Sunday, May 04, 2008
misc 20080503
forschungsgruppe_f "LITTLE. conditions 2005 - 2008"
26 x 20 cm, 152 coloured pages, Verlag Silke Schreiber, Munich, ISBN 978-3-88960-099-8
EUR 10,-
itt: Kunsthaus Schaller, Koenigstr. 28, Stuttgart, Irok Boltja, Andrassy ut 45, Budapest
Mucsarnok - Kunsthalle Budapest, Museumshop, Hosok tere Budapest
Content: r/e/mig(r)áció Budapest 2006, forshed, shedhalle Zurich, 2007, Little Germany, Stuttgart 2007, Little Hungary, Budapest 2007
83. artkrush Berlin Biennial, April 30-May 13, 2008
Burak Arikan, Engin Erdogan projektje: User Labor
”User Labor Markup Language (ULML), is an open data structure to outline the metrics of user participation in social web services. Our aim is to construct criteria and context for determining the value of user labor for
distribution. We believe that universality, transparency, and accessibility of user labor metrics will ultimately lead to more sustainable service cycles in social web.”
AAAARG.ORG: kortárs képzőművészeti- és művészet-filozófiai írások gyűjteménye. témakörök: post-critical architecture, quasi-architecture, pedagogical models, making room for redundancy, latency of the moving image in new media, relational aesthetics, art and work, data visualization, the politics of aesthetics
re(public)art témakörei: alternative economics, publicum, artists as producers, precariat
institution, real public spaces, representations, space of empire, mundial, art sabotage
hybrid?resistance, pre_public, kunst 2.0
SUBSOL kortárs médiaművészeti avantgárd
A Perimedia lab – Peripublic projekt - Perichronic
Museo Tambo Quirquincho, La Paz, Bolivia
Prague Biennale 3, Prague, Czech Republic
Kressling Gallery, Slovakia
„What is this project about? Ondrej: The dog carpets are essentially about society's hypocrisy. It questions the special status that dogs and cats have in our, western society. Although we can see that in China, despite the local culture and cuisine, the pet culture is on its rise as well. The Bolivian experience was about hypocrisy as well, but it involved on a larger and direct scale mechanisms and structures within the society. Kristofer: It's about the tradition of producing carpets with wild animals as a hunting fetish. But in this case we were using an inappropriate animal, a pet - and like this we wanted to question the values behind this tradition. Ondrej was speaking to me about this idea already before the Bolivia show, but when I got the opportunity to participate in that show I thought it would be interesting to realize the dog carpets there with Ondrej, mainly for three reasons: more adventure, lower production costs and the problem of street dogs in South America (in contrast to the beloved inhouse pet in North America and in most European countries).” full documentation
Labels: artblog, elmélet, írás
