l'e-m

- Sharjah Biennial 9, az artkrush-on, 2009. ápr 9.
- Deák Erika Galéria, itt Kupcsik Adrián, ápr 16-máj 16., „a szív működése”, http://www.deakgaleria.hu/
- Bloomberg SPACE, London, http://www.bloombergspace.com
- VOLTA5 Basel, http://www.voltashow.com
- Xavier Hufkens, Brussels www.xavierhufkens.com
- Beursschouwburg, Brussels, http://www.beursschouwburg.be
- Solomon R. Guggenheim Museum, New York,
itt: Julieta Aranda: Intervals, 2009 ápr 10-júli 19,
kép: Julieta Aranda, Partially untitled (tell me if I am wrong), 2009
Camera obscura
(wood, paint, and translucent screen), hourglass, Lexan, rotating mechanism, and light source
- Independent Collectors www.independent-collectors.com
- bétonsalon, http://www.betonsalon.net, Párizs
- Lismore Castle Arts, http://www.lismorecastlearts.ie
- http://www.spacestudios.org.uk/, london

néz::::

- ubermorgen új: New project, Black n White : P'retty Ugly
- monochrom http://www.monochrom.at/english/
- artpool 30 éve:
integrál szemlélet http://www.artpool.hu/2009/090325_1.html
glokális identitás http://www.artpool.hu/2009/090325_2.html
hétköznapi művészeti esemény http://www.artpool.hu/2009/090325_3.html
együttműködés és önállóság http://www.artpool.hu/2009/090325_4.html
felbomlás és önmeghaladás http://www.artpool.hu/2009/090325_5.html
- Godot Performansz estek no. 3: INDIGO a vonaton www.godot.hu, Gödör Klub, 2009 ápr 233.

szöveg::::

- Capa képek:
http://www.fotopost.hu/fokuszban/if-your-pictures-aren-t-good-enough-you-re-not-close-enough
- David Bordwell: Érvelés a kognitivizmus mellett. in: A kortárs filmelmélet útjai. Palatinus, 2004 pp. 361-402.
- WHO ARE THE SPIES? WE ARE THE SPIES! Franz Thalmair interviews Daphne Dragona. 'Tag ties and affective spies' is the title of an on-line-exhibition which presents a selection of Internet-based artworks that highlight different aspects of the Social Web.”
http://www.furtherfield.org/displayreview.php?review_id=343
- I LOVE MEHDI BELHAJ KACEM, http://www.larevuedesressources.org/spip.php?article1185

Labels: fotó, hely, írás

# posted by sine : 10:47 AM

---- techne = művészet (StAuby) http://www.youtube.com/watch?v=6WwPHeM5ltI
és Big Dog, Robotic Chair
---- Random Rules - A Channel of Artists' Selections from YouTube, curated by Marina Fokidis
Artists: Andreas Angelidakis, Aids 3D ( Daniel Keller and Nick Kosmas) , assume vivid astro focus, Pablo Leon de la Barra, Eric Beltran, Keren Cytter, Jeremy Deller, Cerith Wyn Evans, Dominique Gonzalez Foerster, Dora Garcia, Rodney Graham, Annika Larsson, Matthieu Laurette, Ingo Niermann, Miltos Manetas, Ahmet Ögüt, Angelo Plessas, Lisi Raskin, Linda Wallace.
„The history of moving image seems to have 'seriously' diverted from its canonical route ever since the launch of YouTube, in 2005, the website which made possible for anyone who could use a computer to post a video that millions of people could watch within a few minutes. More effectively than ever before, amateur videos, music videos, footages of films, commercials and news segments as well as artists' videos (in lesser numbers) mingle together, in a random way, free of any short of predetermined hierarchy or system. Does amateur culture have undervalued artistic expertise? Some would argue that this is true; however, it is neither a major concern nor a pragmatic threat. During the last decades, there have been a lot of debates about expertise versus amateurism or around the idea that everyone is an artist, etc, that it would be redundant to renegotiate these notions anew. Maybe it is more interesting to focus on the gaps and the relations between the systems of the art market and a more open mass culture market, to find some answers, which will not be fixed in anyway. Even if artists, in some cases, are reluctant to upload their works in there (at least up to now) due to reproduction and copyright issues, they still seem to frequent YouTube for inspiration, collecting information, socializing, communication, activism or entertainment, among other reasons! Active use of YouTube is a short of curating, where different 'playlists' of people are the exhibitions and 'tagging' is a process of a random archiving.
In a time that invitations for YouTube-exchange private gatherings become regular, seemed to make lots of sense to explore what YouTube means to a specific intellectual community, by asking a number of artists to select videos already exciting in YouTube and create their own playlists. The idea was to form a YouTube channel, a short of a paradoxical archive, or an emission in an independent media (such as YouTube) which includes all these playlists, each under the name of the artist-selector. In that plot, the uploader or the broadcaster becomes the artist, the artist becomes the curator or the collector, and the viewers exceed by far the number that can be contained into a normal screening room, since the channel is to be watched in a black cube setting and online at the same time. Through the combination of this specific set of artists -as selectors- the aim remains always to come up with an anthology of different voices existing within the YouTube context. Perhaps, by watching this channel one could come across the notions of political, private, humor, narcissism, pop and DIY culture and distribution, -among others- as they result from various personal accounts in YouTube today.” Launched at Pulse, Contemporay Art Fair NY, 5th March 2009
---- „Mi a baj a yt-al?”, tranzitblog 20080222

figyel::::

---- nagyhalászi gólyák, szöveg itt : mme gólyanapló
---- nasa tv, kép forrása

hely::::

---- wage work, blog
---- Ludwig Forum für Internationale Kunst, Aachen
---- Neuer Berliner Kunstverein n.b.k. Berlin, 40 éves
---- Stedelijk Museum Bureau Amsterdam (SMBA), itt The Demon of Comparisons, 28 March - 17 May 2009
”With Heman Chong, Hafiz, Tibor Hajas, Beom Kim, Sung Hwan Kim, Wendelien van Oldenborgh, Tadasu Takamine, with special contributions by Philippe Rekacewicz and Grace Samboh
The Demon of Comparisons is an association of subjective positions relating in various ways to larger social and political frameworks, to power and cultural constructions. Placing emphasis on the issue of individual agency in a landscape defined by questions of national and cultural identities, The Demon of Comparisons questions the kind of collectivity these subjects can form. The title is a translation of a phrase from Jose Rizal's novel Noli Me Tangere, "el demonio de las comparaciones", also used by Benedict Anderson as the title of his book, where it is rendered as The Specter of Comparisons. An original and insightful thinker, Benedict Anderson questioned the patterns and the meeting points that are to be found throughout geographies, times and power structures that lead to formations of identities and various senses of belonging. Our translation remains anchored in this area of interest, but is intended to add the potential of the polisemy, indeed the spectres, of the original Spanish word, "demonio", in dealing with the subjectivity of one's experience of culture and power.
The Demon of Comparisons grew out of exchanges and discussions during Open Circuit #1: Yogyakarta, organized by Electric Palm Tree in September 2008 in Indonesia. During the week-long workshop, participants shared and negotiated their experiences and vocabularies of social transformation from their respective backgrounds.”
---- Casco, Office for Art, Design and Theory, Utrecht, itt The Antagonistic Link 29 March - 17 May 2009
”Mixrice, Hwa Yeon Nam, Nam June Paik, Sasa [44] with Sulki & Min, Curated by Binna Choi
The Antagonistic Link is an experimental setting for drawing transnational links in the form of an agonistic process that assumes the opposing parties to be in a state of conflicting coexistence. The Antagonistic Link uses 'Bye Bye Kipling', a historical satellite event conceived by Nam June Paik in 1986, as a point of departure. The exhibition combines this piece with three other projects initiated by artists and designers from South Korea, as well as other related activities. All these works explore the constructive possibilities of overcoming the sense of distance and antagonism that is the paradoxical product of advancing globalization.
"East is East, and West is West, and never the twain shall meet", the first line of The Ballad of East and West, a poem by Rudyard Kipling, opens up Paik's live satellite link-up of Japan, Korea and the United States – a broadcast featuring different sorts of cultural events and performances. Paik designed and coordinated the event with the intention of countering this poetic declaration (which, to be fair, is also undermined in the rest of Kipling's poem as he suggests that individuals are capable of this after all). The video is a shorter edit of the original broadcast and reveals various ironic and fractious moments in such a linkage. This may be a starting point for questioning the complexities and contradictions inherent in today's communication channels and global links — an inquiry that neither denies nor blithely celebrates the possibilities of transnational connection.”
---- Electric Palm Tree
---- CCA Gallery, kubai fotósok, Ahi…escapando, 2009 (10th Havana Biennial Project)
---- Riksutställningar, Visby, Svédország
---- Kumu Art Museum, Tallinn
---- Urban Jealousy, 1st International Roaming Biennial of Tehran, 3rd station, Belgrád, 2009.04.03.-04.10. (korábban Istanbul, és Berlin), blog

szöveg::::

---- e-magazine. 10th Havana Bienal, cca
---- Public Preparation
---- Miltényi Tibor: Papp Gergelyről, monográfia: Papp Gergely: Fotóalbum, 1998, Szellemkép Kiadó
---- AAAARG új címe: http://a.aaaarg.org.

Labels: fotó, hely, írás

# posted by sine : 11:19 AM

space London
BizArt Art Center, Shanghai
Yokohama Triennale 2008, Yokohama, Japan
Kalmar Konstmuseum (Svédország)
T1+2 Gallery, London
Museum of Contemporary Art, Lyon
8th Panama Biennial
Kunstmuseum Bern
http://www.artistsrespond.org
ART.FAIR 21 Cologne: 2.-5. October 200
Magasin 3 Stockholm Konsthall
Nottingham Castle
Künstlerhaus Stuttgart
Edith Russ Site for Media Art (Oldenburg)
Art Today Association, Plovdiv (Bulgaria)
Lengyel pavilon, Velencei Biennálé
Magyar pavilon, uitt, róla tranziton, Corpora in Si(gh)te
Holland pavilonról itt
Fotomuseum Winterthur itt Mark Morrisroe (1959-1989)
ExperimentaDesign Amsterdam
Thyssen-Bornemisza Art Contemporary
320 fok, Siófok, volt kenyérgyár
kortárs építészeti központ

szövegek:::

TATE ETC. Issue 14
Border Crossings, Issue No. 107 (Kanada)
ABITARE 485 (Milano)
artkrush Art in Shanghai, September 3-16, 2008
Art Lies
Megawords
+www.erftproject.blogspot.com (Ludomir Franczak)

Labels: elmélet, fotó, hely, írás, kiállítás

# posted by sine : 10:17 PM

helyek:::

Ke Center for the Contemporary Arts, Shanghai
ExperimentaDesign Lisboa
Nam June Paik Art Center, Republic of Korea
Open Space - Zentrum für Kunstprojekte, Bécs
Haus der Kulturen der Welt, Berlin
Henie Onstad Art Centre, Høvikodden, Norvégia

kép, szöveg:::

FKSE 50 napos kiállításáról egyben: http://www.photoblog.com/studio/
A 4K, azaz a Negyedik Köztársaság
Artmagazin 2008/3, benne: Lénárd Anna: A vonal teste - Vera Molnar és Francois Morellet kiállításáról
Josef Koudelka a 68-as csehszlovákiai invázióról az aperture 192-es számában

Labels: fotó, hely, írás, kiállítás

# posted by sine : 9:00 PM

mikor repül ki az első gólyafióka? gólya, kamera

szöveg:

----képzeletbeli gyűjtemény

----onestarpress

----közösségi rádiózásról a Civil Szemlében (2007/2. szám)

----ArtAsiaPacific
Issue no.59
July - August 2008

----88 artkrush-ban a holland kortárs művészetről

----Volume Magazine #16: 'SOCIAL ENGINEERING'

kép, hang:

----SHContemporary 08 September 10th - 13th 2008 THE Asia Pacific Art Fair, Shanghai Exhibition Center

----DHC/ART
Foundation
for
Contemporary
Art
July 4 - October 19, 2008,
SOPHIE CALLE,
kép: Jean-Baptiste Mondin

----New Zealand Pavilion Venice Biennale 2009

----Martha Rosler a Portikus-ban, Frankfurt am Main, 20080712-20080914

----ORLAN + DAVIDELFIN, SUTURE / HYBRIDISATION / RECYCLING 20080613-20080928, http://www.espacioav.es

----A FOREST OF LINES, PIERRE HUYGHE, 20080709-10, Sydney Opera House

----"After Nature" 20080717-0921 New Museum, NY

----mediamatters, tate

----http://www.ballroommarfa.org

----Gottfried Helnwein - Angels Sleeping, Galerie Rudolfinum, Prága, 12/06 - 31/08/2008
itt: Gottfried Helnwein: Epiphany I. (Adoration of the Magi 2), 2005

----IGVFest Milan 2008, International Guerrilla Video Festival, www.igvfest.com

----Fm 107.4 WWW.RADIOMU.NET

----(NEW) MEDIA ART IN MUSEUMS, The Museum of Modern and Contemporary Art in Rijeka

----Melbourne Art Fair 2008 30 July - 3 August

----Dating art workshop 2008, casino luxembourg, Museum of Contemporary Arts, Grand-Hornu

----Beat Streuli Expo 29/06/08 - 19/10/08

----galerija galzenica (HR)
www.kiberdzezva.blogspot.com

----Moldova Young Artists Association "Oberliht"

Labels: elmélet, fotó, írás, kiállítás, kritika, video

# posted by sine : 8:24 AM

DMAX Blog Berkeley Center for New Media

Gordon Matta-Clark 6 June - 19 October 2008, SMS Contemporanea (ex-Palazzo delle Papesse), Siena

Art|39|Basel May 28-June 10, 2008

róla artkrush/85

THE GREEN BOX, Berlin

"NO BORDERS (Just N.E.W.S.*)" 19 June - 28 September 2008
KRISTOFFER AKSELBO, Mona Liza Toaster, 2007, (modified toaster, aluminium plates with cut-out images 21 x 30 x 16 cm) 22 művészeti iskola 22 európai országból... CACT - Contemporary Art Center of Thessaloniki

In the Middle of a Whirlwind, www.warmachines.info, The Journal of Aesthetics & Protest Press

Summer 2008 in Aperture
(issue 191): - Sophie Calle: A Lover's Monologue - The Films of Robert Frank - Disappearances: The Photographs of Trevor Paglen - How Silent Images Can Break the Silence - Jane Hammond's Recombinant DNA - Town & Country: Reading for the Leisure Class - Off to Camp: The Photographs of James Bidgood - Susan Derges: The Eden Windows - Heavy Light: Recent Photography and Video from Japan - Picturing the Iraq War Veterans

PrintBasel08, Fair for contemporary graphic works of art, June 3 - 8, 2008
Louise Bourgeois Fugue No 11, 2003 29.8 x 40.6 cm screenprint and lithography Edition 9 (Procuniar Workshop, New York)
Exhibitors - Artmosphere Galerien GmbH, Salzburg A - Dreipunkt Edition, München D Editions Rémy Bucciali, Colmar F- Galerie Am Spalenberg, Basel CH - Hamilton-Selway Fine Art, West Hollywood CA/USA - Imprints Galerie Le Vieux Village, Pigros La Clastre F - Mixografia, Los Angeles, CA USA - Nordest SRL, Seregno I - Paul Stolper Gallery London GB - Pratt Contemporary Art, Sevenoaks, Kent GB - Procuniar Workshop, New York USA - Singapore Tyler Print Institute, Singapore - TAG Fine Arts, London GB - Tandem Press, Madison WI/USA - Visconti Fine Art, Ljubljana Slowenien - URDLA Centre international estampes & livres, Villeurbanne F

Turps Banana

Three Star Books új kiadványai: "Cattelan, DIE / DIE MORE / DIE BETTER / DIE AGAIN," by Maurizio Cattelan, monográfia saját magáról,"Holy Silence," by Tobias Rehberger,"Fetish" by Heimo Zobernig. (Sabeth Buchmann interpretációk) itt lesz még: Douglas Gordon, Ken Lum, Jonathan Monk, Matt Mullican, and Haim Steinbach.

P.A.R.A.S.I.T.E. Institute, Ljubljana

TEXTE ZUR KUNST
June 2008 / Issue No. 70 "WRITING FOR STEFAN GERMER"
"The new issue pays homage to Stefan Germer, the co-founder of this journal, who died in 1998, that is ten years ago. It was the distinctive strength of Germer's writings that they were always both meeting academic standards and the criteria of journalism. Today these competencies have severed virtually all ties. Shedding light on the reasons behind this questionable development was one aim of the current issue as well as to revive a problem-oriented form of art-critical writing - not least in memory of Stefan Germer."

Labels: film, fotó, grafika, írás, kiállítás, kritika, város, video

# posted by sine : 8:31 AM

cabinetmagazine

Prefix Photo magazine, Prefix Institute of Contemporary Art, Toronto

Circa Art Magazine, Dublin

www.radarart.com

a drawing a day project: (david gauntlett)

Haegue Yang, Siblings and Twins, May 17 - June 29, 2008

���Exploded Views, Remapping Florence��� by Marnix de Nijs (Rotterdam)

CCCS, Strozzina Contemporary Culture Center Florence, 15th May - 8th June 2008
( www.rotorscoop.net/, grail.cs.washington.edu/projects/mvscpc/, phototour.cs.washington.edu/, Blender Institute Project Apricot, Crystal Space, www.isiadesign.fi.it)
press release and images:
www.clponline.it/mostre.cfm?idevento=E2F9AF86-91E4-FB5B-77E95692E47385FD

Fluxus videók az Artpool archívumból, Fluxfilm Anthology

ROBERT WATTS : FLUX MED - Francesco Conz: A Flux Med 's Doktor Bob -

Larry Miller: Dr. Bob: Röntgenszem - Geoffrey Hendricks: Az állásinterjútól a FluxLux-ig, 32 évnyi barátság Bob Wattsszal - Ken Friedman: Bob Watts, az úttörő szellem - ROBERT WATTS életrajz és bibliográfia

Lassú Tükör (Buharov) 2008, 40 Labor, Duna Műhely, Laokoon Film, Pop Ivan Zenekar, Chakrahacker Zenekar, Keljfellaci, Pocem, Tilos Rádió, Speckojedno Zenekar, Strange Party Orchestra, Magyar Független Film és Video Szövetség

Mediawave, Budapest Short Film Festival

Labels: blog, dokumentáció, film, fluxus, fotó, grafika, írás, kiállítás, rajz, urban, video

# posted by sine : 1:39 PM

Fordította: Pálfi Judit, Pinczés Bálint, eredeti kiadás: Esthetique relationelle, Les Presses du R��el, 1998, Dijon, róla tranzitblog

Nicolas Bourriaud: Utómunkálatok, Műcsarnok-könyvek 2. 2007, Fordította: Jancsó Júlia, eredeti kiadás: Postproduction, Lukas&Sternberg, 2001, New York

azóta:

RIRKRIT TIRAVANIJA: Teahouse / Casa del Thé, 2005, foto Sillani

"SCULPTURES IN THE PARK is a work in progress that regularly enriches the Park of Villa Manin with site specific installations created by international artists. The success of the exhibition Luna Park. Fantastic Art, realized in 2005, contributed to the transformation of the beautiful Park of Villa Manin, ancient summer residence of the last Venetian Doge, into a dynamic place full of wonders. This year, besides mantaining six spectacular works from last year, the Centre for Contemporary Art of Villa Manin, has commissioned two more installations which, freely inspired by the theme of the game, will offer to the visitor opportunities for observation, interaction and discovery. Artistic director Francesco Bonami and curator Sarah Cosulich Canarutto invited Pawel Althamer and Michael Beutler to realise their new projects in the Park of Villa Manin."

más: "The MCA presents the first full-scale retrospective in 20 years of the work of Gordon Matta-Clark, organized by the Whitney Museum of American Art and curated by Whitney curator Elisabeth Sussman. During the brief but highly productive decade that he worked as an artist -and even more so since his untimely death-Gordon Matta-Clark (1943-78) exerted a powerful influence on artists and architects and has emerged as a key figure of the generation that came after minimalism.
This retrospective celebrates the brilliance and radical nature of his work in various media: sculptural objects (most, notably, from building cuts), drawings, films, photographs, notebooks, and documentary materials. Matta-Clark's work has particular relevance for Chicago. He created his last major work on the site of the MCA's original building in 1978. The project, titled Circus orThe Caribbean Orange, consisted of massive cuts into a neighboring townhouse before its annexation and renovation into galleries. The Chicago presentation features additional never-before-displayed archival material from this project. The MCA presentation is coordinated by MCA Curator Lynne Warren." Gordon Matta-Clark: "You Are the Measure" Through May 4, 2008

2006 nov 01 Photo of Philippe Parreno's Speech Bubbles, at the Grand Palais, by Francois Bouchet.

Contribute your photo to Parisist by tagging your it with "parisist" on flickr, or submitting them to the Parisist Pool.

Galleria Massimo De Carlo - Veduta mostra di Maurizio Cattelan - 1999
(Sede viale Corsica) Courtesy Galleria Massimo De Carlo

olasz nyelvű interjú vele

róla sok más (pl zorro és a brémai muzsikusok)

Liam Gillick ��vningsk��rning (Driving Practice), 2004 Courtesy The Artis

"Liam Gillick's hanging texts on display in the Triennial relate to a fictional work-in-progress provisionally entitled Construccion de Uno. This project follows a group of ex-factory workers who return to their closed-down workplace and improvise new modes of production using redundant factory signage.
Gillick claims that: 'there is no The idea, there are maybe 20,000 ideas flickering between the illusion of the present and the illusion of the past'. His works engage with the built world and they borrow a pre-existing vocabulary to explore the tension between ideology and its operating systems."

The first solo UK exhibition by French artist Pierre Huyghe has brought a pair of dancing doors to Tate Modern. 20060714

Navin Rawanchaikul Asking for Nothingness, 1995-99, bottles, photos, wooden shelves Installation view Satani Gallery

Labels: elmélet, fotó, kiállítás

# posted by sine : 12:01 PM

Labels: blog, fotó, írás, kritika, urban, város

# posted by sine : 9:14 AM

Labels: fotó, írás, kiállítás, video

# posted by sine : 4:38 PM

plus: YT, és la vida es arte

Labels: család, dokumentáció, fotó

# posted by sine : 10:26 AM