Monday, April 28, 2008

misc, inspiráció

Nicolas Bourriaud: Relációesztétika, Műcsarnok-könyvek 1. 2007

Fordította: Pálfi Judit, Pinczés Bálint, eredeti kiadás: Esthetique relationelle, Les Presses du R��el, 1998, Dijon, róla tranzitblog

Nicolas Bourriaud: Utómunkálatok, Műcsarnok-könyvek 2. 2007, Fordította: Jancsó Júlia, eredeti kiadás: Postproduction, Lukas&Sternberg, 2001, New York

azóta:

RIRKRIT TIRAVANIJA: Teahouse / Casa del Thé, 2005, foto Sillani

"SCULPTURES IN THE PARK is a work in progress that regularly enriches the Park of Villa Manin with site specific installations created by international artists. The success of the exhibition Luna Park. Fantastic Art, realized in 2005, contributed to the transformation of the beautiful Park of Villa Manin, ancient summer residence of the last Venetian Doge, into a dynamic place full of wonders. This year, besides mantaining six spectacular works from last year, the Centre for Contemporary Art of Villa Manin, has commissioned two more installations which, freely inspired by the theme of the game, will offer to the visitor opportunities for observation, interaction and discovery. Artistic director Francesco Bonami and curator Sarah Cosulich Canarutto invited Pawel Althamer and Michael Beutler to realise their new projects in the Park of Villa Manin."

Gordon Matta-Clark: Conical Intersect (detail), 1975 27-29, rue Beaubourg, Paris, courtesy of David Zwirner, NY and the Estate of Gordon Matta-Clark

más: "The MCA presents the first full-scale retrospective in 20 years of the work of Gordon Matta-Clark, organized by the Whitney Museum of American Art and curated by Whitney curator Elisabeth Sussman. During the brief but highly productive decade that he worked as an artist -and even more so since his untimely death-Gordon Matta-Clark (1943-78) exerted a powerful influence on artists and architects and has emerged as a key figure of the generation that came after minimalism.
This retrospective celebrates the brilliance a
nd radical nature of his work in various media: sculptural objects (most, notably, from building cuts), drawings, films, photographs, notebooks, and documentary materials. Matta-Clark's work has particular relevance for Chicago. He created his last major work on the site of the MCA's original building in 1978. The project, titled Circus orThe Caribbean Orange, consisted of massive cuts into a neighboring townhouse before its annexation and renovation into galleries. The Chicago presentation features additional never-before-displayed archival material from this project. The MCA presentation is coordinated by MCA Curator Lynne Warren." Gordon Matta-Clark: "You Are the Measure" Through May 4, 2008

hasonló: rotating liverpool, Richard Wilson szobrász munkája






Philippe Parreno: "Sous la houlette de Daniel Buren (encore !, voir ci-dessus), 37 artistes (dont Adel Abdessemed, Kader Attia, Pierre Bismuth, Kendell Geers, Claude L��v��que, Philippe Parreno etTadashi Kawamata , cf. image) ont envahi (jusqu���au 1er novembre) les crayéres gallo-romaines sombres et humides du domaine de Pommery, situ��es á 30 métres sous terre. Aprés Genesis Sculpture, L���Idiotie et Supernova, L���Emprise du lieu est donc la 4e édition de m��c��nat d���art contemporain au sein méme de la grande maison de Champagne de la ville de Reims. (lucileee.blog.lemonde.fr/.../)"


2006 nov 01 Photo of Philippe Parreno's Speech Bubbles, at the Grand Palais, by Francois Bouchet.

Contribute your photo to Parisist by tagging your it with "parisist" on flickr, or submitting them to the Parisist Pool.


Galleria Massimo De Carlo - Veduta mostra di Maurizio Cattelan - 1999
(Sede viale Corsica) Courtesy Galleria Massi
mo De Carlo

olasz nyelvű interjú vele

róla sok más (pl zorro és a brémai muzsikusok)



Liam Gillick ��vningsk��rning (Driving Practice), 2004 Courtesy The Artis

"Liam Gillick's hanging texts on display in the Triennial relate to a fictional work-in-progress provisionally entitled Construccion de Uno. This project follows a group of ex-factory workers who return to their closed-down workplace and improvise new modes of production using redundant factory signage.
Gillick claims
that: 'there is no The idea, there are maybe 20,000 ideas flickering between the illusion of the present and the illusion of the past'. His works engage with the built world and they borrow a pre-existing vocabulary to explore the tension between ideology and its operating systems."



The first solo UK exhibition by French artist Pierre Huyghe has brought a pair of dancing doors to Tate Modern. 20060714




Navin Rawanchaikul (Thailand) There Is No Voice, 1993, Installation with photographs, glass bottles, cork and wood, 122 x 122 x 259 cm. Collection of Chulalongkorn University

Navin Rawanchaikul Asking for Nothingness, 1995-99, bottles, photos, wooden shelves Installation view Satani Gallery

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