objects meant to reaffirm the viewer’s ability to learn from the abstract. ... to make the viewer re-experience the material world. The abstract here is the cognitive process, the ability to turn experience into concepts and concepts into action." (Shirley Kaneda/Saul Ostrow).

Uglow participated in the CCNOA organized group exhibition 'WOP' and 'minimalpop'.

Also see www.psprojectspace.nl exhibitions 2001 ‘WOP’”

forrás: ccnoa

# posted by sine : 8:01 PM

http://www.aeroplastics.net/

virtual visit: http://www.aeroplastics.net/gallery/tour/enter.html

# posted by sine : 8:00 PM

Bozar www.bozar.be

Museum Bellevue

www.knooppuntdemocratie.be

# posted by sine : 8:00 PM

Contemporary Art and the Home 2002, Berg Publishing Editor: Colin Painter
ISBN 1 85973 656 4 /1 85973 661 0 (http://www.bergpublishers.com/us/book_page.asp?BKTitle=Contemporary%20Art%20and%20the%20Home )
At Home with Art (National Touring Exhibitions) 1999, Hayward Gallery Publishing
ISBN 1 85332 200 8
Lecturing about his various projects with the Tate (http://www.tate.org.uk/about/tatereport/2004/collection/archive_list/archive_p.htm ), Victoria & Albert Museum and the National Gallery, London, and his books “Contemporary Art and the Home” and “At Home with Art”. Colin Painter will also lecture about his involvement in research and policy-making in art and design in higher education in the UK. (http://www.newaudiences.org.uk/project.php?id=458 )
Colin Painter is an artist/curator who has combined exhibiting as a painter with field research, associated project based exhibitions, writing and teaching.
In the 1990s as Principal of Wimbledon School of Art, London, he was intensely involved at a national level in research and policy making in art and design higher education in the UK.
In the 1980s, becoming increasingly interested in the isolation of the contemporary art world from the wider public. He undertook ethnographic research into ways in which people relate to images in their homes, exploring relationships between the culture of contemporary fine art and that of other visual cultures as manifested in domestic contexts.
Since 1990 his continuing research has formed the foundation for subsequent studio activity and project based exhibitions in national venues.
At Home With Constable’s Cornfield at the National Gallery, London (1996) looked at the ways in which a single work of art had found a multiplicity of forms and meanings in people’s homes. Alongside the original painting, the exhibition uniquely (at the time) showed reproductions of it from people’s homes as well as the words of their owners.
In 1999/2000 at The Tate Gallery, London, (now Tate Britain) he organised the project At Home With Art in which nine sculptors, Angela Bulloch, Tony Cragg, Richard Deacon, Antony Gormley, Anish Kapoor, Permindar Kaur, David Mach, Richard Wentworth and Alison Wilding made mass produced multiples for sale in Homebase stores. The exhibition was toured in Britain for two years by National Touring Exhibitions of the Hayward Gallery.
In 2002 at the Victoria and Albert Museum, London, he organised Close Encounters of the Art Kind in which six sculptors, Tania Kovats, Langlands and Bell, Sarah Lucas, Keir Smith, Richard Wilson and Bill Woodrow made works which were rotated around six homes – each home having each work for a month. The exhibition included images and objects from the six homes along with the work of the sculptors. (http://www.vam.ac.uk/collections/contemporary/past_exhns/close_encounters/ ) (forrás: mke)

Labels: mke

# posted by sine : 7:59 PM

Cezanne

# posted by sine : 7:59 PM

http://www.arthist.mta.hu/index.php?page=fondok&fon=22 (fondok)

http://www.terebess.hu/keletkultinfo/tamkod.html (dimman)

http://www.terebess.hu/keletkultinfo/tamko.html (joga)

http://www.mek.iif.hu/porta/szint/tarsad/irodtud/magyarir/html/tamko.htm

http://www.artpool.hu/TamkoSirato/moka.html

# posted by sine : 7:58 PM

about: http://puredata.info/, wiki: http://en.wikipedia.org/wiki/Pure_Data,

A Pure Data (http://www.puredata.info) egy szabad és nyílt forráskódú,

valós idejű grafikus programozói környezet, amely széles skálán

alkalmazható vizuális művészetekhez, színházhoz, tánchoz,

hanghoz, installációhoz, perfomanszhoz és egyéb kísérleti médiaművészeti

alkotásokhoz.

PURE DATA linkek:

miller puckette's original site: http://www-crca.ucsd.edu/~msp/software.html

pd wiki: http://en.wikipedia.org/wiki/Pure_data

blogs: http://neural.it

http://pixelsumo.com

http://generatorx.no

installers: http://at.or.at/hans/pd/installers.html

activities: http://umatic.nl/

http://www.piksel.no/

http://www.goto10.org/

# posted by sine : 7:57 PM

Te merre biciklizel? (http://www.uj-muveszet.hu/archivum/2005/majus/nagy.htm )

A müncheni Iconic Turn rendezvénysorozat előadásai (http://www.exindex.hu/index.php?l=hu&t=tema&tf=09_e_.php )

Image/text (http://www.arthist.lu.se/kultsem/Ais/sem-CFP/c0504text.html )

# posted by sine : 7:56 PM

"Parazita *.SR" http://www.c3.hu/events/98/kapitany/parazita.html

http://www.nagybalint.hu/

# posted by sine : 7:54 PM

Belting (http://www.c3.hu/~tillmann/konyvek/ezredvegi/belting.html )

# posted by sine : 7:52 PM