l'e-m

---- techne = művészet (StAuby) http://www.youtube.com/watch?v=6WwPHeM5ltI
és Big Dog, Robotic Chair
---- Random Rules - A Channel of Artists' Selections from YouTube, curated by Marina Fokidis
Artists: Andreas Angelidakis, Aids 3D ( Daniel Keller and Nick Kosmas) , assume vivid astro focus, Pablo Leon de la Barra, Eric Beltran, Keren Cytter, Jeremy Deller, Cerith Wyn Evans, Dominique Gonzalez Foerster, Dora Garcia, Rodney Graham, Annika Larsson, Matthieu Laurette, Ingo Niermann, Miltos Manetas, Ahmet Ögüt, Angelo Plessas, Lisi Raskin, Linda Wallace.
„The history of moving image seems to have 'seriously' diverted from its canonical route ever since the launch of YouTube, in 2005, the website which made possible for anyone who could use a computer to post a video that millions of people could watch within a few minutes. More effectively than ever before, amateur videos, music videos, footages of films, commercials and news segments as well as artists' videos (in lesser numbers) mingle together, in a random way, free of any short of predetermined hierarchy or system. Does amateur culture have undervalued artistic expertise? Some would argue that this is true; however, it is neither a major concern nor a pragmatic threat. During the last decades, there have been a lot of debates about expertise versus amateurism or around the idea that everyone is an artist, etc, that it would be redundant to renegotiate these notions anew. Maybe it is more interesting to focus on the gaps and the relations between the systems of the art market and a more open mass culture market, to find some answers, which will not be fixed in anyway. Even if artists, in some cases, are reluctant to upload their works in there (at least up to now) due to reproduction and copyright issues, they still seem to frequent YouTube for inspiration, collecting information, socializing, communication, activism or entertainment, among other reasons! Active use of YouTube is a short of curating, where different 'playlists' of people are the exhibitions and 'tagging' is a process of a random archiving.
In a time that invitations for YouTube-exchange private gatherings become regular, seemed to make lots of sense to explore what YouTube means to a specific intellectual community, by asking a number of artists to select videos already exciting in YouTube and create their own playlists. The idea was to form a YouTube channel, a short of a paradoxical archive, or an emission in an independent media (such as YouTube) which includes all these playlists, each under the name of the artist-selector. In that plot, the uploader or the broadcaster becomes the artist, the artist becomes the curator or the collector, and the viewers exceed by far the number that can be contained into a normal screening room, since the channel is to be watched in a black cube setting and online at the same time. Through the combination of this specific set of artists -as selectors- the aim remains always to come up with an anthology of different voices existing within the YouTube context. Perhaps, by watching this channel one could come across the notions of political, private, humor, narcissism, pop and DIY culture and distribution, -among others- as they result from various personal accounts in YouTube today.” Launched at Pulse, Contemporay Art Fair NY, 5th March 2009
---- „Mi a baj a yt-al?”, tranzitblog 20080222

figyel::::

---- nagyhalászi gólyák, szöveg itt : mme gólyanapló
---- nasa tv, kép forrása

hely::::

---- wage work, blog
---- Ludwig Forum für Internationale Kunst, Aachen
---- Neuer Berliner Kunstverein n.b.k. Berlin, 40 éves
---- Stedelijk Museum Bureau Amsterdam (SMBA), itt The Demon of Comparisons, 28 March - 17 May 2009
”With Heman Chong, Hafiz, Tibor Hajas, Beom Kim, Sung Hwan Kim, Wendelien van Oldenborgh, Tadasu Takamine, with special contributions by Philippe Rekacewicz and Grace Samboh
The Demon of Comparisons is an association of subjective positions relating in various ways to larger social and political frameworks, to power and cultural constructions. Placing emphasis on the issue of individual agency in a landscape defined by questions of national and cultural identities, The Demon of Comparisons questions the kind of collectivity these subjects can form. The title is a translation of a phrase from Jose Rizal's novel Noli Me Tangere, "el demonio de las comparaciones", also used by Benedict Anderson as the title of his book, where it is rendered as The Specter of Comparisons. An original and insightful thinker, Benedict Anderson questioned the patterns and the meeting points that are to be found throughout geographies, times and power structures that lead to formations of identities and various senses of belonging. Our translation remains anchored in this area of interest, but is intended to add the potential of the polisemy, indeed the spectres, of the original Spanish word, "demonio", in dealing with the subjectivity of one's experience of culture and power.
The Demon of Comparisons grew out of exchanges and discussions during Open Circuit #1: Yogyakarta, organized by Electric Palm Tree in September 2008 in Indonesia. During the week-long workshop, participants shared and negotiated their experiences and vocabularies of social transformation from their respective backgrounds.”
---- Casco, Office for Art, Design and Theory, Utrecht, itt The Antagonistic Link 29 March - 17 May 2009
”Mixrice, Hwa Yeon Nam, Nam June Paik, Sasa [44] with Sulki & Min, Curated by Binna Choi
The Antagonistic Link is an experimental setting for drawing transnational links in the form of an agonistic process that assumes the opposing parties to be in a state of conflicting coexistence. The Antagonistic Link uses 'Bye Bye Kipling', a historical satellite event conceived by Nam June Paik in 1986, as a point of departure. The exhibition combines this piece with three other projects initiated by artists and designers from South Korea, as well as other related activities. All these works explore the constructive possibilities of overcoming the sense of distance and antagonism that is the paradoxical product of advancing globalization.
"East is East, and West is West, and never the twain shall meet", the first line of The Ballad of East and West, a poem by Rudyard Kipling, opens up Paik's live satellite link-up of Japan, Korea and the United States – a broadcast featuring different sorts of cultural events and performances. Paik designed and coordinated the event with the intention of countering this poetic declaration (which, to be fair, is also undermined in the rest of Kipling's poem as he suggests that individuals are capable of this after all). The video is a shorter edit of the original broadcast and reveals various ironic and fractious moments in such a linkage. This may be a starting point for questioning the complexities and contradictions inherent in today's communication channels and global links — an inquiry that neither denies nor blithely celebrates the possibilities of transnational connection.”
---- Electric Palm Tree
---- CCA Gallery, kubai fotósok, Ahi…escapando, 2009 (10th Havana Biennial Project)
---- Riksutställningar, Visby, Svédország
---- Kumu Art Museum, Tallinn
---- Urban Jealousy, 1st International Roaming Biennial of Tehran, 3rd station, Belgrád, 2009.04.03.-04.10. (korábban Istanbul, és Berlin), blog

szöveg::::

---- e-magazine. 10th Havana Bienal, cca
---- Public Preparation
---- Miltényi Tibor: Papp Gergelyről, monográfia: Papp Gergely: Fotóalbum, 1998, Szellemkép Kiadó
---- AAAARG új címe: http://a.aaaarg.org.

Labels: fotó, hely, írás

# posted by sine : 11:19 AM

*

Baglyas Erika: Ember tervez c. kiállítása - Szent István Múzeum, Székesfehérvár (2009. február 21 - április 13.)
róla Dékei Kriszta: Nekem nyolc, exindex, 2009. március 24. (képek BE)

misc:

Közös képnézés, Kovács Dénes, Óbudai Társaskör Galéria, 2009. márc 24-ápr 19.
Miltényi Tibor: Papp Gergely

Labels: mke

# posted by sine : 10:59 AM

---- Extra City, Antwerpen, itt Eisenstein mexikói rajzai, 2009 ápr 3-jún 21.
---- RE:akt! Reconstruction, Re-enactment, Re-reporting, 2009 márc 25-ápr 17.
(Lucas Bambozzi, Vaginal Davis, Janez Janša, Eva and Franco Mattes (aka 0100101110101101.ORG), SilentCell Network / Mare Bulc, Janez Janša, Bojana Kunst, Igor Štromajer)
---- Galerija Škuc, Ljubljana, Slovenia
---- Aksioma – Institute for Contemporary Art, Ljubljana
---- Fri Art, Fribourg
---- CAC Brétigny, Centre d'art contemporain de Brétigny
---- apexart New York, itt I Am Art: An Expression of the Visual & Artistic Process of Plastic Surgery, 2009 márc 28-máj 9.
„Leon Dufourmentel, a pioneer in plastic surgery, said in 1948, '...If I went to Picasso for my portrait, he would probably make me a monster and I should be pleased because it would be worth a million francs. But if Picasso came to me with a facial injury and I made him into a monster, aha, he might not be so pleased.'”
---- daadgalerie, Berlin, itt Artur Żmijewski: "Democracies"28 March - 9 May 2009

szöveg::::

---- András Edit: Kulturális átöltözés - Művészet a szocializmus romjain, 2009, Argumentum Kiadó
---- Mélyi József: Mihez kezdjünk a Breker-szobrokkal? itt
---- urbanspace blog
---- ARTSPEAK PUBLICATIONS, Vancouver
Artspeak is a Vancouver artist run centre established in 1986. Artspeak presents contemporary practices, innovative publications, book works, editions, talks, and events that encourage dialogue between visual art and writing. lista

individ::::

Labels: hely, írás

# posted by sine : 10:00 AM

Labels: mke

# posted by sine : 9:57 AM

szöveg::::

---- BAVO: "Always Choose the Worst Option. Artistic Resistance and the Strategy of Over-Identification"
---- The Politics in the Room - In Eight Chapters, 16 March - 16 April
---- Kaleidoscope. A contemporary magazine (Milánó)
---- Florian Cramer "Concepts, notations, software art"
----"textz.com", róla Sebastian Luetgert itt
---- A közismertségről: tranzitblog offline beszámoló (esemény 2009. 03.05.)
---- METROPOLIS M , benne Claire Fontaine-ről (F)

hely::::

---- MAMbo - Museo d'Arte Moderna di Bologna, Bologna
---- LUX, London http://www.lux.org.uk
---- BAM, Flemish institute for visual, audiovisual and media art, itt: 'arts flanders 08: visual and audiovisual arts'
---- NKV nassauischer kunstverein wiesbaden
---- CGAC (Galician Center for Contemporary Art), Santiago de Compostela
---- The National Museum of Contemporary Art (emst), Athén, itt: SHIRIN NESHAT, WOMEN WITHOUT MEN, 2009 márc 18-máj 31.
”...presents the new monumental opus of the international Iranian- American artist Shirin Neshat, Women without Men, which begun in 2004 and was completed in 2008. Neshat's new work is based on a banned book from 1989 by the Iranian author Shahrnush Parsipur. The novel is set in 1953, the year when the democratically elected prime minister, Mohammad Mossadegh, vainly tried to avert a coup d'état mounted by American and British forces, whose task it was to reinstate the Shah as an absolute ruler in order to avoid the nationalisation of the country's oil resources...”

néz::::

---- made in china vol. 1, sinkovics ede, magyar műhely galéria, 2009. márc 18-ápr 10., ede blog: http://museschinkovich.blogspot.com/
---- Carlos Katastrofsky: webzen, 2009, webpage on servere>A Koan: “All things can be traced back to the One, to what, however, can the One be traced back?” - “Untitled Document” is written on top of the browser window. No name, no content, no design: a webpage as simple as it can be. Still the work webzen (2009) demands outmost concentration. Clicking from one page to the next, the neverending quest for links is leading further, the skimming through pieces of information and the scanning of texts and pictures is interrupted - which is irritating. webzen is an attempt to abandon representational thinking, to understand life as utterly art of absent-mindedness and to experience the reality beyond duality and logic and beyond space and time. webzen has only one assignment: the single-serving site wants to overcome itself by means of meditating on the basic formulas of sourcecode: , , , system, spirit, concept, body. But overcoming would only have been possible if the site would have never existed. - another Koan: “All things can be traced back to the code, to what, however, can the code be traced back?”
---- periprojekció
---- Contemporary Drawing Fair 09, Párizs, 2009 márc 26-29.
---- Videonale e.V. im Kunstmuseum Bonn, 2009 márc 26-ápr 26
---- SUZ-Game, Soviet Unterzoegersdorf (pronounced «oon-taa-tsee-gars-doorf») is the last existing client republic of the USSR. The soviet enclave maintains no diplomatic relationship with the surrounding so-called "Republic of Austria" or with the capitalist fortress "European Union". The downfall of the people's motherland – the Soviet Union -- in the early 1990s had a devastating effect on the country’s intra-economic situation. External reactionary forces threatened the last remaining proletarian paradise. Party secretary Wladislav Gomulka has been kidnapped and is being held in US-Oberzoegersdorf. We must save comrade Gomulka! Because communism isn't an opinion. It's a promise. Crest, Daria Prawda, Bre Pettis -- and many more.
---- Biotech Art – Revisited, 2009, ápr 8-máj 2. (experimental art foundation, Lion Arts Centre North Tce [West End] Adelaide South Australia)
ARTISTS/SCIENTISTS Trish Adams, Bio-Kino (Guy Ben-Ary & Tanja Visosevic), BioHome (Catherine Fargher & Terumi Narushima), André Brodyk, Gary Cass & Donna Franklin, (bioalloy) FOaM (Maja Kuzmanovic & Nik Gaffney), Niki Sperou, Paul Thomas in collaboration with Kevin Raxworthy, Tissue Culture & Art Project (Oron Catts & Ionat Zurr)
---- Vákuumzaj (pdf) a trafóban, 2009 feb 5 - márc 29., róla dromidriver, TGM bevezetője (résztvevők: Doa Aly, Chen Chieh-Jen, Csákány István, Harun Farocki, Isa Rosenberger, Artur Żmijewski)
ehhez kapcsolódva ld Harun Farocki: Négy film, március 17 és 18 / KINO
Harun Farocki német dokumentum- és kísérleti filmes alkotó, író. Munkáiban a képek mögötti láthatatlan, de feltárható más képeket, szándékokat, hatalmi viszonyokat, a képolvasás és a filmnézés politikai és társadalmi beágyazottságát vizsgálja. Jellemzően archív anyagokkal, talált vagy újra-fellelt filmekkel dolgozik, filmesszéket ír a vágóasztalon, amelyekben a metaforikusan vagy leplezetlen didaxissal szerkesztett képek egymást értelmezik.
Haladék / Respite / Aufschub, 2007, 40min, beta, ff, néma
Börtönképek / Gefängnisbilder / Prison Images, 2000, 60 min, beta, ff + színes.
Két háború közt / Zwischen zwei Kriegen / Between two Wars, 1978, 83min, 16mm, ff (Fatos Ustek: http://thelostmoment.blogspot.com/)
A látás útja / Wie man sieht / As you see, 1986, 72min, 16mm, ff + színes
---- „The Manchester Small-Scale Experimental Machine (SSEM), nicknamed Baby, was the world's first stored-program computer... it ran its first program on June 21, 1948.” http://www.digital60.org
---- David Link: Alpha 60 technologies, alpha60.de

Labels: film, hely, írás, kiállítás

# posted by sine : 12:26 PM

-- Erdély Miklós: A filmről, Balassi-BAE-Intermédia, 1995, benne: Tavaszi kivégzés, 86-94. old., Mozgó jelentés (A zenei szervezés lehetősége a filmben) 113-126.,
-- Tavaszi kivégzés a bbs-ben, az artpoolon (szöveg és hang 20´28”)

„Különben is a lefejezésre használt szerkezet csak nagy jóindulattal volt nevezhető guillotine-nak, tulajdonképpen egy közönséges ócskaság volt, durván megmunkált fagerendákból ácsolt középkori tákolmány. Körülbelül másfél méter magas, ugyancsak fadobogón már ősidők óta változatlanul állt. Egyetlen modernizálás, hogy bevezették az áramot, így a zsinegen lógó rozsdás kés egy gombnyomásra hullhatott az elítélt nyakára. Ezt az újítást az önkéntes ítéletvégrehajtás újabban elterjedt gyakorlata tette szükségessé.”

-- (Franciaországban 1977. szeptemben 10-én végeztek ki utoljára guillotine-nal halálraítéltet.)

-- Mozgó jelentés (im szöveggyűjt)
-- metropolis Erdély száma, 2007/4
-- Puskin utca Erdély száma, 2008/4
-- Ivan Ladislav Galeta,
-- Erdély 80/80 nap (2008.06.05-06.) flash videói itt

*

Süli-Zakar Szabolcs II. éves hallg prezentációja (PTE-MKE)

Labels: mke

# posted by sine : 11:11 AM

hely::::

---- KAI 10 – Raum fuer Kunst, Duesseldorf
---- Marres, Centre for Contemporary Culture, Maastricht itt: The Russian Schizorevolution: an exhibition that might have been March 1st - May 31st 2009
---- Office for Contemporary Art Norway, Oslo
---- FOUR, Dublin
---- X, New York
---- Art Pavilion Zagreb, itt: Looking at Others
---- Project Arts Centre, Dublin
---- Royal Hibernian Academy, Gallagher Gallery, Dublin
---- Deutsche Guggenheim, Berlin
---- MGLC International Centre of Graphic Arts, Ljubljana
---- Antidatamining is a series of visualizations of financial data extracted from the web. Economy is represented by its main agents - companies, groups and holdings, stock exchanges, banks and investment funds - and their interactions : capital relationships, geographic deployments, structuralization on market places. Beyond the current crisis, its mediatic and polictic levers, Antidatamining is a permanent monitoring device, which aims to highlight the structure of the contemporary economy, seen as a complex dynamic system.

szöveg::::

---- Boris Groys: Religion in the Age of Digital Reproduction, itt: e-flux journal issue #4, March 2009
---- Flash Art International No.265 (March-April 2009), itt DAN GRAHAM Violaine Boutet de Monvel-lel beszélget, 56. old
---- frieze editor’s blog
---- Art Lover: a.k.a. Álneves művészek, művészi álnevek, Orpheusz Kiadó, Budapest, 2006, 136 p., ill., ff
---- Beke László: Elképzelés. A magyar konceptművészet kezdetei. Beke László Gyűjteménye, 1970., Nyílt Struktúrák Művészeti Egyesület OSAS – tranzit.hu, Budapest, 2008, 219 p., ill., színes [Az "Elképzelés"-ről]

Labels: hely, írás

# posted by sine : 10:40 AM

marlyi tézisek
Né/ma, 2004, Tanulmányok a magyar neoavantgárd köréből, itt 5. fejezet, Kolozsi Orsolya a Marlyi tézisekről

-- Claude Lévi-Strauss, szimbolikus csere, társadalmi csere, ajándékozás
-- Sebők Z: Az ajándék lelki élete, itt: zetna,
-- Marcel Mauss (1872-1950): Tanulmány az ajándékról (1924) in: Szociológia és antropológia, Osiris, 2004 (válogatta és előszó Claude Lévi-Strauss)
-- Emil Durkheim: Az öngyilkosság. Közgazdasági és Jogi Könyvkiadó Bp. 1982 (első kiadás 1897-ben!)

-- George Bataille gazdaságelmélete (bőség és nyomor)

-- Regine. Prange, «Die mythische Geste,» Jackson Pollock, Number 32, 1950, Munich, 1996
-- Ernst Bloch (1885-1977): A remény elve, 1954-59 (Das Prinzip Hoffnung/ The Principle of Hope, MIT Press, 1986)
-- Dosztojevszkij: Karamazov testvérek, Feljegyzések az egérlyukból
-- Erdély Miklós: Mozgó jelentés
-- palinódia,
-- Robert Filliou, Dear Skywatcher - art is what makes life more interesting than art, 1984, foto MuHKA

régebbről:
-- Gelencsér Gábor: Erdély Miklós, mint film, in metropolis em száma 07/4,
-- Beszélgetések Erdély Miklósról, puskin utca 08/4, 8-37.old, pdf

*

íráskurzus – Gács Anna

-- Kosztolányi: Költő disznózsírból (1928)
-- Danto Eperjesi Ágiról, holmi 2006/nov
-- Jeff Wall: Dead Troops Talk http://www.tate.org.uk/modern/exhibitions/jeffwall/infocus/section3/img1.shtm
-- Susan Sontag: A szenvedés képei, Európa Könyvkiadó, Bp, 2004
(erről Kolozsi László, filmkultúra 2005)
-- Virginia Woolf: Három Guinea/Three Guineas (1938) angolul

Labels: mke

# posted by sine : 10:25 PM