Monday, June 22, 2009
misc 20090622
néz::::
-- Köztes idő: Terv (a Tudás Múzeumához), Lia Perjovschi, 2009. június 24-től július 30-ig. http://www.metatron.sh/koztesido/Kezd%C5%91lap, dorottya galéria
-- Why are conceptual artists painting again? Because they think it's a good idea. Jan Verwoert előadása itt: The Building,
Berlin, 0621 One intuition motivating this series of talks has been the feeling that there is something deeply problematic about an approach that narrows the possibilities of engaging with art down to the procedures of decoding and encoding its inscription onto the symbolic order. That is: the idea that the primary task of art, as a strategical operation, was to provide conceptual legitimations (to satisfy or lay down the law, among other things) by constructing references that situate the work within an established economy of meaning. No matter how critical this approach may initially have intended to be, it has effectively proven to be coextensive with—and an involuntary ideological support of—an attitude towards art production that is indeed merely strategical and solely about plotting ways of inscribing a practice into the symbolic order, be it through the suicidal heroic mode of bringing the game of art to its logical conclusion by explicating its rules (old-school modernist conceptual) or through the somewhat more versatile mode of implicating a work within its given economies of referentiality as rarified secrets. (több itt: http://www.e-flux.com/shows/view/6927)
-- Keserue Zsolt, 23 MONOLÓG, http://www.paksikeptar.hu/
-- public, toronto, http://www.publicjournal.ca
-- Monument
to Transformation,
May 28 - August 30, 2009, City Gallery Prague,
http://www.monumenttotransformation.org,
http://www.tranzitdisplay.cz,
http://www.tranzit.org,
itt: Zbyněk Baladrán, Body (diagram from Atlas of Transformation), 2009
-- NO SOUL FOR SALE –
A Festival of Independents,
June 24 - 28, 2009,
X INITIATIVE, New York,
http://www.x-initiative.org
hely::::
-- cityson.info est un audio guide des ouvres d'art public, pérennes ou éphémeres, dans la ville a destination de l'internet et de la téléphonie mobile./, http://cityson.info
--
Irish Museum of Modern Art, Dublin,
http://www.imma.ie,
itt: Between Metaphor and Object,
Art of the '90s from the IMMA Collection,
14 May 2009 - 4 April 2010,
itt: Ann Hamilton, Filament II, 1996
-- VILLA ARSON – National contemporary art centre, NICE (France) http://www.villa-arson.org
-- Fundación Proa, Buenos Aires, http://www.proa.org
-- The Power Plant,
http://www.thepowerplant.org,
itt Gabriel Orozco,
Black Kites Perspective,
1997
-- TANAS - Space for Contemporary Turkish Art, Berlin, www.tanasberlin.de, itt: Red Thread - a prologue to 11th International Istanbul Biennial
-- CiC - Contemporary Image Collective, Cairo, www.ciccairo.com
-- 28th Biennial of Graphic Arts, Ljubljana, www.mglc-lj.si, 4 September - 25 October 2009
-- art networking platform on http://artaculous.com/
szöveg::::
-- "The Fate of Art in the Age of Terror ", Boris Groys, http://a.aaaarg.org/text/3167/fate-art-age-terror, The terrorist, the warrior is radical. He does not practice the iconoclasm. Rather, he wants to reinforce the belief in the image...
-- "On Nietzsche", Georges Bataille, http://a.aaaarg.org/text/3178/nietzsche
-- "Theory of Religion", Georges Bataille, http://a.aaaarg.org/text/3179/theory-religion
-- http://www.textezurkunst.de
-- "Matter and Memory", Bergson, http://a.aaaarg.org/text/3196/matter-and-memory
-- e-flux journal - issue #7, 2009 nyár, http://e-flux.com/journal, benne Groys és Baers
-- Köztes idő: Terv (a Tudás Múzeumához), Lia Perjovschi, 2009. június 24-től július 30-ig. http://www.metatron.sh/koztesido/Kezd%C5%91lap, dorottya galéria
-- Why are conceptual artists painting again? Because they think it's a good idea. Jan Verwoert előadása itt: The Building,
Berlin, 0621 One intuition motivating this series of talks has been the feeling that there is something deeply problematic about an approach that narrows the possibilities of engaging with art down to the procedures of decoding and encoding its inscription onto the symbolic order. That is: the idea that the primary task of art, as a strategical operation, was to provide conceptual legitimations (to satisfy or lay down the law, among other things) by constructing references that situate the work within an established economy of meaning. No matter how critical this approach may initially have intended to be, it has effectively proven to be coextensive with—and an involuntary ideological support of—an attitude towards art production that is indeed merely strategical and solely about plotting ways of inscribing a practice into the symbolic order, be it through the suicidal heroic mode of bringing the game of art to its logical conclusion by explicating its rules (old-school modernist conceptual) or through the somewhat more versatile mode of implicating a work within its given economies of referentiality as rarified secrets. (több itt: http://www.e-flux.com/shows/view/6927) -- Keserue Zsolt, 23 MONOLÓG, http://www.paksikeptar.hu/
-- public, toronto, http://www.publicjournal.ca
-- Monument
to Transformation,May 28 - August 30, 2009, City Gallery Prague,
http://www.monumenttotransformation.org,
http://www.tranzitdisplay.cz,
http://www.tranzit.org,
itt: Zbyněk Baladrán, Body (diagram from Atlas of Transformation), 2009
-- NO SOUL FOR SALE –
A Festival of Independents,June 24 - 28, 2009,
X INITIATIVE, New York,
http://www.x-initiative.org
hely::::
-- cityson.info est un audio guide des ouvres d'art public, pérennes ou éphémeres, dans la ville a destination de l'internet et de la téléphonie mobile./, http://cityson.info
--
Irish Museum of Modern Art, Dublin,http://www.imma.ie,
itt: Between Metaphor and Object,
Art of the '90s from the IMMA Collection,
14 May 2009 - 4 April 2010,
itt: Ann Hamilton, Filament II, 1996
-- VILLA ARSON – National contemporary art centre, NICE (France) http://www.villa-arson.org
-- Fundación Proa, Buenos Aires, http://www.proa.org
-- The Power Plant,http://www.thepowerplant.org,
itt Gabriel Orozco,
Black Kites Perspective,
1997
-- TANAS - Space for Contemporary Turkish Art, Berlin, www.tanasberlin.de, itt: Red Thread - a prologue to 11th International Istanbul Biennial
-- CiC - Contemporary Image Collective, Cairo, www.ciccairo.com
-- 28th Biennial of Graphic Arts, Ljubljana, www.mglc-lj.si, 4 September - 25 October 2009
-- art networking platform on http://artaculous.com/
szöveg::::
-- "The Fate of Art in the Age of Terror ", Boris Groys, http://a.aaaarg.org/text/3167/fate-art-age-terror, The terrorist, the warrior is radical. He does not practice the iconoclasm. Rather, he wants to reinforce the belief in the image...
-- "On Nietzsche", Georges Bataille, http://a.aaaarg.org/text/3178/nietzsche
-- "Theory of Religion", Georges Bataille, http://a.aaaarg.org/text/3179/theory-religion
-- http://www.textezurkunst.de
-- "Matter and Memory", Bergson, http://a.aaaarg.org/text/3196/matter-and-memory
-- e-flux journal - issue #7, 2009 nyár, http://e-flux.com/journal, benne Groys és Baers
